The Gracious Two - LIVE Show 027 - Mitch Collins
Instagram Interactive Shows, YouTube Strikes, Illegal Immigrants:
The Gracious Two, Chad Gracey John Rotolo (JRo) discussed a successful Instagram live episode that they decided to share on other platforms, with plans for more Instagram only interactive shows allowing audience participation and possibly guest appearances. They announced the removal of a strike on YouTube, leaving only one remaining to be resolved next month. They also discussed Biden's actions involving illegal immigrants before shifting the conversation back to their Youtube channel, where they decided against going live due to a second strike. They plan to post shorts to maintain control over their content.
Politics, YouTube, and Free Speech Concerns:
Chad & JRo expressed concern over YouTube's alleged bias in promoting certain videos, noting that factual based videos that YouTube didn’t like were not being promoted and were stifling free speech. They also discussed the Covid-19 pandemic. Later, The Gracious Two critiqued Cuomo's governance. They also discussed politics and the Supreme Court, and criticized Biden's new program allowing immigrants to fly directly to the US. They expressed concerns about the suppression of free speech, particularly on YouTube.
Ghost Flights, Transparency and Integrity in Politics:
Chad Gracey & JRo discussed several controversial topics, including the treatment of Covid, immigration policies, and the status of work visas. They expressed concern over the lack of transparency and perceived manipulation in the handling of these issues. They also criticized the government's management of the border, specifically the influx of illegal immigrants, and the use of taxpayer money on 'ghost flights'. The conversation concluded with a call for more integrity in political candidates and a desire for a return to a 'Golden Democratic era'.
Music, Politics, and Insurrection:
Chad, JRo and Mitch Collins discussed a range of topics, from politics and music to recent events in the music industry. They voiced their concerns about illegal immigrants voting in local elections and the implications of the Supreme Court ruling. They also touched on the treatment of insurrectionists and the potential for the Supreme Court to be abolished. The conversation then shifted to music, with John highlighting Mitch's unique interpretations of song covers. John questioned Ed Kowalczyk’s intentions behind releasing a new album and promoting it at LiVe shows without involving the original members. There was also a mention of Chad’s Rattlesnake drum video, which John mentioned he loved.
Music, + LiVe +, and Rock Discussion:
The guys had a conversation about music, specifically focusing on the band + LiVe +. John, Chad and Mitch discussed the band's unique sound and the talent of their drummer. The conversation also touched on the current state of rock music, expressing a preference for the depth and meaningfulness of older songs over the simplicity and empty lyrics of modern ones.
Music Industry, + LiVe +, and Kurt Cobain:
Chad, JRo and Mitch engaged in a conversation about the band LiVe, praising their unique blend of simplicity and depth. They also expressed concern over the current state of the music industry. The conversation touched on the death of Kurt Cobain, with Mitch sharing his perspective on it. Mitch also recounted a story about a man named Bill Hynes who offered him Ed Kowalczyk’s guitar signed by The Gracious Few, which deeply affected him.
Music Evolution and Unsolved Mysteries:
The guys discussed the impact of notable figures such as Kurt Cobain, Biggie, and Jimi Hendrix on society and the unsolved mysteries surrounding their deaths. They also touched upon the evolution of music in the late eighties and nineties, particularly the shift from hair metal to a more serious gen
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Boom, shakalaka, preparing. Got it. Get it good,
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setting it up. And hopefully we are live. Ladies
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and gentlemen, boys and girls. Hey, hey, hey.
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What up, Chad? Bays and bears and Zs and Zims.
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Hello. We got to include them all. That's right.
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Run all the stupid pronouns down. Yes. He, she,
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shim, shim. Fuck off. Oh, Chad, we got something
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cool for the audience that we should probably
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let them know. What do we got? Yeah, well, you
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know, but you don't know that I'm going. So we
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had a fun time doing our drunken bonus episodes.
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If you guys are watching now and you're wondering
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why it's episode 27 and not 26, it's because
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we did a live in -studio bonus drinking episode
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last week. Just posted it. But we did it on Instagram
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only. So now it's posted to all the platforms.
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But we decided since we had such a good time,
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maybe once a week, maybe a couple times a month,
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something like that, we're going to do a short.
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Instagram only live show. And it's, we're not
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bringing topics. I'm not asking questions. Chad's
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not asking questions. It's all audience interaction.
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So you guys come on, you could type in what you
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want to talk about. You could type in questions
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and even we could, if you want to come on, we
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could have you on video with us. So you'll actually
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be in the broadcast. So it's a bunch of cool
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stuff for the audience out there. and uh we had
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fun with it so we want to have some more fun
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with you guys hell yeah have some more drinks
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yes sir yeah we decided uh we're not gonna put
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like specific times on it you guys will get the
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notifications when we do go live on instagram
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so make sure you follow us there the underscore
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gracious underscore two and come on interact
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with us man we want to have fun with you guys
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so that should be oh yeah Uh, and then that happened.
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And then last week I put up a rattlesnake on
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my YouTube channel and it, I mean, for me at
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least it blew up. It wasn't like, I had like
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35 ,000 views. So I was like, Oh shit, that was
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cool. Yes. Um, you know, my typical videos, I
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mean, some of them have like, I think the most
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is like 4 ,900. So rattlesnake kind of blew up
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for me. I was very happy about that. I know,
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I know it's nothing in the YouTube world where
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you get billions of views, but Hey, I'll take
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it. I'm good. Yeah. We got to start somewhere,
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right? Exactly. Yeah, dude. So I wonder what
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the difference was. If people somehow stumbled
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onto the page, if they... The main driver of
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the traffic was YouTube advertising. Cool. And
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analytics. Wow. Somehow you got into the algo.
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I guess, yeah. I got in the algo. But it's funny
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because, you know, the gracious two channel has
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two strikes, but... They like me personally on
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the drum, so. Well, so we got a strike removed.
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We're down to only one. Oh, good. Sweet. Yes.
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And then I think by next month, that'll be gone,
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too. Bill will say maybe we try, you know, not
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putting it up live, but bleeping. Right. The
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B words and the human population control words.
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That's definitely. That's definitely the plan.
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Don't talk vaccine, jab, any of that stuff. But
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yo, Chad, this is crazy. So because we had discussed
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this a while back after we got our second strike,
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we said, all right, we're not going to go live
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on YouTube anymore because we don't want to just
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completely abandon the channel. But we're going
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to post our shorts so we can kind of keep control
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of what goes on there. It's not during the live
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show. And like, do you know that if so? If we
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post something that has nothing worth of controversy
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in it, boom, boom, boom, hits, hits, hits, YouTube
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actually puts it in people's shorts feed. As
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soon as we post something, you know, about the
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media being biased on both the left and right
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side, they no longer show it. They don't promote
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it at all. And then they don't promote the videos
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before and after it either. So you got to go
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like three videos in and put a fucking vanilla.
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They're all in fucking cahoots, dude. It's your
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freedom of speech being suppressed before your
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eyes and everyone just goes along like, yeah,
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it's cool, man. I'm on YouTube. It's insane.
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You can't speak the truth on YouTube. And if
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you guys think we're bullshitting, just go to
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the Gracious 2 page and look at our shorts and
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you could see the ones that have massive hits
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and then the ones that have no hits because of
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what the subject matter is. And, you know, it's
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not... Some of its questions we're asking, some
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of its actual factual information we're giving,
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and they still stymie it and do that. Yeah, I
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guess one of the big headlines last week, probably,
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you know, get taken down for this, is that the
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CDC says now treat COVID like the flu. And I
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knew this in 2020. Right. Hey, who am I? I'm
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a conspiracy theorist. It's like a ridiculous.
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But all these people died. Oh, really? Was there
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a large amount of people that, did more people
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die in 2020 than died in 2019? It is a marginal,
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if infinitesimal, fucking increase. And not only
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that. And 21 is for that matter. And not only
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that, I mean, even with the uptick in COVID,
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like, I mean, they're now saying it's like the
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flu, which it has always been like that. So if
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you were obese or had all these comorbidities,
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Comorbidities, I believe. Comorbidities, correct,
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yes. Yeah, if you had that, then you would probably
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die if you got the flu just as well as if you
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got COVID. So it was just a huge scare tactic.
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Well, for a long time, if you were in the hospital
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and you died and you had COVID, that was a COVID
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death. Right. Because the hospital got paid more
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money. Look it up. CDC has admitted it. Fuck
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you if you think it's conspiracy theory. It's
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real. Shit happened. And not only that, Chad,
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do you remember in the beginning when they were
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intubating everybody and that's where all the
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deaths really basically... Oh, yeah. All those
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people died. They blew up their lungs. Yeah.
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And if you remember, Cuomo, the governor of New
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York at the time, was, President Trump needs
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to get us more whatever the... Ventilators. Yes.
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Yes. And then realized that that's what was killing
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everybody and fucking got quiet real quick. Oh,
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he probably wanted more ventilators so they can
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blame it all on Trump. Oh, yeah. See? You gave
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us ventilators we asked for, and now we killed
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everybody, but it's your fault. I mean, Trump
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couldn't win in any of those situations. Cuomo
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was like, we need more hospital beds. He fucking
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sent them Navy ships and all this other shit
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to have made hospitals and stuff. Didn't really
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use it. They sat there empty. Yeah, they put
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one off Long Beach, and they put one off of New
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York. The hospital ships, there's two of them
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in the Navy. They weren't even used. It's simply
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amazing. Yet if he didn't send them, could you
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imagine the backlash? Oh, God, ridiculous. He's
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killing people. Yeah. And now what? Hunter Biden
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has come out and admitted that he was drunken
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high on the call with that one Chinese official
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where he had his dad sitting beside him. And
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he's saying, my dad's sitting beside me. Now
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he's drunken high. Right. Don't you love the
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scapegoatism that they use? It's just like. Oh,
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I'm not responsible for anything that I did.
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I was drunk and high. Like, does that happen?
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Does that happen in a DUI, motherfucker? No.
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Exactly. I was just going to say that. Like,
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how is that an excuse for anything? Oh, I didn't
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realize I was raping her. I was drunk and high.
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Oh, okay. No problem. Go ahead. Get out of jail.
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I mean, like, what the fuck? And now we found
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out about ghost flights just recently. 320 ,000
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illegals have been flown. Oh, well, Mallorca
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says we're not supposed to call them illegal.
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Oh, really? Immigrants anymore. So yeah, we got
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a PC about it. I guess what, I don't know what
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they're called. Country challenge. I don't know
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what the fuck they're called now. Who fucking
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knows? I saw another one too. It's like some
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coalition of businesses. Chipotle is like a big
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part of it. Uh, and they were basically saying
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like, they want to have these illegal immigrants
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able to work for them. Uh, they're, they're saying
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because their jobs, Africans don't want, but
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they're in their like ways of speaking about
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it. They tell their, you know, people, Don't
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say illegal immigration. Say something about
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like job challenged or something like that, like
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completely negating what they're trying to do
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and like hide it basically. So this administration
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has flown in 320 ,000 people for free on the
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taxpayer dime illegally. And they did that so
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that you didn't see that amount of people coming
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across the border. Yep. Wow. Yup. And did it
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shady dude? They have a fucking app. It's called
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like the CBP app or something. And they go on
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there. Uh, Bobby has an article for us. I want
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to, uh, just show it to the audience for, for,
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again, for people who think that, well, you'll
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put up an article and depending what the source
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is, then all the lefties will be like, well,
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that source is bullshit. It's like, Oh yeah,
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I've seen that tactic many times. It's like,
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Oh, this source is bullshit, but it's true. Right.
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Well, this is their source, man. This is the
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Washington Examiner fucking lefty like you wouldn't
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believe. Scroll down, Bobby. Get to the actual
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article so I could, I wanted to read a portion
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of it. And for all those Babista fans out there,
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look at those shirts. There you go. So here we
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go. Up a little bit, Bob. Um, and this, this
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article I believe is from, uh, a couple, a little
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bit ago. So that's why it's saying like 210 as
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opposed to the updated article, which is 320.
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Uh, but basically it was saying, uh, yeah, right
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below this picture, the Biden administration
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has unleashed a new program to boost illegal
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immigration that allows immigrants to fly directly
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from their hometowns into a U S city of their
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choice. Like what? So instead of rushing the
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Texas border, this program lets immigrants use
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the administration's app to pick a destination,
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buy an airline ticket, and fly in unseen on what
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amounts to ghost flights. And there's the key
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to go around the Texas border because Abbott
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shut it down. Yup. Where is the fucking logic?
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How does anyone support this shit? It's just
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unbelievable to me. Makes no sense. Makes no
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sense that people are like, oh yeah, that's cool.
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Right. Wow. And then if I leave the country and
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come back, I got my passport and my ID and I
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got to tell them where it was and what it did.
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And these motherfuckers literally get on a plane
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and fly to whatever city they pick. No ID, no
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nothing. You don't know who the fuck they are.
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I mean, it's just nuts. Well, Chad, here's something
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I read about this. So we have a certain amount
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of visas that we give out per year, work visas.
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Already, we've used all of those up in the first
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two months. There's no more work visas allowed.
