The Gracious Two - LIVE Show 016 - Bob Zazzera
The Gracious Two, Chad Gracey and JRo (Mr. GodTimes) discuss LiVe's history and early success.
Live achieved rapid success with their first two albums but exhaustion from constant touring led to tension with their management, who failed to convince them to take a break and capitalize on opportunities.
Chad Gracey, Mr. GoodTimes and Bob Zazzera discuss management issues and exhaustion during Distance to Here era
As LiVe's fame grew, their management handled multiple bands and did not proactively address the group's fatigue, lost opportunities, or inter-band communication issues, exacerbating tensions that impacted their next album's promotion.
The 3 guys discuss "Crying Time" a song by The Gracious Few. They discuss origins and homemade music video by Bill Hynes
The emotional song was inspired by a friend's death and the video highlighted his full life, strengthening the tribute and bringing new understanding to the song's meaning for viewers.
Chad, JRo and George discuss the breakup and aftermath of LiVe
Unresolved issues, manipulative media coverage, and lack of discussion allowed resentment to build between band members, culminating in their hiatus, while fans took polarized sides until gaining perspective; reconciliation may require open communication.
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And I believe we are live ladies and gentlemen
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gracious Yeah, baby gracious two back again episode
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16 Merry Christmas to all hope everybody had
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a had a wonderful wonderful Christmas if you're
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still Partaking in the festivities more power
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to you. What up, Chad? What up, John? Chillin
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Merry Christmas. Yeah, we're moving in the new
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year now, you know New Year's Eve coming up.
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Yeah great time of year I was thinking we should
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do like I'll have to remember this next year
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while the time is rolling on to do like Different
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gracious to gear for holidays, you know I'm saying
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like have some Christmas stuff have some New
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Year's stuff Absolutely. Yeah. Yeah Christmas
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sweaters gotta do those. Yes exactly Christmas
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sweaters So happy Kwanzaa right today's Kwanzaa,
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I believe That's right. That's what they say.
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So they say Um, we do have a cool guest on I
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think I'm pronouncing his name. Correct Bob's
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Azera a very big fan of live and of yours. Been
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around since the beginning. Yes, I know Bob well.
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We actually text back and forth sometimes. Him,
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Bill and I, and yeah, Bob is a long time fan.
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Vast knowledge. He has a huge database of recordings
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and all kinds of stuff, so yeah. Which is cool.
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I think it was him who just released... a 1998
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chameleon club by you guys. I don't know if he
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shot it, but he put it up on YouTube. And it's,
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you know, the video and sound aren't the best,
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but what a great concert, man. New City was a
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song that was played there that I don't think
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is on anything else out there. Yeah, that's that
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was a B -side, I think, to Secret Samadhi or
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maybe no, that would be a B -side to Distance
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To Hear. Ah didn't put on yeah a bunch of cool
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um in there, you know, you had change in there
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new city a couple uh, you know different lyrics
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and stuff the stuff that did end up on the distance
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to hear So it was definitely cool to to hear
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just wish it was better quality Yeah, so that
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would have been a show where we were trying out
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new material for distance here. That makes sense.
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Yeah Yeah, those are great shows those 1998 shows.
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Um, well we used to write songs and then go play
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them out live and check, you know fans loved
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it. It was fun to like, to try this stuff out
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on the live audience. And, and when you play
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a song, you write a song and then you play it
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live, it takes on a different, sometimes a different
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vibe or you do different stuff. Right. Or you
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can get more intensity out of it. And so that
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was, that was our process at the time, but we
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stopped doing that. Well, it was a great process.
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I agree. I don't know if you guys did this but
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I know Pearl Jam was doing it for a while where
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they like recorded every concert they did I guess
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through their soundboard and then like they released
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it like in a like a cardboard package or anything
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but I know you guys didn't release anything like
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that but did you word your stuff like all your
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soundboard stuff or no just kind of? We have
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over the years not all of it but yeah there's
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some sometimes when we recorded it. Yeah that
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was Pearl Jam was releasing their own bootlegs
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it was freaking cool. It was very cool. It was
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like being ahead of the bootleggers because,
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you know, they're making money off of your backs.
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Right. Yep. They ruined the whole bootleg for
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them anyway. Now it doesn't even matter. Everyone
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has a camera to show. Right. Yeah. Back in the
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day, it was like, um, you know, to do that, it
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like went against every band's policy and stuff,
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but now it seems like it's just par for the course.
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And maybe a good way to get some free marketing
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and free publicity, but you guys. Yeah, I mean,
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I agree. Even back in the day, like. I don't
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know. Like why people were so anti, like recording
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and fucking and taking pictures and all this
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shit like even we were that way, I guess, because
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we were taught to be that way. I don't know.
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But just think back on it like, why wouldn't
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you want to spread? the message and the music
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and the images, you know, as far as they can
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go. Let people just fucking record and take pictures
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and just go for it. Like, spread the shit around.
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You know, ultimately, you're gonna have people,
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more people to the show, which is where, you
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know, you make money. So if it's about making
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money, it's like you want to spread the word,
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or to make it. Especially for a band like you
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guys who, not that you're bad on CD, but you're
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just like, the energy in the concert is like...
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fucking bar none. So it would, it would have
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been good to get that word out. So more people
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went to the shows and whatnot. I agree. You know,
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hindsight is 2020. Right. I believe Dave Matthews
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band. That's kind of how they got their start.
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They encouraged like, you know, before they had
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record deals and stuff, they were playing like
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frat houses and stuff, and they encouraged people
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to record and just kind of spread it out that
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way. And that's how they got, you know, their
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following or whatever. Yeah. Little ahead of
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the curve, but I mean it you could see both sides
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of it You know, you can see how it gets the word
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out on your music But then also what happens
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if you guys decided to release it and it's already
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out there, you know So it's I could see both
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sides Oh exactly bands like fish and the Grateful
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Dead and even Dave Matthews They would encourage
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people to come and record right made sense, you
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know, you'd think Everyone should have done that
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Whatever like you said it's 2020 Someone someone
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said to me hindsight 50 -50. Yeah, okay How does
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that work? Is it the lower the number the better
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your vision or the higher? I really don't know
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like 2020 is perfect. Yeah 2015 is better like
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2015 2010 is like really fucking amazing You
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see not only do you guys get cool insight on
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the band live you get insight on this stuff on
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them all ophthalmological voice exactly exactly
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right uh if anybody's wondering why i sound like
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uh a train wreck it's because i have like some
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kind of mucus membrane just clogging up my uh
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whole my whole face so that's why i sound this
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way but came here to put on a show for y 'all
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so hey hey holding through bear with us Uh, got
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a lot of good feedback on, on, uh, last week's
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show, uh, with the, uh, Sabo's, uh, that was
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amazing. So great to have them. I'm still so
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pumped about that rerouting movie, man. I can't
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wait to see the full thing after watching it.
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Hopefully they get some traction at the festivals
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and they can release it. It's freaking great
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from the trailer. Anyway, it looks amazing. Right.
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I mean, Hey, if, if independence are doing stuff
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like that, I mean, And let's just say they don't
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get traction at these festivals. That just shows
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like that the independent genre is getting really,
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really good because that looked to me like it
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was a, you know, full on release by some major
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studio in my, in my mind. Sure. Yeah. I agree.
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It didn't look like no $50 ,000 budget, you know?
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It's amazing. Yeah. Yeah. Like a Titanic or something
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that costs like what? Like millions to make.
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Million exactly. I mean we've we I mean the BAM
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you shot videos that cost like 500 grand 600
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grand, you know, it's like it was It's just amazing.
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They did it on $50 ,000. Our first video was
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$5 ,000 for Operation Spirit now what was that
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the one at where You did two for one video was
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that Operation Spirit or pain lies on the riverside?
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Because one was filmed at Stone Pony almost like
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a live cut of it And then the other one was like
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a regular video Pain, Lies, and Riverside, we
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did two on. We did a regular video and then we
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did kind of a live video. We reported some of
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it to Chameleon and maybe Stone Pony as well,
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but Operation Spirit was all... There's some
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footage from Chameleon show in Operation Spirit.
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Mostly it's just us running around fucking, I
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don't know, the park. We're in Central Park and
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we were shot in Sandy Hook, New Jersey on the
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beach. Like the fire scene is Sandy Hook, New
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Jersey on the beach, bonfire. Anyway. Do you
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know roughly, cause do you know roughly what
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the I loan video costs you guys to shoot? Um,
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that was probably one of the more expensive ones
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for, so I, I don't remember. I was top of my
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head and really just paying for set. It seems
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at that point, cause it was a lot of you guys
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in there. It didn't seem like there was a lot
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of like, um, CGI or anything like that. Kind
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of like the set you were paying for and then
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even what you have your drums there. Yeah, you're
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paying for set and then the director. Ah, but
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yeah, yeah. Yes, exactly. I had the drums on
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the set, but then the guy was like, we don't,
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I don't like the drums on the set. Well, now
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we know, now we know after you guys get back
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together after the rock and roll hall of fame
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to hire the safe, the save those to do the videos
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and we can save some loot. Exactly. Yes. The,
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um, forever may not be long enough video that
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looked like that could have cost some some a
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pretty penny because not only were there scenes
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from the movie in there that you might have had
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the license but there seemed to be like some
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really cool backgrounds and stuff like that or
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sets seem to be expensive for that for that video
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yeah i don't know exactly the record company
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paid for part of that but it was in it was uh
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like uh together with the movie production so
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ah I don't know if they paid part of the expense
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or not, but Yeah, that was that was a whole weird
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deal. There's so we had forever not may not be
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long enough. That was part of the mummy, right?
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That there was another song was supposed to be
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in Keep the first Fast and Furious Deep enough
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deep enough. Yep was supposed to be in the first
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Fast and Furious and I guess it was but like
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direct So the record company had these three
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three opportunities plus it was overcome with
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the whole 9 -11 thing Right. Three opportunities
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to like really promote that record, five, and
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they squandered all the record companies, fucked
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them all up. Yeah, because as you're saying -
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Two major movies and fucking, and not that you
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wanted the profit off of 9 -11, but like we,
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the Overcome was blowing up as it just naturally
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started getting played on VH1. Someone put together
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this video and we were like, let's put it out
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and like, well, donate all the proceeds to the
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9 -11 fund or whatever, you know. They're like,
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no, we don't want to do it. OK, thanks. It's
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amazing. It's like you almost then see why the
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record companies went the way they went when
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they're making dumb decisions like that, you
00:11:12.610 --> 00:11:16.009
know? Yep, exactly. Like you guys are a heavy
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marketable band and, you know, they totally squandered
00:11:20.710 --> 00:11:24.809
that time. Like you said, two major motion pictures
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plus the overcome thing. And that was really
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That was all over. That was not just all over
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VH1 or MTV. That was all over, you know, the
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radio with clips playing in the background and
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whatnot. And deep enough, the director wanted
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to do like a full video with the fucking all
00:11:42.529 --> 00:11:44.789
the all the all the cast and stuff like like
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a major part of the movie. And they wouldn't
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do it. Isn't that amazing? It's amazing. Drives
00:11:50.789 --> 00:11:55.289
you crazy. Yeah. So who is that part of management
00:11:55.289 --> 00:11:59.649
or is that part of like Like your manager or
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is that like the owner of the record company?
00:12:01.690 --> 00:12:03.529
How does that not the owner? Well, there was
00:12:03.529 --> 00:12:05.789
no owner. It was Universal Time So it was you
00:12:05.789 --> 00:12:08.629
know, the guy running Universal Time. I think
00:12:08.629 --> 00:12:13.429
his name was Jay Bovert He came in he took over
00:12:13.429 --> 00:12:16.929
so like the the regime that was there for like
00:12:16.929 --> 00:12:20.190
throwing copper and secret Somali was uh was
00:12:20.190 --> 00:12:22.669
the one that signed us right so they had ownership
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in it and they helped blow us up and like you
00:12:24.840 --> 00:12:27.379
know, make us successful. And then Jay Boberg
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took over. I forget what his background was,
00:12:30.240 --> 00:12:33.259
but he was a horrible record company for instance.
00:12:34.039 --> 00:12:40.200
He didn't know how to use you guys. No. His promotion
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of The Distance of Here was crappy. It was just
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bad, the whole thing. Yeah, because in my eyes,
00:12:48.980 --> 00:12:51.740
I mean, the distance to hear, I mean, I don't
00:12:51.740 --> 00:12:54.120
know, I'm guessing it was successful in its own
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right, but that should have been one of your
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biggest albums. I mean, there was a lot of real
00:12:59.220 --> 00:13:02.620
radio friendly songs on there, on top of some
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nice deep ass tracks on there that, you know,
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really, you know, touched your core audience
00:13:07.080 --> 00:13:10.720
as opposed to just, you know, as opposed to just
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casual listeners. Sure. Yeah. This is a pretty
00:13:17.600 --> 00:13:19.919
prominent story in the record business, like
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bands that are successful and then a new regime
00:13:23.759 --> 00:13:27.740
takes over. Sometimes they're not making good
00:13:27.740 --> 00:13:29.759
music, but I think in our case, we're still making
00:13:29.759 --> 00:13:33.360
good music. But it's just a matter of whether
00:13:33.360 --> 00:13:35.340
the record company wants to put their weight
00:13:35.340 --> 00:13:39.299
behind you or not. Right. Right. It happens.
00:13:39.659 --> 00:13:43.480
I still think, not to jump gears, but Birds of
00:13:43.480 --> 00:13:47.179
Prey, that number two song, She, is such a rocking
00:13:47.179 --> 00:13:48.980
song. I would've loved to hear you guys play
00:13:48.980 --> 00:13:51.039
that in concert, but I don't know if you've ever
00:13:51.039 --> 00:13:54.820
did, or just I missed it, but that is a great,
00:13:54.820 --> 00:13:57.039
great song, and it seems like it'd be perfect
00:13:57.039 --> 00:14:01.340
to be somewhere in the live concert set list
00:14:01.340 --> 00:14:04.919
because it just, it rocks, and it's short. I'll
00:14:04.919 --> 00:14:07.080
have to listen to it again. Know what song it
00:14:07.080 --> 00:14:09.080
is. Know what I'm talking about. Yeah. Yeah.
