The Gracious Two - LIVE Show 083 - Sean "Memphis" Hennesy

The Gracious Two, Chad Gracey & John JRo Rotolo discuss the hypocrisy of politicians, specifically mentioning Gavin Newsom’s actions during the COVID-19 lockdown. They argue that the mainstream media’s lack of coverage of these incidents contributes to the public’s confusion and disbelief. The hosts express frustration with people who refuse to acknowledge the truth and engage in constructive dialogue.
The podcast shifts to political topics, including the business dealings of Jared Kushner and Hunter Biden, and the use of Signal. It also touches on the release of Benghazi files and the possibility of Hillary Clinton’s immunity. The discussion then shifts to Sean "Memphis" Hennesy’s musical career, his time with Candlebox, The Gracious Few, LiVe and his subsequent involvement with Royal Bliss.
Memphis discusses his current career path, playing in tribute bands and finding success in the nostalgia market for classic rock music. They highlight the financial viability of tribute bands, catering to older audiences who crave the sound of their youth. Sean also shares a humorous but scary anecdote about choking on a guitar pick during a live performance and having to undergo a procedure to remove it.
Sean Memphis Hennesy recounts a harrowing incident where a guitar pick lodged in his throat during a performance. Thankfully, the pick was dislodged and the show continued. The guitarist also discusses their preferred thumb pick, a unique style they adopted two years prior, and their experience recording a pivotal album amidst personal struggles.
Sean recounts his experiences touring with Kevin Martin and the challenges of maintaining a positive attitude amidst the stress and exhaustion of the road. They discuss the dynamics of touring, noting that while it can be fun, it often involves a lot of work and individual personalities that can clash. The speaker also reflects on the impact of touring on personal relationships and the need for balance and self-care.
The podcast then discusses the challenges of managing a busy schedule with a young child, including the need for “dummy checks” to avoid leaving items behind. It also touches on the benefits of having time alone, the joys and chaos of large families, and the musical talents of the Sean’s son.
Memphis discusses his son’s musical abilities and his own songwriting career. He highlights his collaboration with a songwriting partner, Brian, and their success in writing theme songs for Nickelodeon, including “Super Duper Bunny League” and “Happy Sappy Summer Song.” Mr. Hennesy also shares his family’s artistic legacy, tracing his lineage back to his great-grandfather, Hugh Hennesy, a layout artist for Disney, and his grandfather, Dale Hennesy, who contributed to the design of Main Street and Tomorrowland at Disneyland.
Sean and a friend, Brian, are working on a project called Rock a Bye Daddy, which involves composing music for children’s shows. They aim to secure contracts where they can be paid to compose music for specific shows or episodes. They have received positive feedback and are hopeful to continue pursuing this opportunity.
The conversation discusses strategies for handling mistakes on stage, emphasizing the importance of maintaining a positive and entertaining performance. It highlights the value of improvisation and audience engagement, contrasting it with negative reactions to mistakes. The discussion also touches on "The Gracious Few" album, noting its creation amidst personal challenges and the band’s desire to rock again.
The podcast will return on Sunday with a paranormal investigation featuring the SoCal Spirit Seekers. The hosts will be joined by the Seekers for a ghost hunt. The audience is thanked and encouraged to like, share, follow and subscribe.
WEBVTT
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And we are live. Mr. Gracey. What's going on?
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We are up, you know, special Friday show. Yeah,
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baby. I got a lot of Saturday, almost a Saturday.
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I know when we're doing shows like this, you
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can't keep up with the week, man. I know. Yeah,
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Tuesday. Yeah, Tuesday, like marks the day. You're
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like, it's Tuesday, but exactly. Damn it. Yeah.
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We're getting, we're getting more high profile
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guests and fucking, you know, doing surprise
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shows. Why not? Excited for this one, man. We
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got a former bandmate of yours coming on today,
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dude. The one and only Sean Hennesy. Not Memphis,
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Tennessee. That's right. That's right. Not to
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be confused with the Hennessy cognac. No, even
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though his family owns that and he's massively
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rich because of it. No, I'm just kidding. Yeah,
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who doesn't wish wouldn't it be cool dude to
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be born into like the Hilton's like not even
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like, let's forget Paris Hilton's money like
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that. She just got from being born into that
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family. But the fact that she can go anywhere
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in the world and stay at a Hilton for free is
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dope. Fuck yeah, like that alone. I don't know.