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I don't know if it's for this quarter or for
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the year. I believe for the year, we've already
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hit our quota and maxed out. So now you're allowing
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all these illegals to come in with no shot at
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getting a work visa. So they're going to be all
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working off the books, not paying taxes or stealing
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and robbing to support themselves. Like if you
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really want to solve the problem, make more fucking
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work visas then and have these people come in
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properly. These people are coming here to work
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and escape their country. Make that an easier
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process so we could fucking. know who's coming
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in and say you're you're okay you're not but
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this is why like well we've always done well
00:12:34.789 --> 00:12:36.769
the key thing is solve the problem they don't
00:12:36.769 --> 00:12:38.009
want to solve the problem they've created the
00:12:38.009 --> 00:12:40.149
problem they want to keep the problem going right
00:12:40.149 --> 00:12:41.889
because now what they're doing in all these local
00:12:41.889 --> 00:12:43.809
elections like in new york city in different
00:12:43.809 --> 00:12:47.049
cities they're allowing illegals to vote yeah
00:12:47.049 --> 00:12:50.029
oh but then they're saying well on a national
00:12:50.029 --> 00:12:52.730
level it's not legal yeah wait until it is until
00:12:52.730 --> 00:12:55.409
you make it fucking legal right they have 11
00:12:55.409 --> 00:12:58.480
million new voters For the blue. Yeah. If they
00:12:58.480 --> 00:13:01.720
were voting for Trump, if all these people coming
00:13:01.720 --> 00:13:04.039
in were like, we're voting for Trump, they would
00:13:04.039 --> 00:13:06.460
shut the border down so fucking fast. Oh, yeah.
00:13:06.500 --> 00:13:09.100
It would be crazy. You would not even be able
00:13:09.100 --> 00:13:11.080
to understand what happened. They would have
00:13:11.080 --> 00:13:13.379
built the Great Wall of China down there had
00:13:13.379 --> 00:13:15.299
fucking that been the case. You know what I'm
00:13:15.299 --> 00:13:18.440
saying? Oh, my God. Absolutely. 100%. Yeah. And
00:13:18.440 --> 00:13:21.259
then the next thing is the old Supreme Court
00:13:21.259 --> 00:13:25.279
ruling 9 -0 against the states taking a ballot.
00:13:27.019 --> 00:13:30.340
viable candidates off the ballots because they
00:13:30.340 --> 00:13:33.879
don't like him. He's an insurrectionist. He has
00:13:33.879 --> 00:13:36.379
not been charged with insurrection. Nobody has
00:13:36.379 --> 00:13:38.860
been charged with insurrection. We know Jan 6
00:13:38.860 --> 00:13:42.019
is a fucking crock of bullshit, but Glenn Beck
00:13:42.019 --> 00:13:44.480
talked about it like two years ago. He said they're
00:13:44.480 --> 00:13:47.659
making Jan 6 a huge thing so that they can use
00:13:47.659 --> 00:13:50.299
it against Trump and take him off ballots. He
00:13:50.299 --> 00:13:53.039
called it two years ago. This is exactly what
00:13:53.039 --> 00:13:55.409
they're doing. Yeah, I tried to, but now it's
00:13:55.409 --> 00:13:57.529
been Supreme Court, even the liberals on the
00:13:57.529 --> 00:13:59.750
Supreme Court. Thank God. I'm like, I have faith.
00:14:00.169 --> 00:14:02.210
And even the liberals on the Supreme Court, they
00:14:02.210 --> 00:14:03.990
have they have levity. And now they're like,
00:14:04.029 --> 00:14:07.090
yes, yeah, this is fucked up. Yes. You can't
00:14:07.090 --> 00:14:09.610
you can't let the state the states decide federal
00:14:09.610 --> 00:14:12.870
elections. They can't by just arbitrarily remove
00:14:12.870 --> 00:14:15.330
who they don't like off the ballots. Right. It's
00:14:15.330 --> 00:14:17.590
might as well get rid of electoral colleges at
00:14:17.590 --> 00:14:19.509
that point and let New York. Well, they want
00:14:19.509 --> 00:14:22.940
to do that. Oh, yeah. Now they're calling to
00:14:22.940 --> 00:14:27.940
get rid of the Supreme Court. MSNBC. We have
00:14:27.940 --> 00:14:31.419
to abolish the Supreme Court. We talked about
00:14:31.419 --> 00:14:33.460
it earlier. It's like the Democrats, they're
00:14:33.460 --> 00:14:37.519
like, we are protecting democracy over here.
00:14:37.600 --> 00:14:40.620
They're subverting it completely in ways that
00:14:40.620 --> 00:14:43.600
have never happened before in this country. It's
00:14:43.600 --> 00:14:48.419
just nuts. It almost makes you feel like you're
00:14:48.419 --> 00:14:52.419
crazy when they say these things do the complete
00:14:52.419 --> 00:14:55.139
opposite that's the whole point and then this
00:14:55.139 --> 00:14:57.519
is exactly how narcissists gaslight you gaslight
00:14:57.519 --> 00:15:00.440
you they make you think like oh i'm i thought
00:15:00.440 --> 00:15:02.879
the sky was blue no no no it's green you're fucking
00:15:02.879 --> 00:15:05.419
insane like what are you talking about that's
00:15:05.419 --> 00:15:07.840
what they do it's classic gaslighting like they
00:15:07.840 --> 00:15:10.240
make you think that you're nuts but you're actually
00:15:10.240 --> 00:15:16.480
sitting in reality going um no yeah no you're
00:15:16.480 --> 00:15:20.289
lying like a fucking piece of shit right And
00:15:20.289 --> 00:15:22.309
then for people like us, it's like, okay, we
00:15:22.309 --> 00:15:24.110
know we're not nuts. We know we're following
00:15:24.110 --> 00:15:27.049
the narrative properly and doing our research.
00:15:27.190 --> 00:15:29.889
But it then makes me think that more than half
00:15:29.889 --> 00:15:33.710
this country is fucking crazy off their rocker,
00:15:33.730 --> 00:15:36.610
not paying attention, burying their head in the
00:15:36.610 --> 00:15:38.769
sand. I want to give the benefit of the doubt
00:15:38.769 --> 00:15:42.649
and say they're just not evil and want us to
00:15:42.649 --> 00:15:45.009
go down. I want to think that. I think most of
00:15:45.009 --> 00:15:48.720
them don't pay attention. Yes. And then that's
00:15:48.720 --> 00:15:51.000
what I that's what I think. And most and a lot
00:15:51.000 --> 00:15:53.059
of them still think the Democrat Party is like
00:15:53.059 --> 00:15:56.080
this shining beacon on the hill. But I don't
00:15:56.080 --> 00:15:58.039
know if it ever was. But at one point it seemed
00:15:58.039 --> 00:16:02.500
to be that. Yeah. But it's not. It's it's completely
00:16:02.500 --> 00:16:06.500
different party. And it's. It's not Kennedy.
00:16:06.620 --> 00:16:09.539
It was the last of that Democratic, you know,
00:16:09.539 --> 00:16:12.720
the golden Democratic era. Yeah. I mean, God
00:16:12.720 --> 00:16:14.600
damn. Give me Bill Clinton back. I'd love to
00:16:14.600 --> 00:16:17.450
have him back. Same. absolutely i mean there's
00:16:17.450 --> 00:16:19.529
a there's video footage of him saying make america
00:16:19.529 --> 00:16:22.710
great again right there's video there's he's
00:16:22.710 --> 00:16:24.549
in front of congress saying shut down the border
00:16:24.549 --> 00:16:27.610
too many illegals coming across i was like i'll
00:16:27.610 --> 00:16:31.629
take that guy again we're republican great and
00:16:31.629 --> 00:16:33.389
when he was saying that it was like a hundred
00:16:33.389 --> 00:16:35.830
people a day coming across and that was too many
00:16:35.830 --> 00:16:38.070
you know what i'm saying oh it's fucking 10 000
00:16:38.070 --> 00:16:43.019
11 000 at times and you know And like we were
00:16:43.019 --> 00:16:45.460
saying earlier, it's almost as if it's beyond
00:16:45.460 --> 00:16:48.259
incompetence at this point. It's like by design.
00:16:48.539 --> 00:16:51.720
Right. Like you don't launch ghost flights to
00:16:51.720 --> 00:16:55.600
bring in 320 ,000 people, you know, not only
00:16:55.600 --> 00:16:58.919
illegally, but like in this malicious way where
00:16:58.919 --> 00:17:01.440
they're hiding it. Right. Because they don't
00:17:01.440 --> 00:17:03.179
want to have those numbers come across the border.
00:17:03.440 --> 00:17:06.940
Right. That's not competence. That is fucking
00:17:06.940 --> 00:17:11.779
pure on like evil and. And deceptive, exactly.
00:17:12.079 --> 00:17:16.359
It goes beyond just being an idiot at this point.
00:17:16.619 --> 00:17:20.299
And that's what I'm hoping people start to see.
00:17:20.380 --> 00:17:24.359
It's like, I would love to have a fucking Democratic
00:17:24.359 --> 00:17:27.880
candidate like fucking Robert F. Kennedy Jr.
00:17:28.220 --> 00:17:30.720
I would by all means. Absolutely. You know what
00:17:30.720 --> 00:17:33.700
I'm saying? You're not even giving us a good
00:17:33.700 --> 00:17:36.160
candidate to choose because you're so fucked
00:17:36.160 --> 00:17:38.319
and you want to control shit and put out your
00:17:38.319 --> 00:17:40.200
narrative. They know Robert Kennedy is not going
00:17:40.200 --> 00:17:41.759
to play ball with them. He's going to fucking
00:17:41.759 --> 00:17:44.440
actually make America first. And they don't want
00:17:44.440 --> 00:17:46.740
that. They want. Oh, yeah. They won't even primary
00:17:46.740 --> 00:17:50.740
him. Biden won't debate him. They're not even
00:17:50.740 --> 00:17:53.839
having like that. They wouldn't even they wouldn't
00:17:53.839 --> 00:17:56.880
even try to get Robert Kennedy a primary. We
00:17:56.880 --> 00:17:59.789
can give him secret service. Like, it's insane.
00:17:59.950 --> 00:18:03.130
And now he's running independent. Can you imagine?
00:18:03.210 --> 00:18:06.650
They won't give him secret service, dude. Like,
00:18:06.650 --> 00:18:10.529
what? His father, uncle were killed, assassinated.
00:18:10.809 --> 00:18:13.450
Right. And they're not going to. It's like, what
00:18:13.450 --> 00:18:17.630
the fuck, man? Well, we do have. Yes, that's
00:18:17.630 --> 00:18:21.230
exactly what it is. We do have our next guest
00:18:21.230 --> 00:18:24.009
coming out or our first guest of the show, Mr.
00:18:24.190 --> 00:18:27.190
Mitch Collins. If you guys are wondering why
00:18:27.190 --> 00:18:30.359
it's not Lena. Some stuff came up, so we had
00:18:30.359 --> 00:18:33.680
to reschedule her for the end of April. I'm not
00:18:33.680 --> 00:18:36.380
exactly sure, but we got not only the next best
00:18:36.380 --> 00:18:41.299
thing, the best thing next. Collins, he is a
00:18:41.299 --> 00:18:46.420
big live fan for a very long time, but he also
00:18:46.420 --> 00:18:50.400
is a musician and he's got a new band coming
00:18:50.400 --> 00:18:54.440
on. And he also does a bunch of cool live covers.
00:18:54.480 --> 00:18:55.839
Chad, I don't know if you ever got to call him,
00:18:55.920 --> 00:18:59.150
but. uh catch him but i'm gonna play one in a
00:18:59.150 --> 00:19:01.990
little bit he does uh i will bobby he does um
00:19:01.990 --> 00:19:05.670
like his it's a he still stays true to the song
00:19:05.670 --> 00:19:07.829
but he does his own interpretation of it which
00:19:07.829 --> 00:19:11.190
is cool um yes i've seen something else absolutely
00:19:11.190 --> 00:19:15.230
uh give me one second i'm gonna start your video
00:19:15.230 --> 00:19:16.789
ask you to start your video and then ask you
00:19:16.789 --> 00:19:23.019
to unmute buddy uh yeah so If you could hear
00:19:23.019 --> 00:19:25.299
me. Yeah, there you go. Perfect. And if you could
00:19:25.299 --> 00:19:28.319
take yourself off. Yes. Mitch, what's up? What's
00:19:28.319 --> 00:19:32.099
up, guys? Can you hear me? Yes, sir. Awesome.
00:19:32.519 --> 00:19:35.640
So glad to be here. Can't even fathom that I'm
00:19:35.640 --> 00:19:38.240
sitting here. I'm so nervous. Don't be nervous.
00:19:38.680 --> 00:19:40.279
We're just a bunch of idiots. It's all good.