00:14:09.080 --> 00:14:11.460
Yeah. I think I remember what it is, but I have
00:14:11.460 --> 00:14:13.820
to listen to it. Oh, funny. I listened to on
00:14:13.820 --> 00:14:15.600
the way here on the flight. I listened to a bunch
00:14:15.600 --> 00:14:18.659
of tracks on distance to here. And, and then
00:14:18.659 --> 00:14:21.840
I was listening to five to him. We're just to
00:14:21.840 --> 00:14:23.960
haven't listened to him forever. That's gotta
00:14:23.960 --> 00:14:26.600
be so cool. Going back through your catalog and
00:14:26.600 --> 00:14:28.980
just like checking out songs that, you know,
00:14:28.980 --> 00:14:32.279
you haven't heard in forever or, you know, cause
00:14:32.279 --> 00:14:36.389
I, You guys do play a lot of, you know, the new
00:14:36.389 --> 00:14:38.330
album and concert, but there are some that you
00:14:38.330 --> 00:14:40.269
leave out, so there might be some songs that
00:14:40.269 --> 00:14:43.169
you haven't, you know, listened to in 20 -plus
00:14:43.169 --> 00:14:45.289
years or something. So it's got to be coming
00:14:45.289 --> 00:14:48.750
back. Oh, well, I just, yeah, I mean, some of
00:14:48.750 --> 00:14:51.330
the deeper tracks on Distance to Here and Five,
00:14:51.470 --> 00:14:53.870
I hadn't listened to for a long time. Obviously,
00:14:53.950 --> 00:14:55.929
I have to listen to Bird to Prey. But what I
00:14:55.929 --> 00:14:58.490
noticed from Distance to Here to Five is that,
00:14:58.490 --> 00:15:01.190
you know, Ed took over all the writing at that
00:15:01.190 --> 00:15:03.919
point. And, uh, which was fine. There were some
00:15:03.919 --> 00:15:08.240
great, great tracks on five, but I noticed that
00:15:08.240 --> 00:15:10.860
the drums are a lot quieter on five than they
00:15:10.860 --> 00:15:17.919
are on distance. I agree. I got mixed down. Yeah.
00:15:18.240 --> 00:15:20.259
Yeah. Shining too much, I guess. I don't know.
00:15:20.820 --> 00:15:23.240
Maybe he's like in deep enough that that's a
00:15:23.240 --> 00:15:25.259
real heavy drum sound, but yeah, maybe it's turned
00:15:25.259 --> 00:15:27.799
down in the mix or something. I don't know. It's
00:15:27.799 --> 00:15:30.139
weird. I was like, yeah, that's noticeably quieter.
00:15:30.700 --> 00:15:34.519
Well, I got Mr. Bob about to enter the room.
00:15:35.080 --> 00:15:39.379
So, ladies and gentlemen, Mr. Bob Z, is it Zazera
00:15:39.379 --> 00:15:41.820
Bob? Am I am I pronouncing that correctly? I
00:15:41.820 --> 00:15:45.100
talk to him all the time, you know, online, but
00:15:45.100 --> 00:15:47.980
never correctly corrects everybody. Yeah, yeah.
00:15:51.320 --> 00:15:56.840
That's correct. There it is. I believe I believe
00:15:56.840 --> 00:16:00.190
Bob is going to be off camera. I'm not 100 percent,
00:16:00.370 --> 00:16:03.029
but because he's he's doing stuff. So that might
00:16:03.029 --> 00:16:05.330
be the case. I'm not sure somebody coming up
00:16:05.330 --> 00:16:07.429
is off camera. I'm not sure if it's Bob or not.
00:16:07.710 --> 00:16:10.870
But Bob, how are you, sir? And good, guys. Merry
00:16:10.870 --> 00:16:13.490
Christmas. Hope it was nice. Merry Christmas
00:16:13.490 --> 00:16:15.909
to you. Yeah, I had a great one. Thank you. Yeah,
00:16:16.009 --> 00:16:19.529
same here. Same here. Yeah, it was down. Everything
00:16:19.529 --> 00:16:22.490
was nice. It was real, real quiet, real, real
00:16:22.490 --> 00:16:25.629
together. And, you know, that was, you know.
00:16:26.259 --> 00:16:29.120
topped off the day by I think watching a little
00:16:29.120 --> 00:16:32.320
bit of football, but then it was uh It was good.
00:16:32.480 --> 00:16:37.559
Nice. It was uh, it was basically uh, I want
00:16:37.559 --> 00:16:42.039
to say Why it's been real fast, right? You know
00:16:42.039 --> 00:16:43.759
leading up to Christmas, you know Thanksgiving
00:16:43.759 --> 00:16:46.299
was just here and Everything just goes fast at
00:16:46.299 --> 00:16:48.679
the end of the year. Oh, that's just me I I don't
00:16:48.679 --> 00:16:50.740
know if you guys experienced that kind of you
00:16:50.740 --> 00:16:53.320
know, the calendar the dates go fuck go fast
00:16:53.320 --> 00:16:55.950
and I'm like, okay End of the year is coming
00:16:55.950 --> 00:16:58.610
up already. 2024 is here in less than a week,
00:16:58.710 --> 00:17:01.570
right? It's freaking wild. I experienced it too.
00:17:01.769 --> 00:17:05.049
I hear you. I've been told that I have some of
00:17:05.049 --> 00:17:08.390
your signature cocktail songs coming to me. I
00:17:08.390 --> 00:17:11.769
was about to ask, did that arrive yet? No, Bill
00:17:11.769 --> 00:17:13.769
has not arrived yet, so it's coming with him.
00:17:14.230 --> 00:17:16.829
Alright, that's right. I made enough for both
00:17:16.829 --> 00:17:20.849
of you guys to have. I know you tried it last
00:17:20.849 --> 00:17:22.650
year, but I think I hopped it up a little more
00:17:22.650 --> 00:17:26.190
this year. Nice. Bill said it rivals St. Elmo's.
00:17:26.569 --> 00:17:29.109
That's what he says. That's what he says. Well,
00:17:29.190 --> 00:17:30.349
let the audience know what we're talking about
00:17:30.349 --> 00:17:31.670
here. What do you, what do you, what kind of
00:17:31.670 --> 00:17:35.069
sauce do you make there, Bob? All right. So cocktail
00:17:35.069 --> 00:17:37.230
sauce, right? You know, you put it on whatever
00:17:37.230 --> 00:17:39.509
shrimp or whatever you want, you know, dip, you
00:17:39.509 --> 00:17:42.690
know, ketchup, horseradish, you know, I'm not
00:17:42.690 --> 00:17:46.049
going to tell you my what's in there, but I might
00:17:46.049 --> 00:17:49.170
have a, I might, I might have a little post retirement
00:17:49.170 --> 00:17:51.130
business opportunity there. I might want to.
00:17:51.369 --> 00:17:54.269
put it into some bottles and maybe sell it, but
00:17:54.269 --> 00:17:58.849
it's good. Last year I told Bill about it and
00:17:58.849 --> 00:18:01.829
I said, hey, I want to try this because I know
00:18:01.829 --> 00:18:04.309
you like St. Elmo's and he goes, yeah, your stuff
00:18:04.309 --> 00:18:05.970
probably can't touch that. And then I brought
00:18:05.970 --> 00:18:09.410
it over to him last year and everything else
00:18:09.410 --> 00:18:15.609
went fine. And then just one thing. So St. Elmo's.
00:18:15.769 --> 00:18:21.250
Oh, sorry. No, it's okay. So I had I gave him
00:18:21.250 --> 00:18:23.450
some and he's like, he's like, Oh, he's he made
00:18:23.450 --> 00:18:25.230
a video with one of his girls. And he's like,
00:18:25.309 --> 00:18:27.789
this stuff is unbelievable. I was like, okay,
00:18:27.910 --> 00:18:31.349
good. Happy to hear it. So I had him bring you
00:18:31.349 --> 00:18:33.230
some last year. And I think you said you liked
00:18:33.230 --> 00:18:37.769
it. So yes, more on the way. Sweet. So St. Elmo's
00:18:37.769 --> 00:18:41.450
is a very famous legendary steakhouse in Indianapolis.
00:18:42.450 --> 00:18:45.170
And they have this their cocktail sauces like
00:18:45.170 --> 00:18:47.609
the horseradish they use is off the fucking charts
00:18:47.609 --> 00:18:51.119
hot. yeah cocktail sauce is so good but like
00:18:51.119 --> 00:18:52.980
it's very common you'll take someone new there
00:18:52.980 --> 00:18:54.680
and they're like they you know they get the shrimp
00:18:54.680 --> 00:18:56.920
you have to get the shrimp cocktail and they
00:18:56.920 --> 00:18:58.559
get it and they're like they take a big dollop
00:18:58.559 --> 00:19:02.160
of this shit and you just see it's like their
00:19:02.160 --> 00:19:06.880
sign is yeah horseradish is a unique spice because
00:19:06.880 --> 00:19:09.859
it like gets into your nasal acids it's kind
00:19:09.859 --> 00:19:15.019
of like wasabi Yes, very very very similar to
00:19:15.019 --> 00:19:17.400
the wasabi burn right up your nose into your
00:19:17.400 --> 00:19:19.619
nasal cavity into the back of your eyes and then
00:19:19.619 --> 00:19:23.099
it goes away real fast, right? So it's but it's
00:19:23.099 --> 00:19:25.960
intense Interesting about wasabi is like 90 %
00:19:25.960 --> 00:19:29.319
of wasabi that you have is not real What do you
00:19:29.319 --> 00:19:32.299
mean? It's fake. It's fake. It's basically horse
00:19:32.299 --> 00:19:35.619
radish color green because wasabi is only grown
00:19:35.619 --> 00:19:38.140
in like one little region in japan along some
00:19:38.140 --> 00:19:40.500
fucking creeks and it's like really hard to grow
00:19:40.500 --> 00:19:44.220
so you probably have not had real wasabi in your
00:19:44.220 --> 00:19:47.519
life that's crazy you're just over there having
00:19:47.519 --> 00:19:51.579
green horseradish yes well hey they fooled me
00:19:51.579 --> 00:19:53.759
because i'm over there thinking i'm listen that's
00:19:53.759 --> 00:19:57.420
how i eat my sushi wasabi soy sauce and then
00:19:57.420 --> 00:19:59.380
ginger on top i know ginger is supposed to clear
00:19:59.380 --> 00:20:02.319
the palate but I just I just throw it all on
00:20:02.319 --> 00:20:04.259
there and then munch the nice piece of sushi
00:20:04.259 --> 00:20:06.000
and I'm in heaven. Oh, you were there kicked
00:20:06.000 --> 00:20:08.160
out of the sushi Nazi in L .A. You got kicked
00:20:08.160 --> 00:20:11.319
the fuck out of there. I'm sorry. I'm sure I
00:20:11.319 --> 00:20:14.779
was out. So, Bob, are you doing anything for
00:20:14.779 --> 00:20:19.900
Kwanzaa today? No, no. It's also I've learned
00:20:19.900 --> 00:20:21.579
from my Australian friend something or something
00:20:21.579 --> 00:20:23.779
called Boxing Day, which is what they have down
00:20:23.779 --> 00:20:27.099
there. Let's like Canada. Chad, you know, they're
00:20:27.099 --> 00:20:29.740
the same. Yeah, that's a Canadian thing that's,
00:20:29.759 --> 00:20:32.660
I guess, from the British Isles, right? When
00:20:32.660 --> 00:20:34.960
they spread out everything, some of those traditions
00:20:34.960 --> 00:20:37.140
of Canada. Yeah, Australia shares the same thing.
00:20:37.279 --> 00:20:40.940
That's that's true. And there's a story behind
00:20:40.940 --> 00:20:44.279
that. I believe it's Boxing Day. And the rumor
00:20:44.279 --> 00:20:46.779
is it's everything you don't you have to bring
00:20:46.779 --> 00:20:49.480
back to the store. You box it up and bring it
00:20:49.480 --> 00:20:51.920
back. But I think that's the old wives tale version
00:20:51.920 --> 00:20:55.099
of what it means. Oh, I thought it was like sport
00:20:55.099 --> 00:20:58.660
boxing, like where people know. Oh, so they're
00:20:58.660 --> 00:21:02.380
box up your shit. Hmm. Take your take your stuff
00:21:02.380 --> 00:21:04.900
back to the store today. But I think I don't
00:21:04.900 --> 00:21:07.400
believe that's 100 percent accurate. But that's
00:21:07.400 --> 00:21:10.359
like what I've been told as a side story from
00:21:10.359 --> 00:21:13.900
some of my Canadian friends. So it's it's interesting.
00:21:14.079 --> 00:21:20.039
But, yep, lots of holidays to dig into. But yeah,
00:21:20.039 --> 00:21:22.900
so I guess. I guess with everything, I think
00:21:22.900 --> 00:21:25.319
I caught some of the stuff when I came on. I
00:21:25.319 --> 00:21:27.579
was a few minutes late. I heard you guys talking
00:21:27.579 --> 00:21:31.059
about Five and Birds of Prey and that I heard
00:21:31.059 --> 00:21:32.660
you said you were listening to some of that stuff.
00:21:32.819 --> 00:21:35.700
Did you guys see what I put out in the groups
00:21:35.700 --> 00:21:39.220
last week? Yeah, that's how we got on the conversation.
00:21:39.460 --> 00:21:44.160
He wasn't sure if it was that. Yeah, that's what
00:21:44.160 --> 00:21:46.220
I know. I didn't see it. I have to check it out.