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I think right about now the now now the nowadays
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right now I'd like to be fucking barren Trump
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that motherfucker is badass And he's like in
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all his fuck Dapper as hell, you know, he's pulling
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the ladies And then it has he has the fucking
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wherewithal to say hello to Biden and tell him
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we're coming for you Dude, I love it like that's
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slick man And he's slick in the way he operates.
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Like, you're not really hearing much about Barron
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Trump and the press doing things, stuff with,
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you know, dating. I've never seen him talk. I've
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never even heard him speak. Right. Yeah. And
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what are, what are like reserved way to be in
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that position? Because how old is he? Like, 18,
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19, 20, maybe? Yeah, he might be 20 now, I think,
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maybe. 19. If you had me in there and my father
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was president and I was 19 or 20, my God, dude,
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Hunter Biden would have nothing on me. I'm looking
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up his age. Yeah. Good. 18. Rob Bobby Yankee
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said, thank you, Bobby coming. There he goes.
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The myth. The only fucking 18. Holy shit. That's
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a great video. And like, I watched. I mean, you
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watched the inauguration. You saw him go over
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there and shake Biden's hand, but. He had no
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clue. And it had the lip reader fucking saying,
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because his face like dramatically changes. And
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then his lip reader, yeah. Yeah. Cause he looks
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at him and he's like, he shakes his hand and
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he's like, what did he say? The gloves are off
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or we're coming for you? Something like that.
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I forget what it was now. And then he walks back
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over to Melania and she's like, be nice. Yeah.
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And he's like, I will. Yeah. He looks back over.
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God bless him. I mean, imagine though, Joe Rogos
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probably was like, imagine though, if someone
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went after your fucking father like that. You'd
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be like, fuck you motherfucker. Yeah. What's
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up Matthew Frazier? Oh, what's up drumming up
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conversation? My mom's going up on drumming up
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conversation soon. Yes. Lana Lana. We love you
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Lana. Yeah, I talked to him before. I'm like,
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if you need help setting anything up, but I think
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they said they're doing it when you're there
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or something. No, they were going to, but I couldn't
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do it because tomorrow I'm shooting videos and.
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And I'm doing some of Bill's podcast is too well
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tomorrow. So got you. Yeah. Well, if they need
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anything, they know how to reach out. I got a
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special guest coming in to play on one of my
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videos. Yeah. Yeah. See what happens. And she's
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a looker, too. That'll be fun, man. People are
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going to be like, what? Exciting. So did you
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hear Adam? I was listening to Adam divine. I
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think I'm the Ovan and One of his houses or like
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he's got a house in LA and it got broken into
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and it's like they're like professionals like
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everybody in his neighborhood is like getting
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broken into and it's like a ring And he's like
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illegals Who knows I don't think they were caught
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it's like I think there was a ring of illegals
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going around doing it too and they were shipping
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this shit like back to Mexico like So yeah, go
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on. Yeah. Sounds about right. But, uh, you know,
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it's kind of like these people have their houses
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with their security system, but he's like, they
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knew how to like, you know, shut it off. They
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cut off the internet, cut off the, uh, power
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and whatever we're in and out in eight minutes,
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which is quick as fuck, I guess. Like you would,
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I don't know if they got to lay out of the home
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or what, but he said that happens in a lawless
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city like fucking LA where they don't prosecute
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those motherfuckers and just let them walk. Yeah,
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soft on crime Democrats dude, there was a federal
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an FBI agent who was saying like just how fucked
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up Like certain jurisdictions are in California
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being one of them like they would be going after
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somebody and if they didn't have like five kilos
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like they didn't even want to they didn't want
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to prosecute nothing so they were like Yeah,
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they were like fuck it if it wasn't like 1600
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pounds of marijuana, California was like not
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fuck it. We're not going after him. So like They
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were turning away and not, you know, prosecuting
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fucking. You have that much coke. You definitely
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have guns and you're not doing this shit non
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violently. You know what I'm saying? So they
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have the, the no bail laws in California. Ridiculous.
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It's like people just walk for like felony offenses,
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assault, all kinds of stuff. Same with New York.