00:19:40.660 --> 00:19:44.259
That's it. Thank you for coming on. Yeah, we're
00:19:44.259 --> 00:19:46.960
excited to have you, Mitch. I was just kind of
00:19:46.960 --> 00:19:48.920
briefly mentioned to the audience kind of how
00:19:48.920 --> 00:19:50.799
we know each other and telling chats about some
00:19:50.799 --> 00:19:53.500
of your cool covers. I was giving you a compliment
00:19:53.500 --> 00:19:58.519
saying that you stay true to the theme of the
00:19:58.519 --> 00:20:00.859
song, but you put your own twist on it and make
00:20:00.859 --> 00:20:03.480
it your own, which is what I find the best way
00:20:03.480 --> 00:20:08.259
and the most inspiring way to hear covers. My
00:20:08.259 --> 00:20:12.160
question was, is that a conscious decision or
00:20:12.160 --> 00:20:14.579
is it just how it comes out of you? How does
00:20:14.579 --> 00:20:20.529
that come about? It's a little bit of both. putting
00:20:20.529 --> 00:20:24.490
your own spin on it but not losing the essence
00:20:24.490 --> 00:20:27.430
of what you feel the song is trying to convey
00:20:27.430 --> 00:20:30.450
and i mean you said it perfectly and thank you
00:20:30.450 --> 00:20:34.089
very much for the kind words but uh you hit the
00:20:34.089 --> 00:20:36.990
nail on the head it's it's all about making it
00:20:36.990 --> 00:20:39.170
your own but but staying true the essence of
00:20:39.170 --> 00:20:44.250
the song and lives essence is undeniable agreed
00:20:44.250 --> 00:20:47.509
uh and they're big shoes to fill man because
00:20:47.509 --> 00:20:50.390
i feel i hear besides you and Chris Zelenka,
00:20:50.450 --> 00:20:52.769
there's a bunch of live covers out there. I'm
00:20:52.769 --> 00:20:55.150
like, they're missing the mark somewhere along
00:20:55.150 --> 00:20:58.349
the line. Um, especially when it comes to singing,
00:20:58.450 --> 00:21:00.309
uh, you know, edge vocals and stuff like that,
00:21:00.349 --> 00:21:02.230
but you've really, you've really come into your
00:21:02.230 --> 00:21:05.470
own and, uh, you know, you make it sound good,
00:21:05.509 --> 00:21:07.910
which is, I'm going to play a song in a minute.
00:21:07.930 --> 00:21:11.750
Like I do, which I think is, you know, uh, instrumentally
00:21:11.750 --> 00:21:14.769
a very hard song to play. I think vocally a hard
00:21:14.769 --> 00:21:18.460
song to sing and, uh, you nailed it. Um, so I'm
00:21:18.460 --> 00:21:20.359
going to pull that up in a little bit, but I
00:21:20.359 --> 00:21:23.319
did want to ask you this, Mitch and Chad, this
00:21:23.319 --> 00:21:26.019
is, this is for you too, dude. Uh, did you hear
00:21:26.019 --> 00:21:29.160
this is this, I, I'm, I might make it controversial,
00:21:29.220 --> 00:21:31.339
but I think it might be already. I'm not sure.
00:21:31.579 --> 00:21:35.220
Did you hear Ed Kowalczyk has a new album out,
00:21:35.319 --> 00:21:40.079
uh, called, uh, it was Blackstone. Yes. Yes.
00:21:40.680 --> 00:21:43.460
So hold on. No, here, here's what, so I was watching
00:21:43.460 --> 00:21:46.309
a clip from the latest concert. And he said,
00:21:46.390 --> 00:21:49.509
this is a song from the new live album. I mean,
00:21:49.529 --> 00:21:51.390
Blackstone album. Well, they're the same thing
00:21:51.390 --> 00:21:55.309
anyway. So, yeah. My question is, is he trying
00:21:55.309 --> 00:21:58.089
to release it under a new name and promote it
00:21:58.089 --> 00:22:00.769
at live shows so he doesn't have to cut in the
00:22:00.769 --> 00:22:04.450
original members? Who knows? Probably they're
00:22:04.450 --> 00:22:06.849
trying to do something like that. It's weird.
00:22:06.910 --> 00:22:08.690
It'd be interesting. Have you heard it, Mitch?
00:22:09.589 --> 00:22:13.759
I have not. I have not heard about this. It's
00:22:13.759 --> 00:22:18.680
like blues. It's his alter ego. What's the country
00:22:18.680 --> 00:22:22.299
artist, Garth Brooks, what was his alter ego
00:22:22.299 --> 00:22:25.740
name? Chris Gaines. It's Ed's version of Chris
00:22:25.740 --> 00:22:28.819
Gaines. Yeah, I've seen the Goose Blackstone
00:22:28.819 --> 00:22:31.940
thing floating around. That's going a while back
00:22:31.940 --> 00:22:34.779
even. I never was quite sure what it meant. And
00:22:34.779 --> 00:22:37.400
I have heard the song, but I don't know much
00:22:37.400 --> 00:22:40.059
beyond that. gotcha yeah from what i'm hearing
00:22:40.059 --> 00:22:44.039
it's it's was a 3500 press vinyl and he's selling
00:22:44.039 --> 00:22:46.859
him at the concert so it's not being streamed
00:22:46.859 --> 00:22:49.039
anywhere or anything like that but i just thought
00:22:49.039 --> 00:22:52.039
it was like a freudian slip or whatever when
00:22:52.039 --> 00:22:55.119
he was introducing the the song to say it was
00:22:55.119 --> 00:22:58.579
a live album oh no it's the whatever album the
00:22:58.579 --> 00:23:01.259
same thing anyway is how he put it that's not
00:23:01.259 --> 00:23:05.059
a freudian slip yeah right And not for nothing,
00:23:05.180 --> 00:23:07.440
Ed, it's not the same thing, dude. Okay. It's
00:23:07.440 --> 00:23:10.279
not a live album. Goosebump Black, whatever the
00:23:10.279 --> 00:23:14.259
fuck it is, is not similar. Steve Singer. Goosebump
00:23:14.259 --> 00:23:19.779
Black. But Mitch, I wanted to give you an opportunity
00:23:19.779 --> 00:23:22.279
to tell Chad about this new music event you got
00:23:22.279 --> 00:23:28.470
going on. You got a full band going, right? We
00:23:28.470 --> 00:23:31.029
do. We're in the very beginning, early stages.
00:23:31.109 --> 00:23:35.250
We've only practiced twice so far. So I don't
00:23:35.250 --> 00:23:38.230
want to say too much. But the main thing I wanted
00:23:38.230 --> 00:23:41.549
to convey is that I am trying to keep the ball
00:23:41.549 --> 00:23:45.849
moving forward. I do have some irons in the fire
00:23:45.849 --> 00:23:49.470
and I'm looking to expand. Ultimately, the dream
00:23:49.470 --> 00:23:54.049
is to be full band. I got my boy, ride or die,
00:23:54.170 --> 00:23:58.539
Kyle Strawn with me. And I'm just, we're just
00:23:58.539 --> 00:24:01.700
constantly writing and working and squeezing
00:24:01.700 --> 00:24:05.220
it in where we can and keeping it moving forward.
00:24:05.680 --> 00:24:08.500
I love it. You got to do it. That's cool. Absolutely.
00:24:09.180 --> 00:24:13.259
Is that the ultimate goal is to just make a living
00:24:13.259 --> 00:24:18.019
off of music? Oh, it's just, it hurts my heart.
00:24:18.079 --> 00:24:22.180
It's such a dream. And can I, and I really don't
00:24:22.180 --> 00:24:23.839
mean to interrupt things, but can I just say
00:24:23.839 --> 00:24:29.369
real quick? Chad, I'm shaking as I'm sitting
00:24:29.369 --> 00:24:31.329
here, and I know this is going to annoy you,
00:24:31.430 --> 00:24:36.809
but you are such a massive influence. I can't
00:24:36.809 --> 00:24:38.369
believe I'm sitting here across the phone from
00:24:38.369 --> 00:24:41.210
you. I've met Ed a couple of times, which was
00:24:41.210 --> 00:24:44.269
fantastic, but to get to sit down and meet one
00:24:44.269 --> 00:24:47.809
of my absolute biggest influences in music is
00:24:47.809 --> 00:24:51.049
just such an unbelievable experience for me right
00:24:51.049 --> 00:24:53.759
now. And this isn't a knock on the other guests,
00:24:53.920 --> 00:24:56.339
but it's like, can we stop pretending that we're
00:24:56.339 --> 00:24:58.099
not sitting here talking to one of the greatest
00:24:58.099 --> 00:25:02.619
drummers ever? No, I appreciate that. Thank you,
00:25:02.619 --> 00:25:05.779
man. I just wanted to get that off my chest real
00:25:05.779 --> 00:25:08.559
quick. John, I apologize. No, Mitch. It's all
00:25:08.559 --> 00:25:11.559
good, man. I appreciate that. Thank you. And
00:25:11.559 --> 00:25:15.059
I mean, it would be for me like meeting Larry
00:25:15.059 --> 00:25:18.579
Mullen. So I get it. I get it. And thank you.
00:25:18.579 --> 00:25:21.339
I miss hearing you, man. I really, I really,
00:25:21.359 --> 00:25:24.960
really do. It's something that can't be replaced,
00:25:25.119 --> 00:25:27.920
and I hope to hear it again in the near future.
00:25:28.940 --> 00:25:31.299
I'll never say never, but who knows? Exactly.
00:25:31.799 --> 00:25:36.079
Say never. But did you check out the Rattlesnake
00:25:36.079 --> 00:25:42.440
video, Mitch? I did. I sure did. Perfect. I got
00:25:42.440 --> 00:25:45.440
to think. I mean, it's cool for just a fan of
00:25:45.440 --> 00:25:48.079
the band to watch, but for drummers and stuff,
00:25:48.140 --> 00:25:51.630
that's got to be next level to see. you know,
00:25:51.650 --> 00:25:54.269
overhead shots and exactly how he's doing it.
00:25:54.289 --> 00:25:58.009
I mean, it's pretty dope. Absolutely. That's
00:25:58.009 --> 00:26:00.109
why I started the channel to give that perspective
00:26:00.109 --> 00:26:02.190
too. Cause you know, when I was growing up and
00:26:02.190 --> 00:26:04.250
covering stuff, I had to figure it out by ear.
00:26:04.670 --> 00:26:06.609
You didn't have a visual like, you know, back
00:26:06.609 --> 00:26:09.450
in the eighties and nothing like that. Not even
00:26:09.450 --> 00:26:12.230
music videos. Well, I guess MTV, it kind of started,
00:26:12.269 --> 00:26:13.910
but you never saw the drama very much anyway.
00:26:13.950 --> 00:26:17.730
So I thought it would be cool to, for people
00:26:17.730 --> 00:26:20.359
to be able to see exactly how. I'm playing the
00:26:20.359 --> 00:26:24.380
songs. I'm sorry, John, go ahead. Please go.
00:26:24.819 --> 00:26:28.819
I was just going to say that something that,
00:26:28.839 --> 00:26:31.559
and John, you said it earlier, when people cover
00:26:31.559 --> 00:26:35.700
live music, they do miss a mark in a sense that
00:26:35.700 --> 00:26:39.180
they might get on there and bang on the drums
00:26:39.180 --> 00:26:44.319
or play the chords. But live is one of those
00:26:44.319 --> 00:26:47.059
bands that. are simple and sophisticated at the
00:26:47.059 --> 00:26:49.700
same time they can make a three four chord song
00:26:49.700 --> 00:26:53.440
like lightning crashes turn into this epic build
00:26:53.440 --> 00:26:56.440
up that most bands can't do and if you can't
00:26:56.440 --> 00:26:59.059
capture that whether it's on a guitar or the
00:26:59.059 --> 00:27:02.220
drums you're really missing the mark of what
00:27:02.220 --> 00:27:05.599
that music does to move people and you have to
00:27:05.599 --> 00:27:08.920
capture that at least try your best don't just
00:27:08.920 --> 00:27:11.359
get up there and say i alone and strum three
00:27:11.359 --> 00:27:14.529
chords no no no no You got to dig deeper than
00:27:14.529 --> 00:27:18.109
that because live was a thinking man's music.
00:27:18.190 --> 00:27:20.230
It wasn't that it was the perfect combination
00:27:20.230 --> 00:27:22.869
of it's simple enough for the masses to grab
00:27:22.869 --> 00:27:27.210
a hold of, but it had so much depth to it that
00:27:27.210 --> 00:27:31.150
it almost tricks some people, not me, but it,
00:27:31.150 --> 00:27:34.029
it, the layers, it's like a lasagna, you know?
00:27:34.029 --> 00:27:38.670
Right. And Chad's, Chad's drumming was the meat
00:27:38.670 --> 00:27:42.539
of it. Ed was the sauce on top and, and, and
00:27:42.539 --> 00:27:47.059
Chad was the meat, but the ability, Chad, your
00:27:47.059 --> 00:27:51.720
ability, people don't understand dynamics much
00:27:51.720 --> 00:27:54.279
these days. It seems like, and your ability to
00:27:54.279 --> 00:27:56.460
keep it quiet and rock music anymore. It's like,
00:27:56.460 --> 00:28:01.119
Oh, amen. Amen to that. And your ability to navigate
00:28:01.119 --> 00:28:04.180
the peaks and valleys is what made lives music.