00:21:47.109 --> 00:21:49.450
It's a bad recording, right? It's somebody's
00:21:49.450 --> 00:21:52.589
up in the balcony. It's obstructed most of the
00:21:52.589 --> 00:21:55.630
time. The sound is good and bad, but it's the
00:21:55.630 --> 00:21:59.829
whole show, the 61198 show with Chameleon. And
00:21:59.829 --> 00:22:01.950
I know Jimmy has the videos, right? And he's
00:22:01.950 --> 00:22:04.009
had some that he put on the Friends Alive website
00:22:04.009 --> 00:22:06.089
years and years ago that I think you can find
00:22:06.089 --> 00:22:09.509
on some archive somewhere. But those, some songs
00:22:09.509 --> 00:22:12.549
never saw the video, right? Some of those unreleased
00:22:12.549 --> 00:22:16.400
things. So that people in the... The fan base
00:22:16.400 --> 00:22:18.980
has been clamoring for New City for years and
00:22:18.980 --> 00:22:22.200
years and years, like the Lost Gem. You know,
00:22:22.339 --> 00:22:24.380
that's the first time I heard it, right? I never
00:22:24.380 --> 00:22:25.880
heard it either because I didn't go to those
00:22:25.880 --> 00:22:29.380
shows. I was working, flying, doing something.
00:22:29.440 --> 00:22:32.460
I wasn't available. But yeah, I missed those.
00:22:32.460 --> 00:22:34.920
It would have been good to see. But you get to
00:22:34.920 --> 00:22:37.180
hear it and it's it's it's really good. But I
00:22:37.180 --> 00:22:39.440
could see that why it didn't make the cut. It's
00:22:39.440 --> 00:22:41.480
got a little bit different sound that doesn't
00:22:41.480 --> 00:22:44.589
go with the distance to hear. So. It's, it's,
00:22:44.650 --> 00:22:46.069
but it's, you know, it's in those other ones,
00:22:46.210 --> 00:22:48.529
like Don't Wait and, you know, Vine Street, you
00:22:48.529 --> 00:22:50.089
know, those other ones that have a little bit
00:22:50.089 --> 00:22:52.890
more rock and tone, but they, they didn't fit
00:22:52.890 --> 00:22:55.710
the flow of the record. But, but no, well, there's
00:22:55.710 --> 00:22:58.690
always a first for everything, I guess. Sure.
00:22:59.490 --> 00:23:01.450
Now that video was kind of cool too, because
00:23:01.450 --> 00:23:03.990
the person shooting it, they kind of did like
00:23:03.990 --> 00:23:06.849
a documentary style as they were going to the
00:23:06.849 --> 00:23:09.630
concert, which was cool. And that video is perfect.
00:23:10.269 --> 00:23:13.490
Yeah. No, the person recording gets a little
00:23:13.490 --> 00:23:16.269
drunk or something, but he starts like recording
00:23:16.269 --> 00:23:18.329
just like a black background for most of the
00:23:18.329 --> 00:23:20.589
show. I'm like, what's going on here? Do you
00:23:20.589 --> 00:23:23.349
have any insight behind that, Bob? So I know
00:23:23.349 --> 00:23:25.730
I know this this guy, this film. All right. The
00:23:25.730 --> 00:23:28.069
guy that filmed it is mentioned in the YouTube
00:23:28.069 --> 00:23:30.769
channel. Now, this guy's website, I don't know
00:23:30.769 --> 00:23:33.089
if it's the same guy, but I've seen this guy.
00:23:33.170 --> 00:23:36.930
I saw this guy film in Van Halen in 2015 down
00:23:36.930 --> 00:23:39.670
in Camden because I went to that show and I saw
00:23:39.670 --> 00:23:42.089
this guy with a rig. like he had a backpack and
00:23:42.089 --> 00:23:43.769
he had a rig in it and I was like you know what
00:23:43.769 --> 00:23:46.029
I saw his YouTube videos and they were where
00:23:46.029 --> 00:23:48.890
I was sitting and I was like then I saw that
00:23:48.890 --> 00:23:53.109
he did the Allentown Fairgrounds show in 95 throwing
00:23:53.109 --> 00:23:55.529
copper that's on his channel this guy has thousands
00:23:55.529 --> 00:23:58.869
of bootleg concert videos on his channel I mean
00:23:58.869 --> 00:24:02.079
everything from like the the late the late early
00:24:02.079 --> 00:24:05.259
90s late 89 right through right through today
00:24:05.259 --> 00:24:08.119
like he's still filming them so there's always
00:24:08.119 --> 00:24:10.279
the guy that tapes it apparently tapes it and
00:24:10.279 --> 00:24:12.319
then this guy audits them or whatever and puts
00:24:12.319 --> 00:24:15.400
them on the channel but yeah if you browse it
00:24:15.400 --> 00:24:17.259
you'll you'll find all kinds of stuff when i
00:24:17.259 --> 00:24:18.740
was looking at that the other night i was like
00:24:18.740 --> 00:24:22.579
man this guy's got everything that's been filmed
00:24:22.579 --> 00:24:26.059
mostly east coast new york new jersey philadelphia
00:24:26.059 --> 00:24:28.819
you know mostly east coast stuff right you know
00:24:29.429 --> 00:24:32.210
logistically, it's it's logistically easy to
00:24:32.210 --> 00:24:35.650
get to so many shows in this area. Yeah. So,
00:24:35.650 --> 00:24:38.349
yep. And that's a little background that I know
00:24:38.349 --> 00:24:40.990
about it. He was doing it during the time when
00:24:40.990 --> 00:24:44.210
it was like heavily frowned upon doing. Oh, yeah.
00:24:44.470 --> 00:24:47.410
That could be part of the reason why it's, you
00:24:47.410 --> 00:24:49.730
know, filming whatever at some point, maybe just.
00:24:49.829 --> 00:24:52.509
And they were there were the handheld camcorders
00:24:52.509 --> 00:24:54.390
of the day. If you remember, you'd be able to
00:24:54.390 --> 00:24:56.789
sneak them in if you you somehow have a you put
00:24:56.789 --> 00:25:00.210
a coat on and. you know i snuck stuff into live
00:25:00.210 --> 00:25:02.309
shows i'll tell them chad that i think i told
00:25:02.309 --> 00:25:04.730
them that in the past i i snuck tape recorder
00:25:04.730 --> 00:25:08.990
into pnc art center once i i've done i've done
00:25:08.990 --> 00:25:12.269
stuff right just to say i did it but it was it
00:25:12.269 --> 00:25:15.529
was crappy but yeah anyway it's come a long way
00:25:15.529 --> 00:25:17.990
now you could just stand there point and shoot
00:25:17.990 --> 00:25:20.890
with your with your phone and i use the audio
00:25:20.890 --> 00:25:23.589
mic condenser mic when i did them on the youtube
00:25:23.589 --> 00:25:27.220
channel stuff and it's good but you know people
00:25:27.220 --> 00:25:29.539
frown, people don't frown, it depends on what
00:25:29.539 --> 00:25:32.500
the band will allow you to do, right? For the
00:25:32.500 --> 00:25:34.819
venue, to the venue. Yeah, we were just talking
00:25:34.819 --> 00:25:36.940
about this, Bob, about why, like in hindsight,
00:25:37.099 --> 00:25:40.259
why we even gave a shit if people recorded everything
00:25:40.259 --> 00:25:43.180
and fucking, you know, it's like, it's like nowadays,
00:25:43.779 --> 00:25:46.079
like everyone, it's encouraged because it can
00:25:46.079 --> 00:25:48.339
go viral or it can go on people's YouTubes, it
00:25:48.339 --> 00:25:51.059
gets spread around. Exactly. It's a whole different
00:25:51.059 --> 00:25:54.740
perspective now, right? So, before proprietary...
00:25:54.490 --> 00:25:56.809
I don't want new unreleased songs out there.
00:25:57.029 --> 00:25:59.890
And I'll tell you that when you guys played Bethlehem
00:25:59.890 --> 00:26:03.849
Music Fest 2017, I was there with Rich and Chris
00:26:03.849 --> 00:26:06.670
and a bunch of the other other other fans. And
00:26:06.670 --> 00:26:11.289
you guys did 10 ,000 cups, right? You did it
00:26:11.289 --> 00:26:13.829
in the soundcheck, right? We heard it. We were
00:26:13.829 --> 00:26:16.069
standing outside the venue there. We heard it
00:26:16.069 --> 00:26:17.750
because you guys were sound checking. And then
00:26:18.009 --> 00:26:20.630
We were there with you guys in the back and we
00:26:20.630 --> 00:26:22.569
saw this. We saw the set list that was on there,
00:26:22.569 --> 00:26:24.309
but it never got played. So I don't know who
00:26:24.309 --> 00:26:26.910
nixed it. Was it Ed or was it was a tailor that
00:26:26.910 --> 00:26:29.089
nixed it because it didn't get played? And I
00:26:29.089 --> 00:26:31.309
don't know if it's because we were there filming
00:26:31.309 --> 00:26:33.670
or whatever. I don't know. I think it's probably
00:26:33.670 --> 00:26:36.490
Ed. He seemed to like he would mix at the time.
00:26:36.490 --> 00:26:38.869
He seemed he would mix like we would put stuff
00:26:38.869 --> 00:26:41.829
in the set that we are either fucking like, you
00:26:41.829 --> 00:26:45.410
know, in new recordings or like older songs or
00:26:45.410 --> 00:26:48.490
deeper, deeper cut tracks. He would usually nix
00:26:48.490 --> 00:26:50.190
them during the show because he's like, I want
00:26:50.190 --> 00:26:53.470
to do it right now. Okay. Okay. But now it's
00:26:53.470 --> 00:26:55.890
funny because, you know, we're not in the band
00:26:55.890 --> 00:26:59.750
now and it's like, he's playing these great fucking,
00:26:59.869 --> 00:27:02.089
these great set lists. I guess Zach is in charge
00:27:02.089 --> 00:27:04.089
of the set list. I'm like, why the fuck do we
00:27:04.089 --> 00:27:06.829
play this shit in 17, 18 and 19? Like, I would
00:27:06.829 --> 00:27:09.589
have loved to play all that stuff. Yeah, it's
00:27:09.589 --> 00:27:15.579
always been a, I guess a... How would I characterize
00:27:15.579 --> 00:27:19.119
it, you know, who's who's who's responsible for?
00:27:19.720 --> 00:27:23.200
For that, right? So you know, on stage, it was
00:27:23.200 --> 00:27:24.900
always that he would be like, no, we can't play
00:27:24.900 --> 00:27:28.660
it. Let's get it. OK. It almost like you thought
00:27:28.660 --> 00:27:31.920
like casual fans were coming to the show, not
00:27:31.920 --> 00:27:33.960
like hardcore fans like it almost seemed like
00:27:33.960 --> 00:27:36.400
you thought, you know, fans were coming just
00:27:36.400 --> 00:27:39.819
for the hits when your fans want to hear everything.
00:27:39.859 --> 00:27:42.000
It wasn't, you know, wasn't just as especially
00:27:42.000 --> 00:27:44.650
because Somebody like me. I'm sure somebody like
00:27:44.650 --> 00:27:49.150
Bob if you guys came to you know our area New
00:27:49.150 --> 00:27:50.869
York, New Jersey, Pennsylvania I was hitting
00:27:50.869 --> 00:27:53.650
up a bunch of shows so I didn't need to I alone
00:27:53.650 --> 00:27:56.910
and all over you three times I could have they
00:27:56.910 --> 00:28:00.029
traded them in for stage or TBD or some cool
00:28:00.029 --> 00:28:04.609
shit, you know Yeah, I that's that's exactly
00:28:04.609 --> 00:28:06.769
what I would say is I would I would prefer to
00:28:06.769 --> 00:28:09.089
hear something that's not played a lot or something
00:28:09.089 --> 00:28:11.859
that might be new and you know Go ahead, Chad.
00:28:11.940 --> 00:28:13.119
I think you were going to say something. Sorry
00:28:13.119 --> 00:28:16.460
there. Oh, I was just, yeah, I was kind of, you
00:28:16.460 --> 00:28:19.259
know, vamping on that. Like, yeah, we, it's always
00:28:19.259 --> 00:28:22.559
seemed to be on stage, at least Ed, but Chad
00:28:22.559 --> 00:28:24.319
would put together the set list for the night
00:28:24.319 --> 00:28:26.380
and then they would have something cool in it
00:28:26.380 --> 00:28:28.480
that we rehearsed or we'd do it a sound check.
00:28:28.640 --> 00:28:31.420
And then I don't know if it's just show flow
00:28:31.420 --> 00:28:33.680
or what it was for Ed, but yeah, it's like, no,
00:28:33.779 --> 00:28:35.700
don't skip it. We're going on the next song.
00:28:36.279 --> 00:28:40.539
Okay. I understand. Yeah, I understand the newer
00:28:40.539 --> 00:28:42.740
stuff, right? If you guys were just, if they're
00:28:42.740 --> 00:28:45.839
in there, they're still working songs, right?
00:28:45.920 --> 00:28:47.700
That you guys would call them working, but they're
00:28:47.700 --> 00:28:50.259
not the same as when they got released. So John,
00:28:50.440 --> 00:28:52.819
like when they would put old stuff out, like
00:28:52.819 --> 00:28:54.799
you would hear some of the early throwing copper
00:28:54.799 --> 00:28:57.000
stuff at the end of the mental jewelry tour,
00:28:57.019 --> 00:28:59.180
or they didn't have them fully done. You heard
00:28:59.180 --> 00:29:00.900
different, some little different arrangements
00:29:00.900 --> 00:29:03.200
on the songs, right? They're called those working
00:29:03.200 --> 00:29:05.640
so that they don't, they're not the final versions,
00:29:05.900 --> 00:29:07.940
but they're similar enough, but you'll hear that
00:29:07.940 --> 00:29:10.720
there's slight differences in the Ed might have
00:29:10.720 --> 00:29:13.299
a different lyric or there might be a different
00:29:13.299 --> 00:29:16.119
bridge fill or the Chad might do or you know
00:29:16.119 --> 00:29:18.319
there's always some little nuance and all the
00:29:18.319 --> 00:29:20.099
big fans are like oh we got to have that version
00:29:20.099 --> 00:29:22.160
of that song that's great why can't you go and
00:29:22.160 --> 00:29:26.460
play it like that or you know me being a long
00:29:26.460 --> 00:29:28.759
time fan and you know I didn't get a chance to
00:29:28.759 --> 00:29:31.559
see you guys when you were in mental jury or
00:29:31.990 --> 00:29:34.509
throwing copper tours. I didn't get a chance.