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But why did the politicians feel safe with their
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cities and states like having these people? All
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have armed guards. Are you kidding me? Yeah That's
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that's the way the elite Democrats work. They're
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all protected with guns what they won't don't
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want you to have guns They're all protected in
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their walled Compounds, but they want to let
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you stand for yourself with no guns with the
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criminals they let on the street. It's retarded
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I don't understand how anyone frigging votes
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for it. Cause it's like, it's all, again, I'll
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use the term again, suicidal empathy. It's the
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same shit always. And it was, it's almost like
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what they were doing, um, with the COVID -19,
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like telling us like we can't dine indoors. We
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can't dine here. And then they're out there dining
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indoors doing all their shit. Oh, that was, yeah,
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that was classic, uh, nuisance. I mean, everyone's
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locked down. His winery is open. All the wineries
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in Napa are closed. His winery was right across
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the board in Sonoma. So that's open. His kid
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went to school because they went to private school.
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All the other kids are home. Yeah, I actually
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benefited from that because my kids were in a
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Montessori school at the time. So my kids are
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out for like two weeks and back. Thank God. Boom.
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But but the point is, it's like what's good for
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these, you know, what's good for me is not good
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for these. And so, yeah, all the restaurants
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are closed. Everyone has to wear a mask. He's
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inside the French laundry in a big table. No
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mass. They're all fucking party and having a
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great time. There's video of it. Yeah, people
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still vote for him. And then it's like, what
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does it take? Like, what does it take to figure
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out that they lie to you and just treat you like
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peons and they do whatever they want? And it's
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real. And it's in real time. It's not like you're
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finding all this shit out about it like years
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later, like. Oh, they told us to stay inside.
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And then we find out years later, like they were
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dining inside. Like, no, this was like the day
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of or that night they were got caught like dining
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inside. Well, the other thing is the mainstream
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media doesn't cover it. Like they don't. Yeah.
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If the media was honest, they would cover that
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and go, look, he's a hypocrite, but they don't.
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Right. And shame on them because they're being
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fucked too. Like they can't dine inside or maybe
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they can. I don't know. Maybe there's a secret
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spot they go to. Yeah, I'm sure. It's just none
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of it makes sense to me. It's like, you know
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This is I mean we talk about all this stuff all
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the time like all this crazy hypocrisy and all
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these things that they do on that side And then
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I have people writing me going you've lost your
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mind and I'm like I've lost my mind right I've
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lost my mind. You've been lied to for the past
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what 12 years by the media. Yeah on a consistent
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basis Things that are now demonstrably false
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that we all knew was true then, but it was suppressed
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and you couldn't find out about it. And now you
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find out about it. And you're just like, Oh,
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no, that's fine. And I've lost my mind because
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I'm awake and I know what the fuck is going on.
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And when you ask the one right. And when you
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ask them, you know, why, why did I lose my mind?
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They tell you, you rebut that and you like put
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them in their place, let them know. Then they
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hop onto something else, a complete 180 to a
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different topic that you got to defend on. And
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then when you do that, they're onto something
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else. It's like, they just don't get it. They
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don't want to hear a different point of view
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or see anything. They just want to say, this
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is why you're wrong. This is why you're wrong.
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They'll cherry pick this one little thing. That's
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what they'll have is their one little fact, like,
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Like that show I went on and he was like, what
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about Jared Kushner and his $2 billion deal with
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the Saudis? And Ivanka Trump got a $700 million
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deal from the Chinese. I'm like, were they legitimate
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business deals? Right. Do the Kushners and the
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Trumps have businesses and sell products and
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make things? Yes. Yes. Does Biden? No. Does Hunter
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Biden make anything? No. He sells access to his
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father. That's it. Okay, so to tell me that all
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Jared Kushner got two billion from the Saudis.
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Okay, maybe he used his his connection to Trump
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to do that That happens all the time. Oh, that's
00:10:03.519 --> 00:10:06.779
all networking But it's legitimate business deal.