00:28:05.119 --> 00:28:07.920
I mean, let's don't even talk about songs like
00:28:07.920 --> 00:28:09.859
white discussion and lakini's juice those are
00:28:09.859 --> 00:28:12.420
obvious but let's talk about songs like deeper
00:28:12.420 --> 00:28:16.119
let's talk about unsheathed let's talk about
00:28:16.119 --> 00:28:19.700
the list goes on of things that people just don't
00:28:19.700 --> 00:28:21.880
even think about it's like how are you guys missing
00:28:21.880 --> 00:28:24.640
what's happening right now it's it's unbelievable
00:28:24.640 --> 00:28:28.839
to me it really is it's the attention to detail
00:28:28.839 --> 00:28:31.039
that i paid to the songs i mean we all i mean
00:28:31.039 --> 00:28:34.289
we all did the four of us we were really into
00:28:34.289 --> 00:28:37.069
the details and the feelings of the songs in
00:28:37.069 --> 00:28:41.849
those days. It's beautiful. And we moved away
00:28:41.849 --> 00:28:44.809
from that. It's apparent when it happened and
00:28:44.809 --> 00:28:50.470
how it happened, but I don't think even today's
00:28:50.470 --> 00:28:53.750
versions of the band can even touch what we were
00:28:53.750 --> 00:28:59.670
doing. No, they can't. I don't want to blow Chad
00:28:59.670 --> 00:29:03.819
too much, but him... i did that enough last week
00:29:03.819 --> 00:29:06.579
no but him and patrick i think were a serious
00:29:06.579 --> 00:29:09.519
driving for again all four together but when
00:29:09.519 --> 00:29:11.920
you hear those bass parts and you hear those
00:29:11.920 --> 00:29:15.420
drum parts they're kind of unique to that style
00:29:15.420 --> 00:29:17.980
of music you know what i'm saying like they're
00:29:17.980 --> 00:29:20.960
um i don't want to say above and beyond because
00:29:20.960 --> 00:29:23.700
it's it they're not above or they're not beyond
00:29:23.700 --> 00:29:26.400
they're right on the money but there's just something
00:29:26.400 --> 00:29:30.160
about that rhythm section that really takes a
00:29:30.160 --> 00:29:33.519
simple three chord, four chord song and amplifies
00:29:33.519 --> 00:29:35.099
it to that next level where you're like, Whoa.
00:29:36.339 --> 00:29:40.140
So absolutely. I'm a big, I'm always locked.
00:29:40.339 --> 00:29:44.259
Sorry. Yeah. And I'm just echoing what you guys
00:29:44.259 --> 00:29:47.019
are saying. I'm a huge believer in less is more.
00:29:47.619 --> 00:29:50.200
A lot of people just want to fill noise and fill
00:29:50.200 --> 00:29:55.079
the space, which is important at times, but what's
00:29:55.079 --> 00:29:58.789
really separates the greats is the ability. to
00:29:58.789 --> 00:30:02.150
it's quiet as a church mouse one minute and then
00:30:02.150 --> 00:30:04.910
it's and if you can do that with three chords
00:30:04.910 --> 00:30:07.849
you're tapped into something special and live
00:30:07.849 --> 00:30:12.849
had a firm grasp of that and it was just absolutely
00:30:12.849 --> 00:30:18.170
it was unbelievable sonically music to your ears
00:30:18.170 --> 00:30:24.000
literally um Uh, so I did want to ask you this,
00:30:24.160 --> 00:30:27.519
uh, Mitch, you won a guitar, I believe on the
00:30:27.519 --> 00:30:31.440
fans of live, uh, Facebook group page, whatever,
00:30:31.519 --> 00:30:33.640
whatever it is. Can you tell me a little bit
00:30:33.640 --> 00:30:36.500
about that? Like, how did you win it? Where'd
00:30:36.500 --> 00:30:38.240
the contest come from? Like, just give me his
00:30:38.240 --> 00:30:41.460
background if you could. Absolutely. Um, and
00:30:41.460 --> 00:30:43.619
really it's, it's, it's, I mean, I think it's
00:30:43.619 --> 00:30:45.960
an awesome story. It's not much of a story, but
00:30:45.960 --> 00:30:48.380
it's an awesome story. It's very simple. Um,
00:30:49.299 --> 00:30:52.720
Somebody you guys know pretty well, Mr. Hines.
00:30:52.900 --> 00:30:59.420
Oh! I don't remember it even being a contest.
00:31:00.519 --> 00:31:04.400
He just reached out to me one day and said, and
00:31:04.400 --> 00:31:06.299
sorry, Bill, if I'm putting you on blast, but
00:31:06.299 --> 00:31:09.480
he reached out to me one day and said, Mitch,
00:31:09.500 --> 00:31:12.160
I got this thing, and it's sitting here, and
00:31:12.160 --> 00:31:14.759
I really feel like you would put it to use or
00:31:14.759 --> 00:31:19.440
appreciate it more than most. really like for
00:31:19.440 --> 00:31:21.220
you to have it and it's really not any more complicated
00:31:21.220 --> 00:31:23.500
than that and you know stuff like that it it
00:31:23.500 --> 00:31:26.519
you know i'm not too big to admit it pretty well
00:31:26.519 --> 00:31:29.940
had me moved to i was a little misty oh i was
00:31:29.940 --> 00:31:33.319
as you should that's that's very cool and that's
00:31:33.319 --> 00:31:35.279
i was gonna say that that's the kind of stuff
00:31:35.279 --> 00:31:37.039
that bill does behind the scenes that he isn't
00:31:37.039 --> 00:31:38.779
he doesn't even tell me about that kind of shit
00:31:38.779 --> 00:31:41.940
so he just does stuff because he wants to do
00:31:41.940 --> 00:31:44.240
stuff like that yeah he doesn't look for praise
00:31:45.019 --> 00:31:47.359
like if chad taylor gave you that guitar he'd
00:31:47.359 --> 00:31:49.460
be like i gave you the guitar already make a
00:31:49.460 --> 00:31:55.660
fucking video about it yeah well so anyway so
00:31:55.660 --> 00:31:59.380
it was extremely moving thing and it kills me
00:31:59.380 --> 00:32:01.799
that i can't play it uh i tried to play it a
00:32:01.799 --> 00:32:05.480
little bit but uh the signatures started to fade
00:32:05.480 --> 00:32:08.160
a little bit so right now it's kind of a collector's
00:32:08.160 --> 00:32:12.329
item that i just i have at a special uh But with
00:32:12.329 --> 00:32:14.990
all the signatures and knowing that Ed actually
00:32:14.990 --> 00:32:17.670
played that guitar, it's just, when I touch it,
00:32:17.690 --> 00:32:19.329
it just feels like, and I know that sounds dumb,
00:32:19.410 --> 00:32:21.990
but it's just, I'm almost scared to play it.
00:32:22.049 --> 00:32:24.650
Like I just set it to the side and I just stare
00:32:24.650 --> 00:32:27.369
at it sometimes. Well, it's a good thing to stare
00:32:27.369 --> 00:32:30.670
at, but you could put a clear acrylic over it.
00:32:30.769 --> 00:32:33.809
Yeah, that'll help. I've been looking into that.
00:32:34.910 --> 00:32:39.599
So the guitar is signed, am I correct? It's signed
00:32:39.599 --> 00:32:43.059
by everyone in The Gracious Few, and it was a
00:32:43.059 --> 00:32:47.440
guitar that Ed played circa, what, 2000, 2001,
00:32:47.619 --> 00:32:52.819
I think Bill said. A Tamini. Yes. I mean, on
00:32:52.819 --> 00:32:56.680
top of it having all that legendary status going
00:32:56.680 --> 00:32:58.839
with it, whether it was Ed's guitar or The Gracious
00:32:58.839 --> 00:33:02.140
Few signed it, just the guitar in itself is a
00:33:02.140 --> 00:33:05.059
beautiful sounding thing. Oh, yeah. It's just
00:33:05.059 --> 00:33:07.950
a perfect culmination of just... I mean, I'm
00:33:07.950 --> 00:33:11.309
not only getting Ed and live, I'm also getting
00:33:11.309 --> 00:33:14.069
the gracious view. It's like what it just doesn't
00:33:14.069 --> 00:33:16.329
get stuff like that just doesn't happen every
00:33:16.329 --> 00:33:18.970
day and stuff. But people like nobody's like
00:33:18.970 --> 00:33:23.170
me just really appreciate things like that. So,
00:33:23.230 --> 00:33:25.869
Bill, if you're watching, I cannot thank you
00:33:25.869 --> 00:33:29.650
enough. Thank you so much. Thank you, Bill. What
00:33:29.650 --> 00:33:30.829
part of the world are you in, Mitch? Are you
00:33:30.829 --> 00:33:33.549
in Pennsylvania? I might as well not be on the
00:33:33.549 --> 00:33:38.059
globe. Well, it's sad, but true. I'm in Southern
00:33:38.059 --> 00:33:46.440
Illinois. Okay. Exactly. Do you know Peoria?
00:33:47.420 --> 00:33:50.779
Yeah, I think I'm a, I might be an hour, hour
00:33:50.779 --> 00:33:53.400
and a half away from Peoria maybe, but just,
00:33:53.440 --> 00:33:56.599
just in the middle of nowhere, Bill cornfields,
00:33:56.599 --> 00:34:00.740
just, this is just where just nothing happens.
00:34:01.740 --> 00:34:04.140
Where are you honing physical craft? That's all.
00:34:04.180 --> 00:34:08.309
That's right. Well, I mean, let's think about
00:34:08.309 --> 00:34:10.989
it. It's another reason why I love the band live.
00:34:11.110 --> 00:34:13.929
I mean, just so many aspects you can look at
00:34:13.929 --> 00:34:18.510
with that band, but just the blue -collar -ness
00:34:18.510 --> 00:34:21.869
of it, the American dream of it, just four guys,
00:34:22.030 --> 00:34:25.590
high school, middle school, just doing it the
00:34:25.590 --> 00:34:29.050
old -fashioned way. This is a dead thing, and
00:34:29.050 --> 00:34:34.440
I don't want to see that go away. it breaks my
00:34:34.440 --> 00:34:37.139
heart that people aren't writing good rock music
00:34:37.139 --> 00:34:39.500
anymore and putting heart and soul into it. The
00:34:39.500 --> 00:34:41.659
soul has been sucked out of it and it's been
00:34:41.659 --> 00:34:44.320
packaged and put on a shelf and people don't
00:34:44.320 --> 00:34:47.360
want to make albums anymore. It's, it's, we got
00:34:47.360 --> 00:34:50.150
to get. there was a great band out of york that
00:34:50.150 --> 00:34:52.369
said let's get it back let's get it back together
00:34:52.369 --> 00:34:55.849
and that is a fact and i mean that in more ways
00:34:55.849 --> 00:34:57.630
than one because we got to get people back together
00:34:57.630 --> 00:35:00.670
too and live was music was about that it was
00:35:00.670 --> 00:35:03.989
about bringing people together and there's nothing
00:35:03.989 --> 00:35:06.230
more powerful than music in that sense and we
00:35:06.230 --> 00:35:10.489
need it now more than ever well put i agree and
00:35:10.489 --> 00:35:13.510
i and i like and chad you i don't know if you're
00:35:13.510 --> 00:35:15.230
in agreement with this too but it's like now
00:35:15.230 --> 00:35:19.170
lyrics aren't deep or meaningful there's no questioning
00:35:19.170 --> 00:35:21.670
of anything it's like let me just say this cool
00:35:21.670 --> 00:35:25.030
line that sounds cool to the masses and and is
00:35:25.030 --> 00:35:28.210
all poppy and you know hit these hot points rather
00:35:28.210 --> 00:35:31.449
than actually write real meaningful music like
00:35:31.449 --> 00:35:34.869
i'm thinking of taylor swift because i only know
00:35:34.869 --> 00:35:38.130
like her you know her radio uh friendly songs
00:35:38.130 --> 00:35:39.909
maybe she's got some deep cuts i don't know about
00:35:39.909 --> 00:35:44.119
but Probably not, right? My girls make me listen
00:35:44.119 --> 00:35:47.420
to all the records. I mean, it's fine music,
00:35:47.480 --> 00:35:50.639
but there's no deepness to it. It's all about
00:35:50.639 --> 00:35:52.380
her breaking up with boyfriends and people think
00:35:52.380 --> 00:35:58.079
she's crazy. Yes. Which... I don't know. You
00:35:58.079 --> 00:36:01.900
gotta be a little crazy to be still dating a
00:36:01.900 --> 00:36:05.539
guy who's promoting and getting paid $20 million
00:36:05.539 --> 00:36:09.800
to promote the COVID vaccine, as in Travis Kelsey.