00:29:35.210 --> 00:29:37.650
So the first time I saw was Secret Samadhi. And
00:29:37.650 --> 00:29:39.549
I was like, oh, it was like a year and a half
00:29:39.549 --> 00:29:41.630
built up and to see that. And I was like, you
00:29:41.630 --> 00:29:43.349
know what, I can't wait to go to that because
00:29:43.349 --> 00:29:46.390
it'll be it'll be real for me just not just hearing
00:29:46.390 --> 00:29:49.569
it on the record or the radio and the TV, you
00:29:49.569 --> 00:29:52.049
know, with MTV. But when I saw the first time
00:29:52.049 --> 00:29:56.289
I was in a transform to another place that I
00:29:56.289 --> 00:29:58.789
don't think I've ever been to at a show because
00:29:58.789 --> 00:30:02.200
I felt like I was just standing. in the in the
00:30:02.200 --> 00:30:05.000
crowd and just like my body was vibrating like
00:30:05.000 --> 00:30:06.680
you put your finger in a light socket you would
00:30:06.680 --> 00:30:09.539
get that hold your the pins and needles will
00:30:09.539 --> 00:30:12.019
go up on your body oh yeah when i heard some
00:30:12.019 --> 00:30:13.900
of the songs like because you guys did i think
00:30:13.900 --> 00:30:17.039
you did t i don't think you did tbd but you guys
00:30:17.039 --> 00:30:20.819
did gasset goes west and i think you did graze
00:30:20.819 --> 00:30:23.839
and i was like oh my god now that's just that
00:30:23.839 --> 00:30:26.740
was just the sound the whole band was so tight
00:30:26.740 --> 00:30:30.279
then I mean, it would rival any band. You know,
00:30:30.279 --> 00:30:33.039
I thought you guys were the top of your game
00:30:33.039 --> 00:30:35.460
in Secret Samadhi. And I think a lot of fans
00:30:35.460 --> 00:30:39.599
felt that that that version alive was just powerful
00:30:39.599 --> 00:30:42.740
enough. A four piece, right? You guys were four
00:30:42.740 --> 00:30:45.039
piece and everything was just like, man, that's
00:30:45.039 --> 00:30:46.920
just so clicked in. You would hear the record,
00:30:47.019 --> 00:30:49.380
go see them. There's no difference. It's like,
00:30:49.380 --> 00:30:54.200
man, that's really rare. Right. Yeah. I mean,
00:30:54.200 --> 00:30:56.039
we took pride in it, too, and being a four piece
00:30:56.039 --> 00:30:58.519
and then You know, want to start adding a keyboard
00:30:58.519 --> 00:31:00.519
player and all this bullshit. I was like, whatever.
00:31:01.259 --> 00:31:03.720
I've always wanted to be more rocking in the
00:31:03.720 --> 00:31:07.099
band. Yeah. We just kind of floated away from
00:31:07.099 --> 00:31:11.779
that. But yeah, it's interesting. It's interesting.
00:31:12.299 --> 00:31:15.099
It seemed like somewhere between and I think
00:31:15.099 --> 00:31:17.480
I've heard other fans say this, like, I don't
00:31:17.480 --> 00:31:22.480
know if it was after 99 or after 2000. Ed almost
00:31:22.480 --> 00:31:26.500
went like he wasn't using that real Graspiness
00:31:26.500 --> 00:31:28.599
to his voice, like when he would, you know, like
00:31:28.599 --> 00:31:30.680
yell and stuff like, you know, he almost made
00:31:30.680 --> 00:31:35.660
it like, um, like, uh, I don't want to say a
00:31:35.660 --> 00:31:38.200
pussy way of singing for him, but it just wasn't
00:31:38.200 --> 00:31:40.740
that great that he once had and that angst in
00:31:40.740 --> 00:31:42.079
it. Bob, do you know what I'm talking about?
00:31:42.299 --> 00:31:44.460
Like, yeah. So, so let me give you a little background
00:31:44.460 --> 00:31:46.980
on that. When you guys did the distance to hear
00:31:46.980 --> 00:31:50.140
poor in 99 and you were on the East coast, you
00:31:50.140 --> 00:31:52.559
played the tower theater and Ed was sick. All
00:31:52.559 --> 00:31:54.849
right. Remember Ed was very sick. and then they
00:31:54.849 --> 00:31:57.009
can you guys canceled a bunch of shows after
00:31:57.009 --> 00:32:00.930
like November 20th or whatever and you guys postponed
00:32:00.930 --> 00:32:03.609
the the New Year's Eve show and Hershey because
00:32:03.609 --> 00:32:07.509
he was really sick his voice his voice I don't
00:32:07.509 --> 00:32:10.190
think ever was that edgy after that I don't know
00:32:10.190 --> 00:32:12.970
if he screwed up his vocal cords but he played
00:32:12.970 --> 00:32:16.450
he sang a lot softer than for several years and
00:32:16.450 --> 00:32:19.349
well now he's a little bit more edgy but not
00:32:19.349 --> 00:32:22.920
not that older older mental jewelry voice because
00:32:22.920 --> 00:32:25.039
your voice changes you guys were kids right your
00:32:25.039 --> 00:32:28.960
voice still changes yeah so and that stuff you
00:32:28.960 --> 00:32:32.599
put it in a bottle but i i knew that he was his
00:32:32.599 --> 00:32:34.700
voice was he was having issues with his voice
00:32:34.700 --> 00:32:38.140
and you know but that's my take on it and yeah
00:32:38.140 --> 00:32:39.920
but i hear what you're saying about him sounding
00:32:39.920 --> 00:32:44.059
softer and more pitchy and whatever i yeah but
00:32:44.059 --> 00:32:46.220
there's there's that's what i think is the reason
00:32:46.220 --> 00:32:49.099
but there could be others i don't know but that's
00:32:49.099 --> 00:32:52.750
what i think yeah I mean, that probably played
00:32:52.750 --> 00:32:54.769
into it, but also I think he's just learning
00:32:54.769 --> 00:32:59.250
how to sing properly as well over those years.
00:33:00.089 --> 00:33:02.690
That's true. In the early years, he was just
00:33:02.690 --> 00:33:07.450
singing the way he was. When you naturally start
00:33:07.450 --> 00:33:11.230
to sing, you don't support your diaphragm correctly
00:33:11.230 --> 00:33:14.809
and you're not supporting your vocal chords correctly
00:33:14.809 --> 00:33:19.420
and that can lead to harming them. Okay, I think
00:33:19.420 --> 00:33:21.539
if I remember correctly, he may have been taking
00:33:21.539 --> 00:33:24.900
I don't say vocal lessons but getting Lessons
00:33:24.900 --> 00:33:28.599
on how to breathe right? Yeah, I remember reading
00:33:28.599 --> 00:33:32.319
something about that. Yeah Well, I was gonna
00:33:32.319 --> 00:33:34.319
I just remember I want to touch on something
00:33:34.319 --> 00:33:36.839
going back to the bootleg thing at some point
00:33:36.839 --> 00:33:39.000
Chad Taylor and I we had this whole conversation
00:33:39.000 --> 00:33:41.400
during when we were making the gracious shoe
00:33:41.400 --> 00:33:45.220
stuff about putting out each version of the song
00:33:45.220 --> 00:33:49.299
as we wrote it and like how it would like mature
00:33:49.299 --> 00:33:50.960
into what it became on the record yeah they're
00:33:50.960 --> 00:33:52.940
definitely they're definitely different because
00:33:52.940 --> 00:33:55.359
i john i have some of them they're they're definitely
00:33:55.359 --> 00:33:58.859
different guys that would have been very cool
00:33:58.859 --> 00:34:00.839
yeah so i mean chad and i actually talked about
00:34:00.839 --> 00:34:02.900
doing that like putting out each version of the
00:34:02.900 --> 00:34:06.259
song like we wrote it here it is raw like the
00:34:06.259 --> 00:34:08.920
way we put it together and then it gets a little
00:34:08.920 --> 00:34:12.010
bit more But obviously never did that, but it
00:34:12.010 --> 00:34:15.170
was a good idea. That's a great idea. I wonder
00:34:15.170 --> 00:34:17.889
why. Well, I mean, I'm sure there is logistics
00:34:17.889 --> 00:34:19.769
on why you guys didn't do that. But I wonder
00:34:19.769 --> 00:34:22.909
why more bands don't do that. Maybe because it's
00:34:22.909 --> 00:34:25.309
so easy to do now. If a band has a YouTube channel,
00:34:25.329 --> 00:34:27.369
you just like here, we just wrote the song. Check
00:34:27.369 --> 00:34:30.510
it out. Right. And then, you know, a couple of
00:34:30.510 --> 00:34:32.630
maybe a week or two or three or whatever a month
00:34:32.630 --> 00:34:35.309
later. Oh, here's here's how the song sounds
00:34:35.309 --> 00:34:37.690
now. Now we're going to record it. This is the
00:34:37.690 --> 00:34:40.280
actual recording. You know, whatever. Yeah. Yeah,
00:34:40.280 --> 00:34:42.780
that's a good point. Especially if you did it
00:34:42.780 --> 00:34:45.420
with Honest Man because you went with, it started
00:34:45.420 --> 00:34:48.219
off Believe with Live and then it went into Honest
00:34:48.219 --> 00:34:51.860
Man with The Gracious Fuso to see the transition.
00:34:52.480 --> 00:34:54.260
That would have been cool from when you guys
00:34:54.260 --> 00:34:57.320
first had Kevin start to put his spin on it up
00:34:57.320 --> 00:34:58.940
until the release of it. That would have been
00:34:58.940 --> 00:35:01.900
really cool. And I don't think I'd say this this
00:35:01.900 --> 00:35:04.679
often, but that was the first time I was like,
00:35:04.699 --> 00:35:08.579
whoa, somebody could do something. a little bit
00:35:08.579 --> 00:35:10.940
better than Ed did with it, because I never thought
00:35:10.940 --> 00:35:12.619
that before. I thought Ed was the man, the myth,
00:35:12.659 --> 00:35:15.159
the legend. So to have him put his spin on a
00:35:15.159 --> 00:35:16.179
song, I was like, all right, that's got to be
00:35:16.179 --> 00:35:18.679
the best it could be. And then you hear Kevin
00:35:18.679 --> 00:35:21.739
come in with, you know, there's a riot in mind.
00:35:21.739 --> 00:35:24.000
And then you guys just start jamming on. I'm
00:35:24.000 --> 00:35:27.179
like, oh, dude. Well, as I said before about
00:35:27.179 --> 00:35:30.440
that topic, I don't think at that point communication
00:35:30.440 --> 00:35:33.920
and broken down, we were like. About to go our
00:35:33.920 --> 00:35:36.920
separate ways and we gave that to Ed. And I mean,
00:35:36.980 --> 00:35:38.840
like I said, I don't. I don't think he put his
00:35:38.840 --> 00:35:41.840
best best effort into it just because he didn't
00:35:41.840 --> 00:35:44.519
feel like doing it time. I don't know. That's
00:35:44.519 --> 00:35:47.659
my opinion. But and it wasn't all his, you know,
00:35:47.659 --> 00:35:49.739
like he didn't write it start to finish. He just
00:35:49.739 --> 00:35:52.199
kind of came in and put melodies and lyrics over
00:35:52.199 --> 00:35:55.300
it. Right. Yeah, but that was a cool song. I
00:35:55.300 --> 00:35:59.300
saw that you guys played at someplace in Atlantic
00:35:59.300 --> 00:36:01.420
City, maybe showboat or something right before
00:36:01.420 --> 00:36:05.059
the hiatus in 2009. And you guys played that
00:36:05.059 --> 00:36:06.670
there and it was. It was definitely cool. But
00:36:06.670 --> 00:36:08.250
then to hear the Gracious Few version, I was
00:36:08.250 --> 00:36:12.110
like, whoa, I almost put together at first to
00:36:12.110 --> 00:36:14.389
realize that they were the same song, because
00:36:14.389 --> 00:36:16.989
even though the core of it's the same, it's just
00:36:16.989 --> 00:36:22.210
it's a lot different. Mm hmm. Yeah. And we brought
00:36:22.210 --> 00:36:23.989
it up. So we played it for Kevin. He was like,
00:36:23.989 --> 00:36:26.650
that's bad. So, you know, obviously it was the
00:36:26.650 --> 00:36:31.170
excitement of the new the new thing and. And
00:36:31.170 --> 00:36:34.219
rocking out again, so. Now with the gracious
00:36:34.219 --> 00:36:37.360
few Chad, I think I heard this I might be mistaken
00:36:37.360 --> 00:36:40.679
but I thought I heard that Chad Taylor like kind
00:36:40.679 --> 00:36:44.440
of didn't want the Responsibility of being like
00:36:44.440 --> 00:36:46.800
the lead guitarist. He wanted to be more background
00:36:46.800 --> 00:36:50.860
in this band, but it seems like he Really took
00:36:50.860 --> 00:36:53.460
over the the lead guitarist role in that and
00:36:53.460 --> 00:36:56.079
really You know put his heart and soul into it.
00:36:56.119 --> 00:36:58.739
Do I have that twisted? Did I I thought I remember
00:36:58.739 --> 00:37:00.659
hearing like he wanted more of like a backseat
00:37:00.659 --> 00:37:03.679
role And then it just didn't seem to turn out
00:37:03.679 --> 00:37:08.719
that way. I mean, Chad is not going to take a
00:37:08.719 --> 00:37:11.679
back seat, even if he says he's going to. But
00:37:11.679 --> 00:37:15.099
as far as like solos, he would hand those off
00:37:15.099 --> 00:37:18.260
to Sean, like most of the solo for Sean, because
00:37:18.260 --> 00:37:21.369
Sean is... Chad's a great guitar player and he
00:37:21.369 --> 00:37:23.570
does his thing, but he's not an amazing soloist.
00:37:23.809 --> 00:37:27.070
Like, he's not like a fucking, he's not that
00:37:27.070 --> 00:37:28.650
kind of guy. He's never been that kind of guy.
00:37:29.130 --> 00:37:31.469
But Sean, Sean could play anything at the time.
00:37:31.570 --> 00:37:33.449
I mean, he was fucking, he's still, he's still
00:37:33.449 --> 00:37:35.070
an amazing guitar player. But he - The good,
00:37:35.070 --> 00:37:37.130
the good thing about those shows is that Sean
00:37:37.130 --> 00:37:39.969
and Chad played off each other during the shows
00:37:39.969 --> 00:37:41.690
and they, where, where there was a solo that
00:37:41.690 --> 00:37:43.670
Sean would do, Chad would come in and they would
00:37:43.670 --> 00:37:46.170
actually duel, right? Some of them are duels
00:37:46.170 --> 00:37:49.889
like - I think it was, what is it, Crying Time
00:37:49.889 --> 00:37:53.750
had dual souls and Chad would do an outro solo.
00:37:53.909 --> 00:37:56.409
It was, it was definitely what you said, John,
00:37:56.670 --> 00:38:00.289
mostly, you know, Chad did do a few more solos
00:38:00.289 --> 00:38:06.010
in that arrangement than before. Right. But it
00:38:06.010 --> 00:38:08.849
was just fantastic stuff, you know. Yeah, and
00:38:08.849 --> 00:38:10.510
most of those, you know, most of those songs
00:38:10.510 --> 00:38:13.269
were, you know, Chad Taylor guitar riff ideas
00:38:13.269 --> 00:38:18.050
that we fucking wrote, which are... Crying time.
00:38:19.070 --> 00:38:22.309
That song I could put on repeat and just listen.
00:38:22.389 --> 00:38:23.630
I remember the first time I heard it, I was like,
00:38:23.650 --> 00:38:28.110
wow, that is a crying time. It's like a slower
00:38:28.110 --> 00:38:30.610
song on there, but just the lyrics are great.
00:38:30.730 --> 00:38:32.789
The band sounds awesome behind it. It's just,
00:38:32.989 --> 00:38:34.409
I remember hearing, I was like, wow, this is
00:38:34.409 --> 00:38:38.269
a really, really good song. Like, uh, and I kind
00:38:38.269 --> 00:38:43.800
of wrote that about, um, this guy, um, Oh shit,
00:38:43.920 --> 00:38:45.980
now I can't remember his name. Wendell something.
00:38:46.019 --> 00:38:48.820
Wendell, yeah. Thank you. Wendell was the, so
00:38:48.820 --> 00:38:51.500
Wendell was from Philadelphia and big fan of
00:38:51.500 --> 00:38:53.619
the bands. And he was like the doorman at the
00:38:53.619 --> 00:38:57.440
fucking Sunset Marquis whiskey bar. Wow. And
00:38:57.440 --> 00:38:59.460
so that was like the place to be in the nineties
00:38:59.460 --> 00:39:02.579
and like two thousands. And he would always like,
00:39:03.260 --> 00:39:05.980
he would always let us in. Because he was like
00:39:05.980 --> 00:39:08.099
he was fucking huge fan like I'm talking like
00:39:08.099 --> 00:39:10.260
no big Hollywood actors will be in this place
00:39:10.260 --> 00:39:12.559
like all the bands would be there Metallica like
00:39:12.559 --> 00:39:14.320
everyone stay at the Sunset Marquis go to the
00:39:14.320 --> 00:39:17.119
whiskey bar, right? It was always a scene and
00:39:17.119 --> 00:39:19.780
Wendell was fucking awesome So he and he loved
00:39:19.780 --> 00:39:22.159
Kevin as well Kevin was good actually good pretty
00:39:22.159 --> 00:39:25.039
good friends And then he he hooked up with the
00:39:25.039 --> 00:39:28.380
bass player from Smashing Pumpkins Darcy Nice
00:39:28.380 --> 00:39:30.840
who got him hooked on smack and that's how I
00:39:30.840 --> 00:39:35.139
died. Oh my god Yeah, I went from nice to oh,
00:39:35.260 --> 00:39:38.940
shit. Yeah. Does Wendell know that song about
00:39:38.940 --> 00:39:43.039
him or did he know he's dead? So did he know
00:39:43.039 --> 00:39:45.780
at the time or was he gone? He was already passed.
00:39:46.139 --> 00:39:50.159
Oh, my God. Yeah. Yeah. Now those lyrics are
00:39:50.159 --> 00:39:53.300
so much more to me now that I know what that's
00:39:53.300 --> 00:39:56.119
about. Wow. It's crying time, but we're still
00:39:56.119 --> 00:39:58.519
young. Well, that's yeah. Those are deep, man.
00:40:00.089 --> 00:40:03.530
I kind of nailed on that one for sure. Yeah,
00:40:03.909 --> 00:40:07.710
that was a good one. Good one. And so I wanted
00:40:07.710 --> 00:40:09.989
to go back to when you guys were talking about
00:40:09.989 --> 00:40:13.829
the host distance to here. Well, when I think
00:40:13.829 --> 00:40:15.630
we talked, was it two weeks ago you were talking
00:40:15.630 --> 00:40:19.289
about the bras on the stage story? Yeah, two
00:40:19.289 --> 00:40:23.010
or three weeks ago, something like that. I was
00:40:23.010 --> 00:40:26.230
at that show. Didn't you give me the count via
00:40:26.230 --> 00:40:30.889
text? I was amazed. I was like, wait a minute.
00:40:31.050 --> 00:40:33.090
This doesn't normally happen at a live show,
00:40:33.289 --> 00:40:37.570
but soon after school. I was like, let's get
00:40:37.570 --> 00:40:39.809
as many as we can. Well, if you remember, I was
00:40:39.809 --> 00:40:41.969
in the front, right at front center and there
00:40:41.969 --> 00:40:44.550
was a woman named Susan to my left. Oh yeah,
00:40:44.610 --> 00:40:48.929
Susan. You may remember that fan and she was,
00:40:49.750 --> 00:40:53.159
she had no clothes on. No, of course not dude.
00:40:53.239 --> 00:40:55.820
She was not whatever happened to Susan after
00:40:55.820 --> 00:40:58.960
after we broke up in 2009 like she was gone Never
00:40:58.960 --> 00:41:01.139
seen her again. I don't know the last time I
00:41:01.139 --> 00:41:06.360
think I saw her Might have been 2003. She was
00:41:06.360 --> 00:41:14.019
literally in the crowd Where depends to get and
00:41:14.019 --> 00:41:16.559
get there and be in the front and she were where
00:41:16.559 --> 00:41:20.309
depends so she didn't have to leave Wow She would
00:41:20.309 --> 00:41:22.210
get there super early, always be in the front
00:41:22.210 --> 00:41:24.230
and then have depends on literally she would
00:41:24.230 --> 00:41:25.949
depend so she could stand in the front all the
00:41:25.949 --> 00:41:29.050
time. She was one of the super groupie fans.
00:41:29.550 --> 00:41:31.969
And I think back to what I said, I think I blast
00:41:31.969 --> 00:41:37.690
him. I saw her was the Dennis Rodman show at
00:41:37.690 --> 00:41:40.769
Atlantic City at Taj Mahal because I was, that
00:41:40.769 --> 00:41:43.369
was my birthday and I was at that show with some
00:41:43.369 --> 00:41:46.409
friends and I happened to catch her in the crowd
00:41:46.409 --> 00:41:49.190
and I met Dennis in the bar, which was cool.
00:41:49.630 --> 00:41:55.449
That was nice. But there's a lot of memorable
00:41:55.449 --> 00:41:58.409
stuff. I can't put the stories like Jimmy Lang
00:41:58.409 --> 00:42:01.469
can, but I've been to enough shows where I can
00:42:01.469 --> 00:42:04.150
memorize what happened during the day and what
00:42:04.150 --> 00:42:06.909
happened during the show or after the show. But
00:42:06.909 --> 00:42:09.829
at that show in Cobus School, New York, and that
00:42:09.829 --> 00:42:12.130
was postponed because of Ed being sick in the
00:42:12.130 --> 00:42:15.039
fall, right? Everything was moved. And it was,
00:42:15.139 --> 00:42:17.340
it was like freezing. It had to be like zero
00:42:17.340 --> 00:42:20.260
degrees out there in New York state. And I met
00:42:20.260 --> 00:42:23.539
you guys at the bus after the show. And I remember
00:42:23.539 --> 00:42:26.380
seeing, I think, I think Ed's wife was there.
00:42:26.559 --> 00:42:28.619
I don't know. I don't know if all of his families,
00:42:28.719 --> 00:42:31.460
but I remember seeing Aaron with Ed and I was
00:42:31.460 --> 00:42:35.059
like, it was cool. It was, it was interesting.
00:42:35.079 --> 00:42:36.980
It was interesting ride home discussion. That's
00:42:36.980 --> 00:42:39.300
for sure. After the fact, seeing all that on
00:42:39.300 --> 00:42:43.639
the stage. But I think, I think I forget the
00:42:43.639 --> 00:42:45.460
opening band. It might've been Jimmy's Chicken
00:42:45.460 --> 00:42:52.039
Shack. What year was that? 2000? 2000. February
00:42:52.039 --> 00:42:57.699
6th. So I got divorced in 99 and I was single
00:42:57.699 --> 00:43:02.219
until around 2002. Yes. And in that window of
00:43:02.219 --> 00:43:06.099
time, we all kind of went a little crazy. As
00:43:06.099 --> 00:43:08.940
you should. As you should. Hence the bras on
00:43:08.940 --> 00:43:13.530
stage. That was a new thing for us. Now Chad
00:43:13.530 --> 00:43:15.710
was this at the point where you guys were all
00:43:15.710 --> 00:43:18.050
like didn't you each have your own like tour
00:43:18.050 --> 00:43:22.170
bus like to go on tour was like Well at one point
00:43:22.170 --> 00:43:25.269
during maybe distance to here we Chad and Ed
00:43:25.269 --> 00:43:27.429
had their own buses because they wanted to bring
00:43:27.429 --> 00:43:30.869
out their families and Pat and I were on a bus
00:43:30.869 --> 00:43:33.670
like three buses. Yeah at that point I was gonna
00:43:33.670 --> 00:43:36.110
say that's that's crazy. I've never you know,
00:43:36.110 --> 00:43:38.210
you always hear bands traveling on a bus you
00:43:38.210 --> 00:43:41.429
guys had like two or three going yeah, and like
00:43:41.429 --> 00:43:44.260
even like these last tours we did in 17, 18,
00:43:44.340 --> 00:43:46.940
19, we had two buses, two, two van buses, so
00:43:46.940 --> 00:43:48.559
we could spread out and bring out families if
00:43:48.559 --> 00:43:52.159
they want to come out, kids and stuff. So, yeah,
00:43:52.159 --> 00:43:55.599
I mean, we were on one bus until, let's see,
00:43:55.880 --> 00:43:58.619
probably. Yeah. Most of Thurman Cotter were in
00:43:58.619 --> 00:44:00.559
one bus, and I think distance here, we had two
00:44:00.559 --> 00:44:03.039
van buses. And then we had three for distance
00:44:03.039 --> 00:44:05.139
to here. Never four though. Never, each of us
00:44:05.139 --> 00:44:07.500
never had our own bus. Well, the good, that's
00:44:07.500 --> 00:44:10.599
a little excessive. Did, have your kids ever
00:44:10.599 --> 00:44:14.039
come out or? Maybe not on stage, but side stage?
00:44:14.179 --> 00:44:16.099
Like, have they ever seen their dad, like, rocking
00:44:16.099 --> 00:44:19.079
out? Oh, yeah, yeah. There were a bunch of times,
00:44:19.179 --> 00:44:22.880
in 17, 18, 19. Actually, my son turned 10. We
00:44:22.880 --> 00:44:24.679
were playing in Phoenix. His name is Phoenix.
00:44:24.900 --> 00:44:27.679
He turned 10 on the day we played in Phoenix.
00:44:28.280 --> 00:44:31.900
So I brought him on stage, and it was the rare
00:44:31.900 --> 00:44:33.780
time where I got up to the front, took the mic,
00:44:34.159 --> 00:44:36.159
and had everyone, had the crowd sing happy birthday
00:44:36.159 --> 00:44:42.780
to him. Oh, cool. Phoenix in Phoenix turning
00:44:42.780 --> 00:44:46.239
on a birthday. Great, man. That's awesome. 10
00:44:46.239 --> 00:44:51.019
-21. 10 -21 -09. It's his birthday. The Music
00:44:51.019 --> 00:44:55.280
Fest show in Bethlehem in 2017, all the family
00:44:55.280 --> 00:44:57.840
was there, John, and they all had everybody come
00:44:57.840 --> 00:45:00.820
out at the end of the show and everybody came
00:45:00.820 --> 00:45:03.679
out, did the bow together. Yeah, wives, kids.
00:45:04.000 --> 00:45:06.880
Everyone was there across the front to take the
00:45:06.880 --> 00:45:11.139
bow. So that was cool. Yeah. As it should be.
00:45:11.239 --> 00:45:14.119
I mean, you guys, you know, your fans kind of
00:45:14.119 --> 00:45:16.159
feel like your family. So it only makes sense
00:45:16.159 --> 00:45:18.360
to have your family actually come up on stage
00:45:18.360 --> 00:45:21.480
and, you know, say hi to the say hi to the people.
00:45:22.920 --> 00:45:28.519
That was the time. The last show I went to, I
00:45:28.519 --> 00:45:31.519
guess, the Ridgefield Regency. I believe it was
00:45:31.519 --> 00:45:35.280
Ed's son. He. I got to go hang out backstage
00:45:35.280 --> 00:45:37.300
with them and Zach Lloyd brought me back there,
00:45:37.320 --> 00:45:40.619
but his son was behind a bar making people drinks.