00:36:10.400 --> 00:36:12.820
20 million you're getting paid to still promote
00:36:12.820 --> 00:36:17.480
this fucking thing. Whether you know it's killing
00:36:17.480 --> 00:36:21.199
people or know it's causing strokes, heart disease,
00:36:21.340 --> 00:36:23.980
stuff like that, you at least heard of it. And
00:36:23.980 --> 00:36:25.860
then you should question, well, should I really
00:36:25.860 --> 00:36:28.860
be dumping my name into this? And if the answer
00:36:28.860 --> 00:36:31.079
is yes, there's something wrong with you or you're
00:36:31.079 --> 00:36:34.420
fucking evil and money rules you. And I don't
00:36:34.420 --> 00:36:37.550
know what to say. But it's crazy at this state
00:36:37.550 --> 00:36:40.329
in age, at this stay of the game, I mean, to
00:36:40.329 --> 00:36:43.909
be getting paid for that fucking vaccine. It's
00:36:43.909 --> 00:36:47.110
just absurd. It is crazy. Back to what Mitch
00:36:47.110 --> 00:36:49.769
was saying about music. It's like, there's always,
00:36:49.789 --> 00:36:51.849
there's pendulums on everything, right? I mean,
00:36:51.869 --> 00:36:53.630
let's look at what was happening in the late
00:36:53.630 --> 00:36:57.630
80s before grunge came out and like artists like
00:36:57.630 --> 00:37:01.429
Pearl Jam and Nirvana and us and Smashing Pumpkins
00:37:01.429 --> 00:37:03.429
and all that stuff. Like that was all hair metal
00:37:03.429 --> 00:37:08.280
fucking. nonsense right those bands weren't singing
00:37:08.280 --> 00:37:10.599
about deep stuff like bringing people together
00:37:10.599 --> 00:37:12.519
and you know they were thinking about fucking
00:37:12.519 --> 00:37:15.019
chicks and partying and shit which is fine great
00:37:15.019 --> 00:37:18.019
but that's how music was and then it had this
00:37:18.019 --> 00:37:20.820
whole shift in the 90s into like this more serious
00:37:20.820 --> 00:37:23.780
thing and whether you like that or not it's you
00:37:23.780 --> 00:37:27.940
know it's fine but I loved it it was like music
00:37:27.940 --> 00:37:33.199
had integrity the artist had integrity yes and
00:37:34.079 --> 00:37:37.460
And then it changed. It's cyclical. I'm hoping
00:37:37.460 --> 00:37:39.860
it comes back. I hope it does, yeah. Because
00:37:39.860 --> 00:37:42.519
the 90s were getting back to what the 60s and
00:37:42.519 --> 00:37:45.119
70s made great and then the 80s ruined, which
00:37:45.119 --> 00:37:49.059
was like the singer -songwriter, deep, meaningful
00:37:49.059 --> 00:37:51.800
lyrics, a crazy cool band behind them. I'm thinking
00:37:51.800 --> 00:37:55.000
Jimi Hendrix. I'm thinking The Doors. Meaningful
00:37:55.000 --> 00:37:58.059
shit. And then, like you said, Chad, in the 80s,
00:37:58.059 --> 00:38:01.340
it went to spandex, big hair, makeup, and wish
00:38:01.340 --> 00:38:03.989
they all could be California girl lyrics. And,
00:38:04.050 --> 00:38:06.469
you know, they lost sight of something. And then
00:38:06.469 --> 00:38:09.269
thankfully, you know, like you said, maybe 89
00:38:09.269 --> 00:38:12.789
-ish, 90, whenever the change started to come
00:38:12.789 --> 00:38:16.289
and music went back to, you know, the roots of
00:38:16.289 --> 00:38:18.070
rock and roll. Not the roots, but when rock and
00:38:18.070 --> 00:38:20.570
roll became the shit. I was trying to explain
00:38:20.570 --> 00:38:22.989
the sea change that happened when Nirvana put
00:38:22.989 --> 00:38:28.130
out, you know, Nevermind. It's just like, hair
00:38:28.130 --> 00:38:33.789
metal died that day. Yeah. fucking wild to live
00:38:33.789 --> 00:38:35.130
through. I was trying to explain that to my son
00:38:35.130 --> 00:38:39.030
the other day. Definitely. Did you ever get to
00:38:39.030 --> 00:38:41.230
meet, Chad, did you ever get to meet Chris Cornell
00:38:41.230 --> 00:38:46.349
in any of your minglings? Yes. I mean, not in
00:38:46.349 --> 00:38:48.610
depth or anything, but yeah, I shook his hand
00:38:48.610 --> 00:38:51.809
and said hello to him a couple times, yeah. What
00:38:51.809 --> 00:38:57.050
a tragedy. What a tragedy. Absolutely. I'm going
00:38:57.050 --> 00:38:58.650
to ask you guys both this question and get an
00:38:58.650 --> 00:39:01.409
answer from both of you. What do you think about...
00:39:01.960 --> 00:39:06.679
uh kirk cobain's death do you find anything shady
00:39:06.679 --> 00:39:09.159
about it do you believe the story that was told
00:39:09.159 --> 00:39:14.260
to us um mitch if you want to go first yeah um
00:39:14.260 --> 00:39:19.619
you know what and i echo a lot of your guys's
00:39:19.619 --> 00:39:23.079
uh sentiments about things about life in general
00:39:23.079 --> 00:39:27.840
um we share a majority of the same views and
00:39:27.840 --> 00:39:31.559
we just We don't live, we live in an upside down
00:39:31.559 --> 00:39:35.199
world where you just, the truth is just, there's
00:39:35.199 --> 00:39:38.400
no telling. There's really, you can't, you can't
00:39:38.400 --> 00:39:42.300
trust anything or anyone these days. And, you
00:39:42.300 --> 00:39:45.159
know, I don't want to get too conspiratorial
00:39:45.159 --> 00:39:47.139
or anything like that. I know you guys got that
00:39:47.139 --> 00:39:50.519
covered, but no, I'm with you guys on a majority
00:39:50.519 --> 00:39:54.429
of things, but. Getting back to the music bit,
00:39:54.489 --> 00:39:57.389
not having any depth to it, it kind of ties in
00:39:57.389 --> 00:39:59.969
because I tend to think it's a little bit more
00:39:59.969 --> 00:40:02.849
nefarious than that. I think there's an honest
00:40:02.849 --> 00:40:07.769
push to have people neglect independent thought
00:40:07.769 --> 00:40:11.389
and actually be creative. Because if you're being
00:40:11.389 --> 00:40:13.190
creative, then you're thinking independently,
00:40:13.510 --> 00:40:16.170
and we don't want that. And it's a different
00:40:16.170 --> 00:40:19.289
world than it was when Cobain was here. Things
00:40:19.289 --> 00:40:24.440
have escalated. quickly on multiple fronts and
00:40:24.440 --> 00:40:28.219
there's no way of knowing i miss chris cornell
00:40:28.219 --> 00:40:30.719
in the depth of my being talk about another massive
00:40:30.719 --> 00:40:34.559
i mean that one hurt more than that one's tough
00:40:34.559 --> 00:40:41.420
to describe but um i'm rambling but again there's
00:40:41.420 --> 00:40:43.440
no i don't know the truth chad would know more
00:40:43.440 --> 00:40:47.440
than me probably but independent thought we need
00:40:47.440 --> 00:40:51.409
to take thought Yeah. The media has got us weaponized.
00:40:51.730 --> 00:40:54.130
It's being used as a weapon. If you can't see
00:40:54.130 --> 00:40:56.230
that, we're going to have a hard time getting
00:40:56.230 --> 00:40:58.389
off to a solid conversation because it's, it
00:40:58.389 --> 00:41:00.530
couldn't be any more clear as day that it's being
00:41:00.530 --> 00:41:02.690
used as a weapon against us. And it's time we
00:41:02.690 --> 00:41:05.710
use it, use their own toys against them. Yeah.
00:41:05.769 --> 00:41:08.769
Let's do it. Let's do it through music. I want
00:41:08.769 --> 00:41:10.829
to add one other thing. And then, and then Chad,
00:41:10.869 --> 00:41:12.769
get your thing on Kurt Cobain. But I just want
00:41:12.769 --> 00:41:16.030
to add one thing to that. It's the fact that,
00:41:16.030 --> 00:41:18.940
you know, Like you said, they don't want the
00:41:18.940 --> 00:41:21.219
free thinking. They want us all to just fall
00:41:21.219 --> 00:41:26.260
in line and do as they say. And people who kind
00:41:26.260 --> 00:41:29.239
of go against that narrative, Kurt Cobain, Biggie
00:41:29.239 --> 00:41:34.420
Smalls, Tupac, like dead. Like Tupac's death
00:41:34.420 --> 00:41:36.900
hadn't been solved for, what, 20 -something years,
00:41:37.000 --> 00:41:40.719
and now they're giving us this story about it.
00:41:40.760 --> 00:41:44.420
Biggie's death never solved. You know, Jim Morrison
00:41:44.420 --> 00:41:47.889
taken out in his prime. Janis Joplin, Jimi Hendrix,
00:41:47.969 --> 00:41:50.309
all people that were, I don't want to say starting
00:41:50.309 --> 00:41:52.429
a revolution, but were waking people's minds
00:41:52.429 --> 00:41:55.269
up. So that's why I ask about the Kurt Cobain
00:41:55.269 --> 00:41:59.110
thing, Chad. Do you think that it was a suicide
00:41:59.110 --> 00:42:01.329
or do you think that, because I've heard Courtney
00:42:01.329 --> 00:42:04.710
Love did it. I heard a bunch of that. I mean,
00:42:04.710 --> 00:42:07.130
I saw a whole documentary on that not being a
00:42:07.130 --> 00:42:09.349
suicide, et cetera. But, you know, who knows?
00:42:09.349 --> 00:42:12.889
I do know that Kurt Cobain had some kind of severe
00:42:12.889 --> 00:42:14.989
stomach issues and he got hooked on heroin because
00:42:14.989 --> 00:42:18.349
of that. Yeah. And that'll certainly, you know,
00:42:18.349 --> 00:42:24.510
fuck you up big time. So, um, I think the fame
00:42:24.510 --> 00:42:27.150
was a big problem for him. The amount of fame.
00:42:27.230 --> 00:42:30.250
I mean, like he's, it's, you probably didn't
00:42:30.250 --> 00:42:32.150
get any bigger in the nineties and Kurt Cobain,
00:42:32.230 --> 00:42:35.489
as far as personal musician that everyone frigging
00:42:35.489 --> 00:42:37.550
like a, I mean, an individual musician that everyone
00:42:37.550 --> 00:42:42.369
knew. I mean, just imagine you walking, you can't
00:42:42.369 --> 00:42:45.829
walk down the street anywhere. Right. So, and
00:42:45.829 --> 00:42:49.389
thank God like live was big. We never that big.
00:42:49.469 --> 00:42:53.869
Thank God. I do not want that. So I don't know.
00:42:53.889 --> 00:42:57.869
I would say it was probably a suicide. I don't
00:42:57.869 --> 00:43:00.650
mean there's a conspiracy about him being murdered,
00:43:00.750 --> 00:43:03.869
but who knows? Yeah. I mean, just a couple of
00:43:03.869 --> 00:43:06.289
things that made my head think one, they said
00:43:06.289 --> 00:43:09.449
he was on like too much heroin to almost be awake,
00:43:09.590 --> 00:43:13.250
but then also like too much to hold a gun, a
00:43:13.250 --> 00:43:16.679
big shotgun. And then they were saying that his
00:43:16.679 --> 00:43:18.900
arms were too short to pull the trigger. He might
00:43:18.900 --> 00:43:21.980
have had to use a toe to do it. Right, yeah,
00:43:22.079 --> 00:43:27.039
which is crazy to think about. But if someone's
00:43:27.039 --> 00:43:28.539
determined to do it, they can figure out how
00:43:28.539 --> 00:43:31.139
to do it. Totally. And then you could chalk up
00:43:31.139 --> 00:43:32.579
the other thing, too, where he's on too much
00:43:32.579 --> 00:43:35.360
heroin to be awake. He might have had such a
00:43:35.360 --> 00:43:37.960
habit that his body could be awake on it. You
00:43:37.960 --> 00:43:39.639
know what I'm saying? He might have had such
00:43:39.639 --> 00:43:41.909
a tolerance. So I'm just throwing it out there
00:43:41.909 --> 00:43:44.650
because, you know, it is funny that a lot of
00:43:44.650 --> 00:43:48.110
these influential people just all of a sudden
00:43:48.110 --> 00:43:51.590
vanish. And at 27, a lot of them went, which
00:43:51.590 --> 00:43:54.429
is wacky tabacky. That's the 27 number. Yeah.
00:43:54.489 --> 00:43:57.150
There is that one conspiracy theory about Chris
00:43:57.150 --> 00:44:00.050
Cornell and Chester. They were working on supposedly
00:44:00.050 --> 00:44:04.170
a, I don't know if it's a documentary to expose
00:44:04.170 --> 00:44:06.889
all the pedophilia shit going on in Hollywood.
00:44:07.170 --> 00:44:10.940
Yes. I've gone down that rabbit hole. I don't
00:44:10.940 --> 00:44:13.019
know if it was actually real or not, but they
00:44:13.019 --> 00:44:15.619
both died pretty close to each other, which is
00:44:15.619 --> 00:44:20.260
pretty wild. I did hear that as well. Did Chester
00:44:20.260 --> 00:44:23.440
die before or after Epstein's Island was exposed?
00:44:25.119 --> 00:44:29.840
I think before. He died right around Chris Cornell,
00:44:30.079 --> 00:44:36.880
so that was, what, 17? So before. So I wonder
00:44:36.880 --> 00:44:41.719
if that was like what he was or they were going
00:44:41.719 --> 00:44:43.519
to like put out. You know what I'm saying? Because
00:44:43.519 --> 00:44:46.539
that's the biggest one we know about to date.
00:44:47.079 --> 00:44:50.059
You know, you got to wonder if maybe he was going
00:44:50.059 --> 00:44:54.039
to expose that or because, you know, apparently
00:44:54.039 --> 00:44:56.960
he wasn't talking about suicide and shit for
00:44:56.960 --> 00:44:59.059
like months. Like he was depressed and shit before
00:44:59.059 --> 00:45:01.099
that. But supposedly he was like in good spirits.
00:45:01.280 --> 00:45:05.260
It's just crazy. You know. Poor guy and his family.
00:45:05.360 --> 00:45:07.039
And then you got Epstein's Island. No one's been
00:45:07.039 --> 00:45:10.500
arrested. Because Ghislaine. Ghislaine's in jail,
00:45:10.599 --> 00:45:15.219
but yeah. It's okay. Don't worry. That was a
00:45:15.219 --> 00:45:17.360
conspiracy theory too that was even happening.
00:45:18.539 --> 00:45:20.960
Well, just think about... When do people learn
00:45:20.960 --> 00:45:24.019
this? You start to hear mumblings about shit.
00:45:24.400 --> 00:45:26.380
Do a little research. You figure out it's fucking
00:45:26.380 --> 00:45:28.099
real. And then they're like, no, it's not real.
00:45:28.400 --> 00:45:33.780
Don't be crazy. Yeah, it is. Right. Here's my
00:45:33.780 --> 00:45:36.559
scenario for you guys. So say you're invited
00:45:36.559 --> 00:45:40.260
to an island, you know, and they tell you, listen,
00:45:40.519 --> 00:45:43.559
Will Smith's going to be there. Bill Gates, like,
00:45:43.679 --> 00:45:46.199
you know, a bunch of bunch of famous people that
00:45:46.199 --> 00:45:48.760
you would be part of. And then you get to the
00:45:48.760 --> 00:45:52.219
island and there's hot chicks scantily clad.
00:45:52.280 --> 00:45:55.260
And then you start seeing like what looks like
00:45:55.260 --> 00:45:59.079
miners walking around at what. point do you just
00:45:59.079 --> 00:46:01.960
keep being complicit with what's going on and
00:46:01.960 --> 00:46:04.619
at one point do you like uh what the fuck's going
00:46:04.619 --> 00:46:07.300
on here like why is there a fucking 13 year old
00:46:07.300 --> 00:46:09.820
that looks like a 13 year old walking around
00:46:09.820 --> 00:46:14.239
their bra and panties like i just gotta i i just
00:46:14.239 --> 00:46:18.360
gotta wonder like when you know because i heard
00:46:18.360 --> 00:46:20.059
that like some of them were caught off guard
00:46:20.059 --> 00:46:22.300
whereas like they didn't know and then all of
00:46:22.300 --> 00:46:23.800
a sudden they're on camera and he comes in and
00:46:23.800 --> 00:46:25.980
say listen keep your mouth shut about this we
00:46:25.980 --> 00:46:29.630
got you on camera But I just don't, like, I still
00:46:29.630 --> 00:46:31.929
think that you are part of the problem, fooled
00:46:31.929 --> 00:46:34.889
or not. You have to see, you know, these multiple
00:46:34.889 --> 00:46:38.590
underage people there and fucking be like, all
00:46:38.590 --> 00:46:40.769
right, I got to get the fuck out of here. You
00:46:40.769 --> 00:46:43.630
know what I'm saying? Like, I just, I don't get
00:46:43.630 --> 00:46:48.090
it. 100%. But, you know, I think we are kind
00:46:48.090 --> 00:46:50.250
of normal people. Most of those people that are
00:46:50.250 --> 00:46:53.969
on that list are, you know, they're very famous
00:46:53.969 --> 00:46:57.760
for a reason. Or they're very powerful. And so
00:46:57.760 --> 00:47:00.659
they think they can do whatever they want. Right.
00:47:01.340 --> 00:47:03.639
So yeah, they want to have sex with a 13 year
00:47:03.639 --> 00:47:05.179
old girl. Yeah, I can fucking do that. Whatever.
00:47:05.639 --> 00:47:08.920
It's gross. It's disgusting as fuck, but they'll
00:47:08.920 --> 00:47:12.639
do it. They look at people as like a property
00:47:12.639 --> 00:47:15.559
and stuff that they can buy. Like not for nothing.
00:47:15.699 --> 00:47:18.519
I'm hearing, you know, he was basically giving
00:47:18.519 --> 00:47:22.139
little girls $200 for a massage and then, and
00:47:22.139 --> 00:47:24.980
then raping them like, or molesting, whatever,
00:47:25.059 --> 00:47:27.449
whatever the fuck it was. But like, you're going
00:47:27.449 --> 00:47:29.710
to do all that shitty shit to him and then just
00:47:29.710 --> 00:47:33.409
give him 200 bucks. Like at least fucking buy
00:47:33.409 --> 00:47:35.409
them away or some shit. Like, and what was his
00:47:35.409 --> 00:47:36.710
thought? Did he never think these girls were
00:47:36.710 --> 00:47:39.170
going to grow up and tell these stories? Like,
00:47:39.230 --> 00:47:41.530
or did, was he so brazen? He didn't give a fuck.
00:47:41.550 --> 00:47:45.690
I guess that was it. Really? Good question. Probably.
00:47:47.289 --> 00:47:49.170
He's just brazen. Didn't give a fuck. Didn't
00:47:49.170 --> 00:47:50.389
think he'd get in trouble. He thought he was
00:47:50.389 --> 00:47:52.920
untouchable. Well, the girls are suing the FBI
00:47:52.920 --> 00:47:55.079
now because they were like, we reported this
00:47:55.079 --> 00:47:59.079
to you years ago and you did nothing. Right.
00:47:59.119 --> 00:48:02.659
So like now that's probably going to get exposed.
00:48:02.699 --> 00:48:04.460
Like that's going to be a black mark on the FBI
00:48:04.460 --> 00:48:06.639
because they'll be able to go through, see when
00:48:06.639 --> 00:48:08.719
it was reported, actually see what investigation
00:48:08.719 --> 00:48:11.480
they did. Those records can't be sealed. That
00:48:11.480 --> 00:48:13.960
should be public knowledge. I mean, it's a fucking
00:48:13.960 --> 00:48:18.159
pedophilia case. You know, the present guy stays
00:48:18.159 --> 00:48:21.809
in office. That should be sealed. Yeah. It'll
00:48:21.809 --> 00:48:24.389
be in his garage next to his Corvette. Exactly.
00:48:26.550 --> 00:48:28.650
He's not fit to stand trial, though, because
00:48:28.650 --> 00:48:30.949
he's an old man with memory problems, but can
00:48:30.949 --> 00:48:34.230
run the fucking country. Yes. It makes sense,
00:48:34.309 --> 00:48:37.590
doesn't it? That was another thing. If something
00:48:37.590 --> 00:48:41.909
seems like common sense, it's probably the case.
00:48:41.909 --> 00:48:44.409
And the other side that they're telling you is
00:48:44.409 --> 00:48:45.730
a lie. You know what I'm saying? Like, there's
00:48:45.730 --> 00:48:47.440
so many things where you're like. that doesn't
00:48:47.440 --> 00:48:49.619
make any sense. You know, like that's not, it's
00:48:49.619 --> 00:48:51.840
not, and then you're like, Oh, because it's bullshit.
00:48:52.039 --> 00:48:55.099
Like if you have, exactly. Yeah. You know what
00:48:55.099 --> 00:48:57.840
I'm saying? Uh, Mitch, I see you looking up this
00:48:57.840 --> 00:49:01.880
term. Hold on. Term limits. People. Yeah. All
00:49:01.880 --> 00:49:05.039
that for sure. Mitch, while he's doing it, I
00:49:05.039 --> 00:49:07.800
got a question. So do you, and, uh, is it strong?
00:49:08.000 --> 00:49:10.619
What was the guy's last name? Your partner, your
00:49:10.619 --> 00:49:14.539
musical partner. Strong. Kyle strong. Kyle strong.
00:49:14.760 --> 00:49:17.949
Have you guys. played any open mics or any gigs
00:49:17.949 --> 00:49:19.650
or anything or you're still just honing it and
00:49:19.650 --> 00:49:23.309
kind of practicing honing it definitely practicing
00:49:23.309 --> 00:49:26.969
and honing for sure uh we've played for some
00:49:26.969 --> 00:49:30.670
small groups of friends but again you talk about
00:49:30.670 --> 00:49:35.050
resources where i'm at there's just it's it's
00:49:35.050 --> 00:49:37.289
i couldn't it's hard to imagine a worse place
00:49:37.289 --> 00:49:41.059
to to live and want to pursue music and actually
00:49:41.059 --> 00:49:43.980
try to get anywhere. I'm literally just surrounded
00:49:43.980 --> 00:49:47.139
by corn fields, or I can drive into the murder
00:49:47.139 --> 00:49:51.639
capital of the country, St. Louis. So I just
00:49:51.639 --> 00:49:54.579
really don't, there's just not a lot of resources.
00:49:54.860 --> 00:49:57.920
That's why anytime I get chances to jump on things
00:49:57.920 --> 00:50:00.019
like this, I do right away. If nothing else,
00:50:00.039 --> 00:50:04.039
just to get name out and try to build some steam
00:50:04.039 --> 00:50:07.150
online and see what can happen. It's never I'm
00:50:07.150 --> 00:50:10.150
never going to stop writing or I adore it too
00:50:10.150 --> 00:50:14.150
much to to not do it. It's too cathartic for
00:50:14.150 --> 00:50:17.170
me to not do it. And when you get to do it with
00:50:17.170 --> 00:50:20.849
your best friend who's a neighbor and we work
00:50:20.849 --> 00:50:23.969
together, too. So we're basically just inseparable
00:50:23.969 --> 00:50:25.530
at this point to be able to do that kind of stuff
00:50:25.530 --> 00:50:27.050
with your best friend. Chad, you know what that's
00:50:27.050 --> 00:50:30.690
like. It's it's a blessing to be able to have
00:50:30.690 --> 00:50:33.349
someone like that that you can go on the ride
00:50:33.349 --> 00:50:37.099
with. Yeah, fortunately I had three really good
00:50:37.099 --> 00:50:39.320
friends to do it with, but we were all single
00:50:39.320 --> 00:50:44.360
-mindedly focused on one thing at the time. Which
00:50:44.360 --> 00:50:46.780
is good, and collectively all focused on the
00:50:46.780 --> 00:50:49.920
same thing. The drive is, and you each hold each
00:50:49.920 --> 00:50:52.300
other up when you're going down. It's a kismet
00:50:52.300 --> 00:50:54.739
thing. Yeah, talk about manifesting. There you
00:50:54.739 --> 00:50:57.880
go. Yeah, yeah. I was just going to say, because
00:50:57.880 --> 00:51:01.860
live basically manifested their destiny. I'm
00:51:01.860 --> 00:51:03.280
hearing from you, Mitch, that there's really
00:51:03.280 --> 00:51:05.619
not many opportunities for you to get out and
00:51:05.619 --> 00:51:09.300
play. So if you were hoping to make this a living,
00:51:09.360 --> 00:51:13.059
is it just by getting followers and your music
00:51:13.059 --> 00:51:18.059
out online? Or do you ever plan on maybe moving
00:51:18.059 --> 00:51:20.260
somewhere where there's a little bit more of
00:51:20.260 --> 00:51:22.119
a scene happening for you? This way you could
00:51:22.119 --> 00:51:26.579
play out and whatnot. That's a trickier question.
00:51:28.320 --> 00:51:32.030
I'll keep it as short as possible. Yeah, ideally,
00:51:32.309 --> 00:51:36.269
you would just move, right? There's multiple
00:51:36.269 --> 00:51:40.449
reasons why I don't. For one, I have the best
00:51:40.449 --> 00:51:43.889
parents on planet Earth. And I don't mean that
00:51:43.889 --> 00:51:47.349
in exaggeration. Literal salt of the earth. I
00:51:47.349 --> 00:51:49.269
pity people that don't have parents like I do.
00:51:49.989 --> 00:51:53.829
My mom, within the past few years, has had a
00:51:53.829 --> 00:51:59.369
bout with breast cancer. My dad's trying to retire.
00:52:00.099 --> 00:52:02.519
he's kind of wired to where he can't sit still,
00:52:02.599 --> 00:52:06.260
but point is, is I live really close to them.
00:52:06.519 --> 00:52:09.239
I do have a sister, but she had to relocate to
00:52:09.239 --> 00:52:13.300
Houston, Texas due to job reasons. So I'm trying
00:52:13.300 --> 00:52:15.239
to kind of keep an eye on them and stay close
00:52:15.239 --> 00:52:17.420
and make sure that they're going to be okay.
00:52:18.039 --> 00:52:20.739
Cause some things are bigger than you, right?
00:52:20.940 --> 00:52:25.079
Yeah. Right now, it's mainly trying to drum up.
00:52:25.559 --> 00:52:28.199
I could drive probably 45 minutes and find some
00:52:28.199 --> 00:52:31.139
little tiny clubs to play with. Play at, I'm
00:52:31.139 --> 00:52:34.940
sorry. But I don't see us getting huge exposure
00:52:34.940 --> 00:52:38.960
from it. But definitely online right now is our
00:52:38.960 --> 00:52:42.400
big mode of attack until we can figure out what
00:52:42.400 --> 00:52:47.139
the next step is going to be. Well said. And
00:52:47.139 --> 00:52:49.099
the fact that you have places 45 minutes away
00:52:49.099 --> 00:52:52.559
is not incredibly bad. But you did say one thing
00:52:52.559 --> 00:52:54.699
that I just want to give you the flip side of
00:52:54.699 --> 00:52:56.900
it. Yeah, these little places you play might
00:52:56.900 --> 00:52:59.639
not give you the exposure that you want, but
00:52:59.639 --> 00:53:02.460
it'll give you that feeling that you crave. And,
00:53:02.480 --> 00:53:05.079
you know, it's people hearing your music and
00:53:05.079 --> 00:53:07.099
vibing to it. You know what I'm saying? There's
00:53:07.099 --> 00:53:09.800
nothing better than playing in front of an audience,
00:53:09.940 --> 00:53:12.239
even if it's an audience of two people. You know
00:53:12.239 --> 00:53:15.659
what I'm saying? It's just the feeling. It's
00:53:15.659 --> 00:53:18.079
different than performing online. You know what
00:53:18.079 --> 00:53:20.300
I'm saying? I think it's priceless what you could
00:53:20.300 --> 00:53:22.019
get from it, even if you don't get the exposure.