00:45:40.760 --> 00:45:42.900
So I got up there just like grab a drink and
00:45:42.900 --> 00:45:44.760
Ed's son's like, what can I get you? I'm like,
00:45:44.760 --> 00:45:47.820
uh, I'll just take a beer. Like, I don't, I don't
00:45:47.820 --> 00:45:49.820
want you to have to mix a drink for me, but it
00:45:49.820 --> 00:45:52.300
was cool. The, uh, he was getting involved and
00:45:52.300 --> 00:45:55.260
he was personable and talking to everybody. And,
00:45:55.300 --> 00:45:57.219
um, you know, it was like a family affair back
00:45:57.219 --> 00:46:00.000
there. Interesting. Cool. Yeah. It was kind of
00:46:00.000 --> 00:46:02.860
cool. That was at the, uh, Ridgefield. Regency.
00:46:03.000 --> 00:46:05.500
Oh, Wendell's song, Bill. Bill Hines says Crying
00:46:05.500 --> 00:46:09.039
Time is called, I guess, Wendell's song, parentheses.
00:46:09.239 --> 00:46:11.960
That was the original. Yeah, that was the original
00:46:11.960 --> 00:46:16.039
working title. I mean, changes of Crying Time
00:46:16.039 --> 00:46:18.300
with, I guess, just in parentheses. Yeah, Wendell's
00:46:18.300 --> 00:46:21.480
song. Yeah, because that like that song could
00:46:21.480 --> 00:46:24.179
have been, you know, like, you know, in movie
00:46:24.179 --> 00:46:26.900
show, like in movies and TV shows like that had
00:46:26.900 --> 00:46:30.679
real good like appeal that if, you know, it could
00:46:30.679 --> 00:46:33.590
have been like in a party of five scene or something
00:46:33.590 --> 00:46:35.349
like that. Like if you don't know what it's about,
00:46:35.750 --> 00:46:38.190
like you just have vibe to it that the first
00:46:38.190 --> 00:46:42.269
a lot of times music needs to grow on you. And
00:46:42.269 --> 00:46:44.469
there was a bunch of songs on the gracious few
00:46:44.469 --> 00:46:46.590
album that they didn't need to grow on you. The
00:46:46.590 --> 00:46:47.969
first time you heard it, you're like, that's
00:46:47.969 --> 00:46:52.269
awesome. And that was one of them for me. Mm
00:46:52.269 --> 00:46:56.809
hmm. Good record. Yeah, it's a good record. Is
00:46:56.809 --> 00:46:59.440
the. Have you talked to anybody from Candlebox
00:46:59.440 --> 00:47:02.860
since those days? Like, are this Candlebox out
00:47:02.860 --> 00:47:05.420
doing stuff? Like, I don't even know. Kevin still
00:47:05.420 --> 00:47:07.960
does Candlebox. It's just him. There's no original
00:47:07.960 --> 00:47:12.820
members. I think 23 was his. He keeps threatening
00:47:12.820 --> 00:47:16.199
to retire and not do it again. I believe he did.
00:47:16.599 --> 00:47:22.280
They're done. I saw a photo from him and his
00:47:22.280 --> 00:47:25.139
son in the golf cart saying retirement is good.
00:47:25.559 --> 00:47:27.539
They were out golfing. He had a big cigar in
00:47:27.539 --> 00:47:30.440
his mouth and his son, his son's all grown up.
00:47:30.579 --> 00:47:32.159
Right. So they were, they were in a golf cart
00:47:32.159 --> 00:47:35.940
golfing together. So I said, enjoy it. He'll,
00:47:35.960 --> 00:47:37.960
I'm sure he'll scratch the itch when he's ready.
00:47:38.360 --> 00:47:41.179
Right. So sure. Yeah. Yeah. His, his wife is
00:47:41.179 --> 00:47:44.420
very successful. She makes some, uh, these crazy,
00:47:44.420 --> 00:47:47.559
uh, like really cool dresses that have like took
00:47:47.559 --> 00:47:49.500
off, taken off in Hollywood and like all the
00:47:49.500 --> 00:47:52.079
starware and stuff. So Like the couture dresses,
00:47:52.239 --> 00:47:53.920
they're like handmade? No, not couture, more
00:47:53.920 --> 00:47:58.179
like sundresses kind of thing. And I think she's
00:47:58.179 --> 00:48:01.739
doing very well with it, so. Well, doesn't couture,
00:48:01.780 --> 00:48:04.840
I don't know. I'm not a fashionista or fashion
00:48:04.840 --> 00:48:07.860
whatever, but doesn't couture just mean handmade?
00:48:08.320 --> 00:48:10.260
Like, I know that there's like juicy couturism,
00:48:10.320 --> 00:48:12.320
but I think doesn't the word couture just mean
00:48:12.320 --> 00:48:14.719
like handmade? I don't know. I don't know. I
00:48:14.719 --> 00:48:19.369
always. Liking it to like, you know, super high
00:48:19.369 --> 00:48:21.469
-end fancy dresses right there. Those are probably
00:48:21.469 --> 00:48:25.769
all handmade, which right sense Yeah, my femme
00:48:25.769 --> 00:48:29.230
feminine side is not Cracked out to cracked out
00:48:29.230 --> 00:48:30.670
to what it should be. You know, I should know
00:48:30.670 --> 00:48:35.409
these things Got the long hair So Bob, did you
00:48:35.409 --> 00:48:39.349
actually start the friends of live? Facebook
00:48:39.349 --> 00:48:44.489
fan page I did not you did not know I did not
00:48:44.489 --> 00:48:48.269
it was it started I believe it came to be by
00:48:48.269 --> 00:48:50.889
some other friends, other fans. I think it might've
00:48:50.889 --> 00:48:56.309
been Ali Petchel. It was right around the hiatus,
00:48:56.530 --> 00:49:00.409
I think, the first one. I did not start that.
00:49:00.929 --> 00:49:07.090
I've just been bequeathed the status and the
00:49:07.090 --> 00:49:11.010
Freaks for Live page was started. after that
00:49:11.010 --> 00:49:13.969
page that's that page came along during the Christian
00:49:13.969 --> 00:49:17.510
years and they're both of them are same admin
00:49:17.510 --> 00:49:19.909
group right just there was a second one started
00:49:19.909 --> 00:49:23.269
and the original friends alive was there before
00:49:23.269 --> 00:49:27.110
I joined Facebook I believe so it's been there
00:49:27.110 --> 00:49:30.170
since oh eight or oh nine so I'm pretty sure
00:49:30.170 --> 00:49:33.469
it's been it's been handed around to different
00:49:33.469 --> 00:49:36.570
fans and you know yeah because I see you but
00:49:36.570 --> 00:49:40.510
I did not start it What's crazy about our socials
00:49:40.510 --> 00:49:42.989
is that right as we broke up is when social media
00:49:42.989 --> 00:49:46.570
started taking off. So, like the live page on
00:49:46.570 --> 00:49:48.849
Facebook, I mean, I think it's pretty robust
00:49:48.849 --> 00:49:51.690
now, but at the time, you know, it was pretty
00:49:51.690 --> 00:49:55.090
crappy and Instagram, we're small. Like I think
00:49:55.090 --> 00:49:59.010
as far as live is concerned, like we, as for
00:49:59.010 --> 00:50:02.010
all of our contemporaries, like they have way
00:50:02.010 --> 00:50:06.010
more fans on Instagram than live does. Nowadays,
00:50:06.230 --> 00:50:09.469
when you book shows, they'll say, how many Instagram
00:50:09.469 --> 00:50:11.070
followers do you have? And they can never follow
00:50:11.070 --> 00:50:13.829
that metric with us because our Instagram page
00:50:13.829 --> 00:50:17.650
was way smaller than our actual draw for people
00:50:17.650 --> 00:50:21.570
for shows. I think it's still maybe 30 ,000 or
00:50:21.570 --> 00:50:23.389
something like that. It's ridiculous. It should
00:50:23.389 --> 00:50:25.829
be in the millions. But as I said, we broke up
00:50:25.829 --> 00:50:28.409
right as that shit started. And so no one was
00:50:28.409 --> 00:50:32.320
tending it. Right. Right. Yeah, well because
00:50:32.320 --> 00:50:35.139
I mean when you sell 25 million records you would
00:50:35.139 --> 00:50:37.639
think that your social media would reflect that
00:50:37.639 --> 00:50:40.340
but like you said you guys were not really Up
00:50:40.340 --> 00:50:43.019
on it and then it kind of blew up when you guys
00:50:43.019 --> 00:50:46.519
were on your little hiatus there So it wasn't
00:50:46.519 --> 00:50:48.820
you know being handled the way it should have
00:50:48.820 --> 00:50:51.159
Yeah, cuz that should be you guys should have
00:50:51.159 --> 00:50:54.460
tons of fucking like like toad the wet sprocket
00:50:54.460 --> 00:50:57.559
could have more Instagram followers than live
00:50:58.250 --> 00:51:00.650
Well, then also throw in the confusion of the
00:51:00.650 --> 00:51:03.010
name live as well. So that fucking doesn't help
00:51:03.010 --> 00:51:06.650
us. I was just gonna say that. Yeah, that that's
00:51:06.650 --> 00:51:08.449
always been a problem, right? It's searching.
00:51:09.309 --> 00:51:11.369
If you're trying to like that guy, that guy's
00:51:11.369 --> 00:51:15.610
who the million shows channel, I went to go through
00:51:15.610 --> 00:51:17.789
his channel to see if there are any other live
00:51:17.789 --> 00:51:19.909
concerts in there. And I know there's one the
00:51:19.909 --> 00:51:22.889
Allentown 95 show but trying to find it with
00:51:22.889 --> 00:51:25.550
the word live, or you got to do the band live.
00:51:25.989 --> 00:51:28.829
Your best bet is to say the band live in a search.
00:51:29.130 --> 00:51:31.409
You'll get something, but more than just the
00:51:31.409 --> 00:51:36.489
word live. So it's always been interesting. As
00:51:36.489 --> 00:51:39.010
I say, we named ourselves. I would never changed
00:51:39.010 --> 00:51:42.449
it. It works, man. It works on the artwork, the
00:51:42.449 --> 00:51:45.670
album covers. It works. So, you know, don't change
00:51:45.670 --> 00:51:48.610
it. Even though there's that drawback. The first
00:51:48.610 --> 00:51:50.820
time Uncle George was on the chart. on the Billboard
00:51:50.820 --> 00:51:53.780
charts, it got listed reverse. So it was like
00:51:53.780 --> 00:51:56.119
Mental Jewelry was the band name and the record.
00:51:56.380 --> 00:51:59.460
Oh, really? Yeah. How funny. Billboard messed
00:51:59.460 --> 00:52:02.920
it up. Yes. You know, we were first charted because
00:52:02.920 --> 00:52:04.420
we remember looking at it going, what the fuck?
00:52:05.199 --> 00:52:08.239
They fucked up. It says our name is Mental Jewelry.
00:52:09.280 --> 00:52:11.739
Well, it's such a cool name for a band. But then
00:52:11.739 --> 00:52:13.599
when you when you, you know, the Internet comes
00:52:13.599 --> 00:52:15.519
into play and you're searching for something,
00:52:15.579 --> 00:52:18.460
you know, it'll pull up. You type in live, whatever
00:52:18.460 --> 00:52:22.840
live, I alone. It might pull up like, you know,
00:52:22.980 --> 00:52:26.500
Aro Smith, Steven Tyler alone singing a live
00:52:26.500 --> 00:52:27.900
version of a song, you know what I'm saying?
00:52:27.940 --> 00:52:31.139
Like it doesn't realize like, I mean, no, the
00:52:31.139 --> 00:52:33.320
band live. And like Bob said, if you type in
00:52:33.320 --> 00:52:37.099
the band live, then it helps. But they got to
00:52:37.099 --> 00:52:39.980
make sure that they had like their metadata done
00:52:39.980 --> 00:52:42.579
properly to where that because I kind of do that
00:52:42.579 --> 00:52:45.079
with with stuff that I tag is I put the band
00:52:45.079 --> 00:52:48.199
live, like I put that in like the. You know,
00:52:48.800 --> 00:52:52.559
uh, all that shit is, you got to do it that way.
00:52:52.719 --> 00:52:56.179
Yeah. You know, when, when you guys decide to
00:52:56.179 --> 00:52:58.420
go to therapy and get back together and announce
00:52:58.420 --> 00:53:00.500
some shows, make sure you just put them out as
00:53:00.500 --> 00:53:03.360
the body odor boys, right? Go to, go to, go to
00:53:03.360 --> 00:53:07.099
advertise with that name and then have a play
00:53:07.099 --> 00:53:09.880
on with that and then say, Oh, by the way, this
00:53:09.880 --> 00:53:13.639
is live. Right. She just, You know what I mean?
00:53:14.099 --> 00:53:17.039
Do a wrinkle like that. If we come back together,
00:53:17.159 --> 00:53:18.460
it's definitely going to be therapy. I'm not
00:53:18.460 --> 00:53:21.460
doing it if we don't have fucking therapy. As
00:53:21.460 --> 00:53:24.079
anybody should who has a relationship for that
00:53:24.079 --> 00:53:26.420
long, right? I mean, you can't just go through
00:53:26.420 --> 00:53:28.760
life just bumbling along. I mean, that's a lot
00:53:28.760 --> 00:53:32.980
of baggage and years and stuff like anybody needs
00:53:32.980 --> 00:53:36.340
therapy for, you know, being together that long.