00:53:22.940 --> 00:53:27.239
Absolutely. And Kyle and I are in the process
00:53:27.239 --> 00:53:31.000
of trying to get a set list together so we can
00:53:31.000 --> 00:53:34.219
start doing things like that. We've basically
00:53:34.219 --> 00:53:36.940
got an album's worth of original music as it
00:53:36.940 --> 00:53:40.360
is, if not a little more. And then plenty of
00:53:40.360 --> 00:53:45.530
covers, plenty of live covers. we're trying to
00:53:45.530 --> 00:53:47.829
get us a little set list together so we can get
00:53:47.829 --> 00:53:50.449
out and, and start doing it because you're right.
00:53:50.530 --> 00:53:53.769
There's nothing better, especially for me. Um,
00:53:54.030 --> 00:53:58.429
I, I love, I love to sing. Um, I can play a little
00:53:58.429 --> 00:54:00.570
bit of guitar. I suck at it, but no, you don't.
00:54:01.369 --> 00:54:05.329
I appreciate it, but I kind of, I do kind of
00:54:05.329 --> 00:54:10.130
suck, but vocals are my, I live for it. And you
00:54:10.130 --> 00:54:11.769
said it, John, there's something about being
00:54:11.769 --> 00:54:15.750
up there. And when it's, Especially when I'm
00:54:15.750 --> 00:54:18.349
so influenced by a singer like Ed that just can
00:54:18.349 --> 00:54:21.030
get up there and just belt it, just full throttle.
00:54:21.349 --> 00:54:23.769
And there's that moment when you're doing that
00:54:23.769 --> 00:54:25.929
that you get in this pocket and it's like you
00:54:25.929 --> 00:54:29.210
go into a bubble. Yeah. Your whole body gets
00:54:29.210 --> 00:54:33.969
warm. And it's like that feeling, you live for
00:54:33.969 --> 00:54:37.349
that. And that feeling is, I'm doing what I was
00:54:37.349 --> 00:54:40.489
put here to do. And not everyone gets to touch
00:54:40.489 --> 00:54:45.190
that. There's something so special about that,
00:54:45.210 --> 00:54:47.909
and I yearn for that. So you're right. We have
00:54:47.909 --> 00:54:50.210
to get out there, if nothing else, to perform
00:54:50.210 --> 00:54:52.849
in front of the crowd and have that feeling,
00:54:52.929 --> 00:54:55.250
even if it is only three people. So I'm in absolute
00:54:55.250 --> 00:54:58.550
agreement with you. Chad, for somebody like you
00:54:58.550 --> 00:55:01.650
who has kind of felt that but also felt it on
00:55:01.650 --> 00:55:04.869
a massive scale, is there a difference in feeling
00:55:04.869 --> 00:55:09.670
from playing your shit in front of 100? people
00:55:09.670 --> 00:55:13.210
or you know 10 000 people or do you kind of still
00:55:13.210 --> 00:55:17.230
get the same thing but um a little ample i i
00:55:17.230 --> 00:55:18.909
don't know i guess i guess what i'm trying to
00:55:18.909 --> 00:55:21.610
say is it better to be not monetarily but feeling
00:55:21.610 --> 00:55:25.369
wise be playing in front of 10 000 or 100 or
00:55:25.369 --> 00:55:28.269
is there a difference i mean yeah there's a difference
00:55:28.269 --> 00:55:31.989
obviously in the amount of energy but um as far
00:55:31.989 --> 00:55:35.869
as the feeling on stage now i can i can be as
00:55:35.869 --> 00:55:39.119
into a club show as a into an arena show like
00:55:39.119 --> 00:55:42.739
it's yeah you know the energy for me is still
00:55:42.739 --> 00:55:47.860
there so it's um it's always nice to do both
00:55:47.860 --> 00:55:50.099
like go back and forth like not not necessarily
00:55:50.099 --> 00:55:53.360
play amphitheaters and arenas all the time and
00:55:53.360 --> 00:55:55.800
go back and do some club shows because they're
00:55:55.800 --> 00:55:57.880
all they're more intimate yeah they're up in
00:55:57.880 --> 00:56:00.139
your face a little bit more which is great yeah
00:56:00.139 --> 00:56:02.619
for us for us in the songwriting thing it was
00:56:02.619 --> 00:56:04.079
just important to get out and play in front of
00:56:04.079 --> 00:56:07.210
people because you play no matter what you do
00:56:07.210 --> 00:56:09.449
in practice you play the songs harder in front
00:56:09.449 --> 00:56:12.050
of people like so and that can be a good thing
00:56:12.050 --> 00:56:13.909
or a bad thing like it can teach you oh yeah
00:56:13.909 --> 00:56:16.150
we can't play that song that fast or this this
00:56:16.150 --> 00:56:18.449
hard that that destroys the feel of the song
00:56:18.449 --> 00:56:21.650
or oh shit that song felt way better playing
00:56:21.650 --> 00:56:25.969
it fucking faster or harder or or then or you
00:56:25.969 --> 00:56:27.670
know you do a little improv and do something
00:56:27.670 --> 00:56:29.210
different in the song that you hadn't written
00:56:29.210 --> 00:56:32.530
for like we did we did a lot we used to you know
00:56:32.530 --> 00:56:34.429
we write songs and then go out and play a couple
00:56:34.429 --> 00:56:39.820
shows and and just home live it was it was always
00:56:39.820 --> 00:56:41.639
gave us a better interpretation of the songs
00:56:41.639 --> 00:56:45.079
your your 1998 shows i i've talked this about
00:56:45.079 --> 00:56:47.900
a couple times with you because you were really
00:56:47.900 --> 00:56:50.280
doing that with the you you played four songs
00:56:50.280 --> 00:56:53.039
i knew that night uh the rest were all brand
00:56:53.039 --> 00:56:55.159
new stuff that was going to the distance to hear
00:56:55.159 --> 00:56:59.079
stuff that went to five like overcome and stuff
00:56:59.079 --> 00:57:01.280
that didn't make it uh to anything there were
00:57:01.280 --> 00:57:05.929
b -sides but Man, it was cool. I mean, they sounded
00:57:05.929 --> 00:57:08.949
perfectly formed and ready to roll. I don't know
00:57:08.949 --> 00:57:10.269
if you guys were still working them out, but
00:57:10.269 --> 00:57:13.309
it was just cool to see and hear brand new music
00:57:13.309 --> 00:57:16.289
from you guys. And, you know, as a fan, when
00:57:16.289 --> 00:57:17.969
you go to concerts, like, yes, I know every song
00:57:17.969 --> 00:57:20.329
I'm singing along. But this, it was like, again,
00:57:20.369 --> 00:57:22.750
I knew like three or four. And then the rest
00:57:22.750 --> 00:57:25.289
that you played felt like I knew them already.
00:57:25.429 --> 00:57:29.190
Like, that's how well they were written. Yeah,
00:57:29.309 --> 00:57:33.199
it's a true stowray. And that was, you were going
00:57:33.199 --> 00:57:35.820
from big amphitheaters in 97, and then you did
00:57:35.820 --> 00:57:38.900
this like little chameleon club, stone pony thing
00:57:38.900 --> 00:57:40.900
in 98, I guess, just to play these new songs
00:57:40.900 --> 00:57:43.500
in front of people and see the react. Yeah, basically,
00:57:43.659 --> 00:57:45.659
yes. Before we started, I think we probably did
00:57:45.659 --> 00:57:48.559
that before we started pre -production for the
00:57:48.559 --> 00:57:50.119
record, or maybe we were doing pre -production.
00:57:50.179 --> 00:57:54.579
98, we were recording, I think we recorded Distance
00:57:54.579 --> 00:57:58.280
Here sometime in 98, I believe. And then released
00:57:58.280 --> 00:58:03.010
in 99, I think. Yeah, so. Did you have something
00:58:03.010 --> 00:58:04.369
you looked up before that you wanted to bring
00:58:04.369 --> 00:58:09.909
up? I was looking up Occam's Razor. If there's
00:58:09.909 --> 00:58:13.250
two scenarios to one problem, the one with the
00:58:13.250 --> 00:58:16.429
least resistance is usually what is true, right?
00:58:17.230 --> 00:58:20.190
Yes, which is basically leading to our common
00:58:20.190 --> 00:58:23.929
sense talk. If it seems sensical, it probably
00:58:23.929 --> 00:58:28.679
is. Mitch, so you know how we do this, man. I
00:58:28.679 --> 00:58:31.320
love to keep the audience wanting the guests
00:58:31.320 --> 00:58:33.639
to come back on and wanting more. Is there anything
00:58:33.639 --> 00:58:36.360
you want to direct the audience to as far as,
00:58:36.360 --> 00:58:39.219
you know, social medias or anything like that?
00:58:40.340 --> 00:58:45.820
Yeah, absolutely. Well, Kyle and I have a YouTube
00:58:45.820 --> 00:58:50.880
channel. Just search Collins and Strawn. Same
00:58:50.880 --> 00:58:57.300
for Facebook, Collins and Strawn. And I also
00:58:57.300 --> 00:58:59.980
have my own personal YouTube channel. Just type
00:58:59.980 --> 00:59:04.360
in Mitch Collins and you'll find 45 live covers
00:59:04.360 --> 00:59:07.400
on there and sprinkled with some others and a
00:59:07.400 --> 00:59:10.840
bunch of original work. I'm going to do this
00:59:10.840 --> 00:59:13.539
before we let you off here. I want to pull up
00:59:13.539 --> 00:59:16.320
one of your videos and let Chad see it. It's
00:59:16.320 --> 00:59:19.880
a cover that you do of one of their songs. Again,
00:59:20.199 --> 00:59:22.670
this is one where I find cool where it's... You
00:59:22.670 --> 00:59:24.690
have the essence of the song, but you make it
00:59:24.690 --> 00:59:28.090
your own. Uh, Bob A, if you're, if you got that
00:59:28.090 --> 00:59:30.630
video pulled up with sound, I would love you
00:59:30.630 --> 00:59:35.510
for life. If not, I know where you live. Uh,
00:59:35.550 --> 00:59:39.090
but yeah, dude, this is cool. So, and, and, and
00:59:39.090 --> 00:59:41.349
you rip on your guitar skills, but this shows
00:59:41.349 --> 00:59:43.829
them off where, you know, you're picking out
00:59:43.829 --> 00:59:46.070
single notes while singing over it. I mean, it's
00:59:46.070 --> 00:59:48.050
not an easy feat, dude. So don't, don't knock
00:59:48.050 --> 00:59:50.250
yourself. What's the YouTube again? Collins and
00:59:50.250 --> 00:59:53.619
what? Collins and Strawn. It's just our last
00:59:53.619 --> 00:59:59.940
names. S -T -R -A -W -N. S -T -R -A -W -N. Okay.
01:00:00.860 --> 01:00:06.280
Yes. All righty. This should be it, ladies and
01:00:06.280 --> 01:00:10.019
gentlemen. And this is Mitch Collins on his own.
01:00:11.579 --> 01:00:15.039
And we'll take a listen. I got to stop it at
01:00:15.039 --> 01:00:16.599
some point because if we go over a certain amount
01:00:16.599 --> 01:00:19.219
of time, copyright people come after us. But
01:00:19.219 --> 01:00:24.119
give it a whirl. Bye -bye. Did you share with
01:00:24.119 --> 01:00:30.980
the sound that sound button click? I don't believe
01:00:30.980 --> 01:00:32.579
so. I'm going to stop it, Bobby. If you could
01:00:32.579 --> 01:00:37.539
give me another, you could do that again. I'm
01:00:37.539 --> 01:00:39.179
going to, I'm going to start. I was going to
01:00:39.179 --> 01:00:42.260
say this may not work, but here we go. Yeah.
01:00:42.300 --> 01:00:45.159
We go through this every show. It's like a, I
01:00:45.159 --> 01:00:47.659
think a running joke that Bobby plays on us.
01:00:47.699 --> 01:00:50.510
I'm not sure. There's like a little stern sound
01:00:50.510 --> 01:00:54.130
guy. His whole fucking bit was like, Scott, it's
01:00:54.130 --> 01:00:56.849
fucked up. The sound's fucked up. He blamed it
01:00:56.849 --> 01:00:59.510
on Scott. Oh, Scott the engineer. Yeah, Scott
01:00:59.510 --> 01:01:02.949
the engineer. It's like us and our fucking, like,
01:01:03.070 --> 01:01:07.849
Bobby. Bobby, how dare you? Get your shit together.
01:01:10.150 --> 01:01:13.670
Hey, John, while he's pulling that up, can I
01:01:13.670 --> 01:01:18.900
take two seconds to be in the spirit of... keeping
01:01:18.900 --> 01:01:21.739
people together um you need to ask mitch by all
01:01:21.739 --> 01:01:24.780
means please absolutely great because this is
01:01:24.780 --> 01:01:27.980
the part i look forward to the most is i want
01:01:27.980 --> 01:01:31.760
to give a shout out to a few folks um obviously
01:01:31.760 --> 01:01:36.579
the two of you no question but without the fans
01:01:36.579 --> 01:01:39.599
of life group and the other fan pages i mean
01:01:39.599 --> 01:01:42.260
it's really been incredible especially fans of
01:01:42.260 --> 01:01:46.539
life i've met some absolutely incredible And
01:01:46.539 --> 01:01:50.260
we've never met in the flesh, but just people
01:01:50.260 --> 01:01:52.579
that have really touched me from other parts
01:01:52.579 --> 01:01:56.119
of the country and the globe even. So if you
01:01:56.119 --> 01:01:58.559
don't mind, just real quick, maybe 20 names.