00:53:36.840 --> 00:53:39.199
Yeah. And especially all the shit that's happened
00:53:39.199 --> 00:53:42.739
with us. Right. And I said it on one other show,
00:53:43.119 --> 00:53:45.340
like, you know, not many people, you know, because
00:53:45.340 --> 00:53:47.380
I said, these guys will never break up. They've
00:53:47.380 --> 00:53:49.139
been friends since, you know, grade school, blah,
00:53:49.199 --> 00:53:51.280
blah, blah. But somebody said to me, like, well,
00:53:51.300 --> 00:53:52.960
who the hell are you friends with from grade
00:53:52.960 --> 00:53:55.900
school? And it like, you know, like, yeah, that's
00:53:55.900 --> 00:53:58.760
true. These guys who are, you know, who is still
00:53:58.760 --> 00:54:00.440
friends with people from grade school? Not many
00:54:00.440 --> 00:54:02.940
people. And the fact that you guys made it so
00:54:02.940 --> 00:54:06.059
long with just kind of going through life and
00:54:06.059 --> 00:54:08.119
not discussing the major things and stuff, because
00:54:08.119 --> 00:54:11.530
you were so young when, you know, fame and money
00:54:11.530 --> 00:54:13.710
were hitting you guys that it was like, you know,
00:54:14.030 --> 00:54:16.070
just kind of going through the motions and stuff
00:54:16.070 --> 00:54:18.750
that you never really got to sit down and talk
00:54:18.750 --> 00:54:20.929
about all the real stuff and blah, blah, blah,
00:54:20.929 --> 00:54:25.869
blah, blah. I feel like if there was just one
00:54:25.869 --> 00:54:27.949
smart person, especially management who said,
00:54:28.030 --> 00:54:30.530
hey, whoa, whoa, guys, let's check our egos at
00:54:30.530 --> 00:54:33.150
the door here. Let's talk. Let's get this going.
00:54:33.750 --> 00:54:36.389
We never had like a manager, a manager like that.
00:54:36.550 --> 00:54:39.710
Our manager, David Sustak and our. We had co
00:54:39.710 --> 00:54:41.429
-managers, David Sestak and Peter Freeman. Peter
00:54:41.429 --> 00:54:44.809
Freeman died in 99, 2000, somewhere around there.
00:54:44.849 --> 00:54:48.309
Rest in peace. Yeah. But they just, they weren't
00:54:48.309 --> 00:54:50.409
that, they weren't proactive managers. They were
00:54:50.409 --> 00:54:54.030
reactive managers. So it was, you know, you didn't
00:54:54.030 --> 00:54:57.030
have someone like a Paul McGinnis or, you know,
00:54:57.409 --> 00:55:00.469
who you choose forever manager. Like we didn't,
00:55:00.469 --> 00:55:02.570
we didn't have someone to guide us like that.
00:55:02.750 --> 00:55:05.929
Right. The management was spread out against
00:55:05.929 --> 00:55:08.329
other bands too, right Chad? I mean these guys
00:55:08.329 --> 00:55:10.530
were managing not just one or two bands, they
00:55:10.530 --> 00:55:12.969
had an umbrella of people that they would consider
00:55:12.969 --> 00:55:15.329
under their management umbrella and some bands
00:55:15.329 --> 00:55:18.130
got favored the more than others, right? I mean,
00:55:18.289 --> 00:55:21.230
yes, we were the biggest band they had, but it's
00:55:21.230 --> 00:55:23.650
just, it just wasn't, I mean, I'm not blaming
00:55:23.650 --> 00:55:25.610
them. I'm just saying this wasn't their style
00:55:25.610 --> 00:55:28.849
to be proactive, to go. Like for instance, I
00:55:28.849 --> 00:55:32.480
mean, you know, in fucking, what is it? 96? When
00:55:32.480 --> 00:55:35.400
did, when did Clinton get inaugurated? We got,
00:55:35.519 --> 00:55:37.239
we got, we got asked to play at the white house
00:55:37.239 --> 00:55:39.500
and like 96 and we're like, Oh, we're too tired.
00:55:39.679 --> 00:55:42.539
Like our fucking manager shouldn't like get on
00:55:42.539 --> 00:55:44.579
that. What the fuck are you doing? You'd be like,
00:55:44.579 --> 00:55:47.559
you're there, right? You say you show up on this
00:55:47.559 --> 00:55:49.639
date, you know, and then realize where, where
00:55:49.639 --> 00:55:52.079
it is. Right. And yeah, we came to the end of
00:55:52.079 --> 00:55:54.519
95 and we were fucking exhausted from touring
00:55:54.519 --> 00:55:58.280
for 18 or 20 months for throwing copper and.
00:55:59.289 --> 00:56:02.550
in the spring or maybe the early, like the winter,
00:56:02.730 --> 00:56:04.110
late winter, early spring, we were supposed to
00:56:04.110 --> 00:56:07.530
go out and do like a full on arena tour. And
00:56:07.530 --> 00:56:09.210
we didn't want to do it because, again, we were
00:56:09.210 --> 00:56:10.809
tired. Our manager should have been like, go
00:56:10.809 --> 00:56:12.929
to a fucking island, take a private jet, like
00:56:12.929 --> 00:56:15.570
you have the fucking money. And then instead
00:56:15.570 --> 00:56:18.650
it was just like, OK, they're tired. It's like,
00:56:18.650 --> 00:56:22.030
I think it was like a 15 million dollar or 20
00:56:22.030 --> 00:56:23.969
million dollar tour or something like that. Yeah.
00:56:24.110 --> 00:56:31.039
Nah, we're tired. We were 24 years, 25 years
00:56:31.039 --> 00:56:33.340
old. It's like you wish you had someone going,
00:56:33.840 --> 00:56:36.920
hey idiots, do this, shut the fuck up. Right.
00:56:37.159 --> 00:56:39.159
Go to the islands, take your girls, whatever
00:56:39.159 --> 00:56:40.800
the fuck you want to do, hire women, whatever
00:56:40.800 --> 00:56:43.260
the fuck it is. Right. Go down there and relax
00:56:43.260 --> 00:56:45.599
and then go do this fucking tour. Like you'll
00:56:45.599 --> 00:56:47.980
be fine. Well, that's my question. Like, was
00:56:47.980 --> 00:56:51.219
it the fact that you guys just became, again,
00:56:51.239 --> 00:56:53.000
not overnight, you were putting in your hours,
00:56:53.059 --> 00:56:56.280
but you guys went from relatively obscure band
00:56:56.280 --> 00:56:59.260
to like fucking all over the place rolling stones
00:56:59.260 --> 00:57:03.900
95 artists of the year, maybe management Felt
00:57:03.900 --> 00:57:06.260
like beneath you guys and like they couldn't
00:57:06.260 --> 00:57:08.320
tell you what to do. Even if that wasn't your
00:57:08.320 --> 00:57:10.760
sentiment at all Maybe that's the way they felt
00:57:10.760 --> 00:57:13.480
like dude. These guys are fucking over here You
00:57:13.480 --> 00:57:16.460
know doing all this shit playing the video music
00:57:16.460 --> 00:57:18.000
awards and all stuff like they're big. Maybe
00:57:18.000 --> 00:57:20.840
I can't tell them. Hey By the way, you should
00:57:20.840 --> 00:57:23.000
do this. It could have been some of that. I don't
00:57:23.000 --> 00:57:25.159
think they were strong enough personalities to
00:57:25.159 --> 00:57:27.300
override our... because it was four against one,
00:57:27.420 --> 00:57:29.659
four against two, you know? Right. Because when
00:57:29.659 --> 00:57:31.739
the four of us were like, now we're not fucking
00:57:31.739 --> 00:57:33.880
doing it, like there was not much changing our
00:57:33.880 --> 00:57:35.760
mind, but we need someone stronger to fucking
00:57:35.760 --> 00:57:38.159
go, no, dumb asses, like you should really do
00:57:38.159 --> 00:57:43.019
that. Whatever. Can you play that, Bob? Because
00:57:43.019 --> 00:57:47.829
every time I go to play a clip, it... It doesn't
00:57:47.829 --> 00:57:50.750
allow me to do it. I mean, I'll try it. But every
00:57:50.750 --> 00:57:54.650
time I go to do it, it doesn't allow me to. Let
00:57:54.650 --> 00:57:59.750
me see if I can. Oh, let me see. He just sent
00:57:59.750 --> 00:58:04.030
me a link, but I can't. Let's see. He sent it
00:58:04.030 --> 00:58:06.349
to my phone, but I'm on I'm on a laptop here.
00:58:06.630 --> 00:58:10.730
I'm not. I don't have to try to do it just every
00:58:10.730 --> 00:58:14.909
time I go to do this. Bad things happen. Is it
00:58:14.909 --> 00:58:17.320
in the Facebook? Is it in the Facebook stream
00:58:17.320 --> 00:58:21.579
chat? No, but here, you know what? I'm going
00:58:21.579 --> 00:58:23.579
to copy it. I'm going to try and play it. And
00:58:23.579 --> 00:58:25.380
if not, I'll put it in the chat and then you
00:58:25.380 --> 00:58:27.780
could play it. But I'll try to do it first because
00:58:27.780 --> 00:58:32.420
I do have it up. Bum bum bum bum. Sorry, audience.
00:58:32.780 --> 00:58:35.059
We fly by the seat of our pants here. That's
00:58:35.059 --> 00:58:38.900
the beauty of a live show. It's a cool video,
00:58:39.039 --> 00:58:43.559
apparently. So it's a it's a gracious few thing.
00:58:45.210 --> 00:58:50.489
So sure. All right. Oh, Bobby here. Bobby's here.
00:58:50.630 --> 00:58:53.389
Bobby's been here. Yeah. He came in quietly.
00:58:54.989 --> 00:58:59.289
Uh, let's see if we get audio. Yeah. Is it, is
00:58:59.289 --> 00:59:04.210
it plenty? Yeah. Okay. Here we go. Oh, there
00:59:04.210 --> 00:59:12.150
you go. Audio. Yeah, we got audio. Yeah. Oh,
00:59:12.150 --> 00:59:16.650
that's wonderful. Yeah. Did you ever want out
00:59:16.650 --> 00:59:23.510
of this Out of this life Did you ever think about
00:59:23.510 --> 00:59:29.230
it Love from time to time Did you believe in
00:59:29.230 --> 00:59:33.730
everything they said They're saying things I
00:59:33.730 --> 01:04:04.590
don't know How did you get so far I'd never seen
01:04:04.590 --> 01:04:07.030
that. That was cool. Me either. I never saw it
01:04:07.030 --> 01:04:11.530
either. Excellent song. It's just, ugh. And John,
01:04:12.230 --> 01:04:17.489
in concert, man, just light socket. It's the,
01:04:17.489 --> 01:04:20.110
it's the, it's the, like I said earlier, it's
01:04:20.110 --> 01:04:22.590
like, you feel, you get pins and needles on your
01:04:22.590 --> 01:04:26.329
arms and your back. Yeah. That, that, that when
01:04:26.329 --> 01:04:28.650
you get, when he gets into the solo and Tennessee
01:04:28.650 --> 01:04:33.510
solo, it's just, man, it's like pure. Well, that's
01:04:33.510 --> 01:04:36.269
pure rock and roll. Now that I know what that
01:04:36.269 --> 01:04:38.329
song is about, I mean, it almost brings a tear
01:04:38.329 --> 01:04:41.010
to my eye watching that. I mean, it's, you know,
01:04:41.050 --> 01:04:43.610
I didn't know what it was about. I knew it was
01:04:43.610 --> 01:04:47.130
a touching song, a sad song. But, you know, to
01:04:47.130 --> 01:04:51.710
watch that young man's life and, you know, he's
01:04:51.710 --> 01:04:54.030
not here anymore. It's it's very fitting that
01:04:54.030 --> 01:04:56.329
you guys put that in a song and paid such a good
01:04:56.329 --> 01:05:00.530
tribute to because it did it did justice. This
01:05:00.530 --> 01:05:06.360
is a great, great, great. Great tribute. So thank
01:05:06.360 --> 01:05:08.420
you, Chad, for ripping up those drums there.
01:05:09.179 --> 01:05:11.780
Yeah, I could imagine when Sean comes in during
01:05:11.780 --> 01:05:18.340
the concert with that solo. But wow, at least
01:05:18.340 --> 01:05:21.800
the guy looked like he lived a happy life, a
01:05:21.800 --> 01:05:24.860
full life for such a young, you know, for taking
01:05:24.860 --> 01:05:26.940
so young. It looked like he at least enjoyed
01:05:26.940 --> 01:05:31.139
himself while he was here, which is key. I saw
01:05:31.139 --> 01:05:33.019
that picture with him in Slash. They kind of
01:05:33.019 --> 01:05:34.599
looked like they could have been brothers at
01:05:34.599 --> 01:05:37.639
that point with the hair and that stuff, right?
01:05:37.679 --> 01:05:40.519
That was Slash, Bob, in that one. Yeah, he's
01:05:40.519 --> 01:05:43.619
in there, yeah. Yeah, it looked like Slash, yeah.
01:05:44.239 --> 01:05:48.760
Yeah. Wow. What a beautiful tribute that was.