01:02:00.480 --> 01:02:07.579
Dane Miller, Rich, Mary Swain, Josh, Nick, Dylan,
01:02:07.900 --> 01:02:15.679
Colin, Mary DePell, Diane, Lizzie. Jennifer Sanders,
01:02:15.980 --> 01:02:20.500
Christy Epps, Phil Jones, my man, Thomas Enters,
01:02:20.579 --> 01:02:23.940
Matt Adams, Jason Clayton, of course, Bill Hines.
01:02:24.039 --> 01:02:26.820
And I really apologize if I'm forgetting anybody.
01:02:27.119 --> 01:02:31.239
It's not intentional. I know I'm missing people.
01:02:31.460 --> 01:02:34.260
But these are people that have really, really
01:02:34.260 --> 01:02:40.690
touched me in a big way. And Steve Sabo, who
01:02:40.690 --> 01:02:43.889
you just had on a few weeks ago, and I apologize,
01:02:44.130 --> 01:02:46.250
Steve, but I just want to give a quick example,
01:02:46.250 --> 01:02:50.909
if I may. He might not even remember this. Steve,
01:02:50.969 --> 01:02:53.090
you might not remember this, but there was a
01:02:53.090 --> 01:02:55.130
time, months, and it might have been a few years
01:02:55.130 --> 01:02:57.730
ago where I was having this conversation about,
01:02:57.769 --> 01:02:59.789
man, I need to relocate. I need to find a way
01:02:59.789 --> 01:03:02.409
of making this music happen. Steve actually reached
01:03:02.409 --> 01:03:05.530
out to me from where he lives, and I think he's
01:03:05.530 --> 01:03:07.610
closer to you guys on the East Coast, and said,
01:03:08.409 --> 01:03:11.130
hey man I got a room for you if you need it and
01:03:11.130 --> 01:03:13.730
when you hear stuff like that from people from
01:03:13.730 --> 01:03:17.389
the other side like that's just that's that to
01:03:17.389 --> 01:03:21.530
me is what makes lives music special and that's
01:03:21.530 --> 01:03:25.269
it's it's us as the collective and and what that
01:03:25.269 --> 01:03:27.610
music has done to all of us to bring us all together
01:03:27.610 --> 01:03:30.730
like that it's a beautiful thing and the world
01:03:30.730 --> 01:03:33.090
needs more of it we need more lives out there
01:03:33.090 --> 01:03:35.219
and if I've got any part of it I'm going to try
01:03:35.219 --> 01:03:37.260
to keep the spirit of that music alive the best
01:03:37.260 --> 01:03:40.360
I can until the day I die, because we need it.
01:03:41.039 --> 01:03:47.239
Very cool. Echo that sentiment. It's great. Yeah.
01:03:47.300 --> 01:03:50.559
Not only has live built a beautiful fan base
01:03:50.559 --> 01:03:52.920
for, you know, that love their music, but they've
01:03:52.920 --> 01:03:56.199
built a community that embraces each other too.
01:03:56.320 --> 01:03:59.260
Yeah. People get in squabbles and take sides
01:03:59.260 --> 01:04:01.719
and stuff, but when push comes to shove. All
01:04:01.719 --> 01:04:04.679
the live community can pull together and, and,
01:04:04.780 --> 01:04:06.320
you know, help each other, which is a beautiful
01:04:06.320 --> 01:04:08.380
thing. And I just want to shout out the other,
01:04:08.400 --> 01:04:12.420
uh, fans of live, uh, groups just so they, people
01:04:12.420 --> 01:04:14.380
could go on Facebook and see you got freaks for
01:04:14.380 --> 01:04:18.280
live and you got friends of live fans of live.
01:04:18.440 --> 01:04:22.019
So all three of those are, are cool pages to
01:04:22.019 --> 01:04:25.800
go to, to get exclusive stuff. Uh, fans of live
01:04:25.800 --> 01:04:27.659
is the one I'm on mostly, but I try to share
01:04:27.659 --> 01:04:30.949
things to all of them, uh, as well. Mitch, we
01:04:30.949 --> 01:04:32.510
do have your video, though, so I don't want you
01:04:32.510 --> 01:04:33.929
to go anywhere until we get to play a little
01:04:33.929 --> 01:04:36.949
bit of this. Bob A. Come on, Bob A. Get it right.
01:04:37.309 --> 01:04:45.409
Please. Yes, yes, yes. Oh, by the way, eventually
01:04:45.409 --> 01:04:48.949
we might get rid of Zoom because we use Restream,
01:04:48.989 --> 01:04:51.409
so I'm going to do a couple practice things with
01:04:51.409 --> 01:04:56.329
that and see how that platform is better. Yes.
01:05:04.799 --> 01:05:20.619
Beautiful. I know that guy in that video. All
01:05:20.619 --> 01:05:25.980
righty then. It's like you get in there and then.
01:05:36.750 --> 01:06:22.559
Oh, boy. Darn it. Oh my goodness, dude. I'm so,
01:06:22.619 --> 01:06:25.760
I apologize to you and to the audience that that
01:06:25.760 --> 01:06:28.980
stutter step was happening, but go check out
01:06:28.980 --> 01:06:31.960
those videos. He gave you the page to go to.
01:06:32.039 --> 01:06:35.019
I just typed in Mitch Collins in Google and then
01:06:35.019 --> 01:06:37.980
went to the video section and it popped up, but
01:06:37.980 --> 01:06:40.179
he's got a bunch of cool songs like that. And
01:06:40.179 --> 01:06:42.519
Chad, do you agree that that guitar work is not
01:06:42.519 --> 01:06:46.500
shabby and he's got some skills? Yeah, it's pretty
01:06:46.500 --> 01:06:49.539
good, but take it easy with a micro guitar player.
01:06:50.599 --> 01:06:52.780
Yeah. You're doing a great job. Sounds great.
01:06:54.099 --> 01:06:56.519
I'm bummed we couldn't get deeper into the vocals,
01:06:56.699 --> 01:07:00.519
but it is what it is, I guess. Again, we're going
01:07:00.519 --> 01:07:02.119
to have you on again, Mitch, and we'll make sure
01:07:02.119 --> 01:07:04.239
that we have technical difficulties worked out
01:07:04.239 --> 01:07:06.460
and stuff. But, dude, it's been a pleasure talking
01:07:06.460 --> 01:07:10.639
to you. Thank you for everything you add for
01:07:10.639 --> 01:07:12.659
the fans of live and all that stuff. You really
01:07:12.659 --> 01:07:16.079
make that page fun and stuff. out of all the
01:07:16.079 --> 01:07:17.739
guests we've had on and we've had a bunch of
01:07:17.739 --> 01:07:19.980
cool people, everybody's like, yes to Mitch.
01:07:20.019 --> 01:07:22.480
They loved all the fans and friends of live that
01:07:22.480 --> 01:07:24.719
have come on, but you were really, uh, people
01:07:24.719 --> 01:07:26.380
were really taking that you were coming on and
01:07:26.380 --> 01:07:28.340
appreciated that you were going to be here. So
01:07:28.340 --> 01:07:31.500
I want to thank you as well. Wow. Um, thank you
01:07:31.500 --> 01:07:35.239
so much guys. And I, I am definitely looking
01:07:35.239 --> 01:07:39.260
forward to being on again and, uh, to everyone
01:07:39.260 --> 01:07:41.199
out there watching the fans of live people and
01:07:41.199 --> 01:07:44.730
everyone else. I love you all. bring the people
01:07:44.730 --> 01:07:47.670
together yeah buddy and for those that don't
01:07:47.670 --> 01:07:50.329
know peace brother for those who don't know uh
01:07:50.329 --> 01:07:54.349
mitch was going to be our first guest i don't
01:07:54.349 --> 01:07:57.570
remember what happened i think it was on my end
01:07:57.570 --> 01:08:00.170
uh with the equipment didn't we try to get somebody
01:08:00.170 --> 01:08:02.650
on like the first show and it wouldn't oh yeah
01:08:02.650 --> 01:08:06.829
yeah way back then it feels like years ago way
01:08:06.829 --> 01:08:09.780
back We're still having the same problems. I
01:08:09.780 --> 01:08:12.340
think we need to do, we need to do some practice
01:08:12.340 --> 01:08:14.559
stuff where we just put shit up and see if it
01:08:14.559 --> 01:08:17.159
makes sure it works. Yes. I agree with that.
01:08:17.560 --> 01:08:23.319
Um, it's still playing. Bobby. Well, so I realized,
01:08:23.439 --> 01:08:26.560
um, kind of what happens here, but it shouldn't
01:08:26.560 --> 01:08:30.300
for, so, um, I think cause when you have a, uh,
01:08:30.380 --> 01:08:33.300
internet provider, you get download speeds and
01:08:33.300 --> 01:08:36.029
upload speeds. My download speeds are like a
01:08:36.029 --> 01:08:37.970
thousand, you know, a gigabyte per second. So
01:08:37.970 --> 01:08:40.649
a thousand megabytes per second. I'm not exactly
01:08:40.649 --> 01:08:43.770
sure what the upload speed was. That's why I
01:08:43.770 --> 01:08:46.949
stopped sharing it and was letting it go to Bobby
01:08:46.949 --> 01:08:49.130
because there's a little bit of buffer that comes
01:08:49.130 --> 01:08:52.090
in supposedly that makes it easier. But I think
01:08:52.090 --> 01:08:54.449
he had a bad internet connection. So I'll try
01:08:54.449 --> 01:08:57.210
a practice one sometime during the week and see
01:08:57.210 --> 01:08:59.470
if I could share. But that's where I was getting
01:08:59.470 --> 01:09:04.850
to with the restream. We technically can get
01:09:04.850 --> 01:09:06.869
rid of zoom and just go straight from there.
01:09:07.170 --> 01:09:09.350
And there's cool stuff we could do too. Like
01:09:09.350 --> 01:09:11.489
we could have overlays where it scrolls like
01:09:11.489 --> 01:09:13.430
a new show at the bottom. The gracious two is
01:09:13.430 --> 01:09:18.310
live. The only reason I haven't made that jump
01:09:18.310 --> 01:09:24.710
is because I use a zoom AI program to like watch
01:09:24.710 --> 01:09:27.350
our full episode and then give me a synopsis
01:09:27.350 --> 01:09:30.010
of it. Because if you notice the video. Yeah.
01:09:30.069 --> 01:09:31.869
If you notice the videos that we posted, description
01:09:31.869 --> 01:09:34.390
is pretty in depth, like eight paragraphs and
01:09:34.390 --> 01:09:37.449
it kind of goes through the whole show. Um, so
01:09:37.449 --> 01:09:39.130
that's the only reason why I didn't do that.
01:09:39.170 --> 01:09:41.109
Cause if you look at my podcast before this,
01:09:41.149 --> 01:09:44.430
my descriptions were like three sentences. It's
01:09:44.430 --> 01:09:46.890
like, don't spoke to this person because it's
01:09:46.890 --> 01:09:48.529
like, you know, I don't want to sit there and
01:09:48.529 --> 01:09:53.369
fucking write. Um, and then I blackout during
01:09:53.369 --> 01:09:59.619
the show and then we did anyway. So yeah. Go
01:09:59.619 --> 01:10:03.180
check out Chad Gracie's drum videos and his YouTube
01:10:03.180 --> 01:10:04.640
channel on there because there's a bunch of cool
01:10:04.640 --> 01:10:09.520
stuff out there. YouTube Chad Gracie live. Boom.
01:10:09.659 --> 01:10:14.279
And then check out I just went and followed Collins
01:10:14.279 --> 01:10:18.899
and Strong on YouTube as well. Sweet. I'm going
01:10:18.899 --> 01:10:27.710
to do that too. Bobby's leaving in a boat. That
01:10:27.710 --> 01:10:30.250
sounded like a vibrator to me. I'm not leaving
01:10:30.250 --> 01:10:33.750
in a boat. What was it, Bobby? I'm not leaving
01:10:33.750 --> 01:10:38.829
in a boat. It was your vibrator. We got it. Yes.
01:10:38.989 --> 01:10:42.409
Great. You're not supposed to start your OnlyFans
01:10:42.409 --> 01:10:44.770
channel yet, dude. Do that when you're off of
01:10:44.770 --> 01:10:47.529
here. Right. Oh, we forgot to tell them, Chad.
01:10:47.810 --> 01:10:51.550
Our OnlyFans is OnlyFans .com. No, I'm just kidding.
01:10:51.689 --> 01:10:54.569
That's right. The gracious poo. We're doing poop
01:10:54.569 --> 01:10:59.279
videos. Oh, God. I want to thank you guys for
01:10:59.279 --> 01:11:00.979
checking us out. I want to thank you guys for
01:11:00.979 --> 01:11:03.479
watching. I want to thank you guys for exploring
01:11:03.479 --> 01:11:06.359
our videos, reels. Please like, share, and follow.
01:11:06.979 --> 01:11:11.260
And anything you want to say, Mr. Gracie? Echo
01:11:11.260 --> 01:11:12.960
what you just said, yes. Please like, share,
01:11:13.000 --> 01:11:16.659
follow us here and my drum videos. That'd be
01:11:16.659 --> 01:11:20.560
great on YouTube, Chad Gracie Live, and The Gracious
01:11:20.560 --> 01:11:23.380
2. Let's keep pumping it up. We're going to do
01:11:23.380 --> 01:11:24.840
it. All right, I'm going to stop this, gentlemen.
01:11:24.899 --> 01:11:31.300
Don't say... Bad things about Bobby yet? Bobby,
01:11:31.760 --> 01:11:35.319
you know we love you. And then here ended, I
01:11:35.319 --> 01:11:35.640
believe.