01:05:49.000 --> 01:05:50.719
And I'm glad I got to learn what that song was
01:05:50.719 --> 01:05:52.739
about, because I knew it meant something to me
01:05:52.739 --> 01:05:55.460
the first time I heard it, but never knew. So
01:05:55.460 --> 01:05:58.800
now I know. And Wendell... you know, thank you
01:05:58.800 --> 01:06:02.400
for being human. And then I just want to repeat
01:06:02.400 --> 01:06:05.059
what that said at the end there for people who
01:06:05.059 --> 01:06:11.159
want to go to that foundation and whatever. Oh,
01:06:11.159 --> 01:06:14.900
yes, like he's like, I mean, Bill, Bill Hines
01:06:14.900 --> 01:06:18.079
is texting me. He says he made that video. Oh,
01:06:18.519 --> 01:06:22.139
yeah. Bill made the video. He told me I never,
01:06:22.139 --> 01:06:26.409
I never saw it before. I don't know. Well, thank
01:06:26.409 --> 01:06:32.289
you, Bill. And that website is wendellgreen .ning
01:06:32.289 --> 01:06:37.989
.com. So Wendell, W -E -N -D -E -L -L, green,
01:06:38.070 --> 01:06:43.710
G -R -E -E -N dot N -I -N -G dot com. And that's
01:06:43.710 --> 01:06:46.550
the join in the life celebration of our dude,
01:06:46.570 --> 01:06:48.809
Wendell Green. So yeah, go check that out, ladies
01:06:48.809 --> 01:06:52.219
and gentlemen. Yeah, it's I'm texting doing like
01:06:52.219 --> 01:06:54.179
how the fuck did you never show me this like
01:06:54.179 --> 01:06:57.619
I never see this like I can't believe you made
01:06:57.619 --> 01:07:00.260
it. It's fucking great I mean, I guess he knew
01:07:00.260 --> 01:07:02.900
this guy Howie who played baseball with who was
01:07:02.900 --> 01:07:05.980
friends of Wendell for all those bill hind? I
01:07:05.980 --> 01:07:08.559
never know the story a second weird but this
01:07:08.559 --> 01:07:12.079
is that's that's that is that is a Part and parcel
01:07:12.079 --> 01:07:14.440
bill like he will do shit and not try to take
01:07:14.440 --> 01:07:16.059
credit for it and not tell fucking people about
01:07:16.059 --> 01:07:18.519
it He donates to all these charities and shit
01:07:18.679 --> 01:07:20.739
you know he's made out to be this fucking horrible
01:07:20.739 --> 01:07:24.980
fucking person and he does all these things that
01:07:24.980 --> 01:07:27.699
are great that he doesn't he doesn't and he doesn't
01:07:27.699 --> 01:07:29.639
he's not doing it for like accolades and fucking
01:07:29.639 --> 01:07:33.800
attention right because he's a great guy so anyway
01:07:33.800 --> 01:07:37.199
he's our he's our ralph sorella for anybody who
01:07:37.199 --> 01:07:40.139
listens to the howard stern show so ralph was
01:07:40.139 --> 01:07:42.320
always known as like you know a douchebag people
01:07:42.320 --> 01:07:44.360
didn't like him whatever but you know you're
01:07:44.360 --> 01:07:46.019
starting to find out things in his death like
01:07:46.019 --> 01:07:50.000
he was at 9 11 the day after helping clean up,
01:07:50.019 --> 01:07:51.460
and he was there for weeks and stuff like that.
01:07:52.099 --> 01:07:54.920
So for all the negative stuff said about Bill
01:07:54.920 --> 01:07:57.340
out there that's made public, there's a bunch
01:07:57.340 --> 01:07:59.719
of shit like this that nobody sees behind the
01:07:59.719 --> 01:08:04.219
scenes that really shows Bill's character. So,
01:08:04.219 --> 01:08:07.079
you know, check out both sides of the coin before
01:08:07.079 --> 01:08:10.880
you make your opinion. Don't just read the newspaper
01:08:10.880 --> 01:08:14.739
clippings because the newspaper, God forbid,
01:08:14.980 --> 01:08:17.470
we take that as the truth. They have a cottage
01:08:17.470 --> 01:08:19.529
industry out of Bill Hines at this point in fucking
01:08:19.529 --> 01:08:23.109
York on their fucking stupid paper. Right. I
01:08:23.109 --> 01:08:25.569
think without Bill Hines that York dispatcher,
01:08:25.609 --> 01:08:26.750
whatever the fuck it's called, wouldn't have
01:08:26.750 --> 01:08:29.369
anything to write about. The Gannett group would
01:08:29.369 --> 01:08:31.970
probably close up shop on those two papers, honestly.
01:08:32.270 --> 01:08:35.229
I think so. Yeah. I think so. But that's all
01:08:35.229 --> 01:08:37.409
right. He's going to have his day in court. He'll
01:08:37.409 --> 01:08:40.520
show them all. So Bob, do you have anything you
01:08:40.520 --> 01:08:42.119
want the audience to know? Because we usually
01:08:42.119 --> 01:08:44.500
keep the show around this time. Anything you
01:08:44.500 --> 01:08:46.140
want the audience to know? Anything you want
01:08:46.140 --> 01:08:49.340
to ask Chad personally? Anything before we start
01:08:49.340 --> 01:08:52.520
to wrap it up? Bob has my number. He can ask
01:08:52.520 --> 01:08:54.399
me anything he ever wants. Well, I mean, if he
01:08:54.399 --> 01:09:00.359
wants to ask. Go ahead. I think maybe the only
01:09:00.359 --> 01:09:06.899
thing that I have pressing would be is when we'll
01:09:06.899 --> 01:09:10.439
see what happens with the going forward with
01:09:10.439 --> 01:09:13.699
the band, right? And just, you know, digest what
01:09:13.699 --> 01:09:17.279
happens and let it be real, right? You know,
01:09:17.420 --> 01:09:20.539
understand that it's very complicated. What's
01:09:20.539 --> 01:09:22.439
going on and it's not, you're running the mill.
01:09:22.800 --> 01:09:25.020
Honestly, if you equate it to some of the other
01:09:25.020 --> 01:09:27.000
big bands that have their issues and you don't
01:09:27.000 --> 01:09:29.380
really hear about it, it goes in the press and
01:09:29.380 --> 01:09:31.920
you hear one side, the other side, you know,
01:09:32.039 --> 01:09:34.680
at the end of the day, you know, just these people
01:09:34.680 --> 01:09:36.859
are real. They have families there, you know,
01:09:36.939 --> 01:09:38.960
they're real people. They're not just your idols
01:09:38.960 --> 01:09:42.439
out there. And just let it let things happen
01:09:42.439 --> 01:09:47.180
naturally. And then see what happens in the future
01:09:47.180 --> 01:09:50.699
and just let it be. Let it just happen. Well,
01:09:51.500 --> 01:09:54.210
so, yeah. Because like you said the fans start
01:09:54.210 --> 01:09:57.010
riling each other up taking sides and stuff This
01:09:57.010 --> 01:09:59.210
is not something where anybody needs to take
01:09:59.210 --> 01:10:01.970
sides like you said This is something where you
01:10:01.970 --> 01:10:04.869
need to let stuff lie and time will tell where
01:10:04.869 --> 01:10:07.250
you know where this goes from here But I was
01:10:07.250 --> 01:10:09.869
guilty of taking sides a long time ago, too So
01:10:09.869 --> 01:10:13.069
I mean I got I got rolled into that and saw one
01:10:13.069 --> 01:10:16.569
side and the other side was not Did not speak
01:10:16.569 --> 01:10:19.310
out and really tell the truth, but it was just
01:10:19.579 --> 01:10:22.140
put forth as, oh, it's this and this is the truth,
01:10:22.279 --> 01:10:25.060
right? Well, we know how that is, right? So when
01:10:25.060 --> 01:10:28.859
you come to learn what's really happened and
01:10:28.859 --> 01:10:33.640
who's responsible or who's had more of a say
01:10:33.640 --> 01:10:37.020
in putting that message out versus what should
01:10:37.020 --> 01:10:40.920
have been either cleared up earlier or it's just
01:10:40.920 --> 01:10:44.699
as you get older and more wiser, you learn where
01:10:44.699 --> 01:10:48.079
to make your bet, I guess, or learn how to be
01:10:48.079 --> 01:10:51.939
above the fray. So, you know, and I, you know,
01:10:51.979 --> 01:10:54.279
I apologize to Ed too. I'll take a little responsibility
01:10:54.279 --> 01:10:56.340
for that too. I'll take a little responsibility
01:10:56.340 --> 01:10:58.880
for that too. I was, you know, I was being manipulated
01:10:58.880 --> 01:11:01.319
in ways I didn't understand and that's not going
01:11:01.319 --> 01:11:05.239
to happen to me anymore. So, and I'll tell you
01:11:05.239 --> 01:11:08.060
the objective truth as far as I know it when
01:11:08.060 --> 01:11:12.319
I see it, but, you know, I'll just say that.
01:11:12.520 --> 01:11:14.739
I was being manipulated in ways I didn't understand
01:11:14.739 --> 01:11:16.779
and I totally understand now and I won't fucking
01:11:16.779 --> 01:11:20.189
let it happen to me again. And life is too short,
01:11:20.369 --> 01:11:23.250
right? I mean, you say this all the time, but
01:11:23.250 --> 01:11:26.329
people end up living with regret. Like, oh, I
01:11:26.329 --> 01:11:28.649
should have done this before that happened. Just
01:11:28.649 --> 01:11:31.210
Wendell's a perfect excuse, man. I'm sure nobody,
01:11:31.210 --> 01:11:34.489
you know, saw that coming. And then, you know,
01:11:34.510 --> 01:11:37.949
by sure it did. So, I mean, just God forbid something
01:11:37.949 --> 01:11:40.409
were to happen to, you know, one of you four
01:11:40.409 --> 01:11:43.409
from growing up. Like, is the stuff that, you
01:11:43.409 --> 01:11:45.130
know, brought you guys to where you're at today,
01:11:45.189 --> 01:11:48.569
is it that important? Is it, you know, to where,
01:11:48.569 --> 01:11:51.670
you know, those friendships are no longer what
01:11:51.670 --> 01:11:54.649
they once were. So, you know, again, it's none
01:11:54.649 --> 01:11:57.609
of our business. It's all on your time. But just
01:11:57.609 --> 01:12:00.229
to put that out there is like life is short and
01:12:00.229 --> 01:12:03.810
to live with animosity and regret is not the
01:12:03.810 --> 01:12:06.649
way to do it, because at some point it'll catch
01:12:06.649 --> 01:12:09.050
up to you and you'll be like, shit, I really
01:12:09.050 --> 01:12:11.729
should have reached out and told this person
01:12:11.729 --> 01:12:13.909
I love them or I should have said I was sorry
01:12:13.909 --> 01:12:17.350
for this and that. So that's just my little PSA
01:12:17.350 --> 01:12:20.449
for the day. I don't live that way either. It's
01:12:20.449 --> 01:12:23.390
easier to say than to do, but it really is true.
01:12:23.489 --> 01:12:27.489
You know, you never know, uh, when, when things
01:12:27.489 --> 01:12:29.869
are going to end or when you won't have a chance
01:12:29.869 --> 01:12:32.550
to say what you really wanted to say. And then
01:12:32.550 --> 01:12:34.409
you have to hold it in for the rest of your life.
01:12:34.550 --> 01:12:39.810
So just keep that in mind peeps. Yeah. Life's
01:12:39.810 --> 01:12:41.890
short. And with that, happy new year guys. I
01:12:41.890 --> 01:12:44.449
appreciate the time. Thank you, Bob. It's great.
01:12:45.079 --> 01:12:47.359
All right. Do it again. Keep it real. We'll have
01:12:47.359 --> 01:12:49.399
you again for sure. We know you got a lot more
01:12:49.399 --> 01:12:52.619
to talk about. I do end up monopolizing some
01:12:52.619 --> 01:12:56.020
of the guests' time. I apologize. No, it's quite
01:12:56.020 --> 01:13:00.520
fine. I prefer to be quiet. I think Bill's here
01:13:00.520 --> 01:13:05.020
with my cocktail sauce. Next week, Chad, bring
01:13:05.020 --> 01:13:06.939
on the bottle so we could show people what they're
01:13:06.939 --> 01:13:09.199
missing for when Bob releases it to the masses.
01:13:09.279 --> 01:13:11.399
They could say, there, I saw it on the gracious
01:13:11.399 --> 01:13:15.069
too. I got to go get some shrimp. Bobby, Bobby
01:13:15.069 --> 01:13:17.550
Hayes, why don't you come off and say goodbye
01:13:17.550 --> 01:13:19.289
and happy holidays, everybody, rather than through
01:13:19.289 --> 01:13:21.970
the chat. And from myself, I want to say happy
01:13:21.970 --> 01:13:26.069
holidays. I hope 2023 treated everybody well.
01:13:26.510 --> 01:13:30.310
2024 will be even better for the gracious two
01:13:30.310 --> 01:13:33.560
fans out there. We got a lot of stuff planned,
01:13:33.640 --> 01:13:36.199
a lot of cool, fun stuff that we're keeping close
01:13:36.199 --> 01:13:38.939
to the chest right now, but we'll be going full
01:13:38.939 --> 01:13:41.760
steam ahead once we got everything laid out there.
01:13:41.960 --> 01:13:44.140
But thank you guys for coming on this ride with
01:13:44.140 --> 01:13:46.979
us. And it's only going to get faster and bumpier,
01:13:47.020 --> 01:13:53.359
so be prepared. Thank you, everybody. Thanks.
01:13:54.479 --> 01:13:56.680
Thank you, everybody. Happy holidays, everybody.
01:13:56.880 --> 01:13:59.850
Hope everybody has a great time. I hope everybody
01:13:59.850 --> 01:14:03.810
enjoys your two thousand four twenty four. Yes.
01:14:04.210 --> 01:14:06.229
Thanks, sir. Happy New Year, everyone. Thank
01:14:06.229 --> 01:14:08.470
you. Happy New Year. Bob, real quick. Bob's is
01:14:08.470 --> 01:14:11.350
there. Yes. Do you want anybody to find you on
01:14:11.350 --> 01:14:16.189
social media or? No. OK, cool. No. No, I'm I'm
01:14:16.189 --> 01:14:20.590
I'm only there for those fan pages only. I'm
01:14:20.590 --> 01:14:23.710
pretty devoid of anything personal on there.
01:14:24.010 --> 01:14:27.439
Right. I'm out. It makes sense. Good for you.
01:14:27.979 --> 01:14:32.880
I have nothing to offer. Oh, stop it. Ladies
01:14:32.880 --> 01:14:34.920
and gentlemen, thank you. Bye. We'll see you
01:14:34.920 --> 01:14:38.939
next week. Hasta la vista. Let me go and stop
01:14:38.939 --> 01:14:43.880
this live there and then got to stop it here.
01:14:44.800 --> 01:14:48.420
This is always so difficult. All righty, then
01:14:48.420 --> 01:14:50.300
we should be done live everywhere.