00:10:07.159 --> 00:10:09.519
Yeah, it wasn't just given two billion dollars
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No, and that's how they like to do it. They like
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to say those little stupid things like global
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should he have gotten two billion dollars from
00:10:16.639 --> 00:10:19.049
the Saudis Well, let me look into that deal and
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then, uh, get back to you because I'm not just
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going to know all that off my brain, but I certainly
00:10:24.330 --> 00:10:27.610
know that using your father, uh, is like power
00:10:27.610 --> 00:10:29.789
to play and like getting bribes under the table,
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uh, you know, going against the American people
00:10:32.509 --> 00:10:35.149
is wrong. And that wasn't having 40 shell companies
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and the 10 % for the big guy. And like, you know,
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I mean, come on. Yeah. I was like, and it was
00:10:41.029 --> 00:10:42.909
like this, you know, I follow this one guy on
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Facebook that I used to work with way back in
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the day and he's a, you know, liberal and he's
00:10:47.370 --> 00:10:50.149
always putting up anti -Trump stuff. And when
00:10:50.149 --> 00:10:52.990
the whole, uh, when Doge first started to go
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in on, uh, Social Security and find all the 120
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year olds and there's 3 million people over 120
00:10:58.230 --> 00:11:00.730
year olds and the leftist talking point came
00:11:00.730 --> 00:11:04.820
out real quick. Oh, they use cobalt. Uh programming
00:11:04.820 --> 00:11:07.159
language and all those young kids don't know
00:11:07.159 --> 00:11:08.700
what that is so they don't know what they're
00:11:08.700 --> 00:11:10.899
talking about I'm like Jesus fuck. Are you serious?
00:11:11.039 --> 00:11:13.740
You think all those geniuses Don't know what
00:11:13.740 --> 00:11:17.080
cobalt is the fucking programming language. Yeah,
00:11:17.100 --> 00:11:20.279
I'm sure they're completely Have no fucking knowledge
00:11:20.279 --> 00:11:22.139
of it and they're just completely off base. They
00:11:22.139 --> 00:11:23.820
don't know what they're talking about. Okay Yeah,
00:11:23.820 --> 00:11:26.620
they basically said that if something if one
00:11:26.620 --> 00:11:29.820
value wasn't inputted it could like resort back
00:11:29.820 --> 00:11:32.899
to 18 whatever and that's what was going on there
00:11:33.759 --> 00:11:36.440
And, uh, they're finding people like 300 years
00:11:36.440 --> 00:11:39.980
old and one person was like 360 years old insane.
00:11:40.980 --> 00:11:42.700
They don't know if they were getting money or
00:11:42.700 --> 00:11:44.700
not, but they're on the, they're on the social
00:11:44.700 --> 00:11:47.279
security roles. It's like, how is that possible?
00:11:47.840 --> 00:11:50.659
It was, it's older than social security and the
00:11:50.659 --> 00:11:55.879
country. Exactly. But it was a cobalt programming
00:11:55.879 --> 00:11:59.419
language. Okay. Yeah, I got it. Got it. Got it.
00:11:59.480 --> 00:12:01.840
Get a good, but you know, good for them to come
00:12:01.840 --> 00:12:03.639
out with something like that right away. But
00:12:03.639 --> 00:12:06.320
it's like, if it's so easily disproven, what
00:12:06.320 --> 00:12:08.580
did you do? But maybe what they did do is get
00:12:08.580 --> 00:12:10.879
the people who aren't going to look into it.
00:12:11.100 --> 00:12:13.360
And it's cold ball. And that's it. Oh, of course.
00:12:13.720 --> 00:12:15.580
Well, that's what the left does now. Now their
00:12:15.580 --> 00:12:17.940
whole thing is this old signal thing with, uh,
00:12:18.179 --> 00:12:20.659
with Hegseth and the crew. It's like they're
00:12:20.659 --> 00:12:23.659
going to fuck off about that. Oh, yeah. Of course,
00:12:23.799 --> 00:12:27.210
the first thing was. He gave away war plans and
00:12:27.210 --> 00:12:29.190
blah blah blah and chop -seeking information
00:12:29.190 --> 00:12:32.669
now of course after the dust settles and the
00:12:32.669 --> 00:12:35.009
leftist media has all their fucking heyday about
00:12:35.009 --> 00:12:36.730
it comes out Oh, no, that's completely wrong.
00:12:36.789 --> 00:12:39.009
There was no war plans given out now the guy
00:12:39.009 --> 00:12:42.490
the the leftist Reporter that happened to be
00:12:42.490 --> 00:12:45.690
put onto the chat has that even admitted that
00:12:45.690 --> 00:12:49.610
no there were no war plans given out and I think
00:12:49.610 --> 00:12:54.090
was Mike walls is assistant is the guy who put
00:12:54.090 --> 00:12:55.980
him on and And of course, now you're finding
00:12:55.980 --> 00:12:58.460
out that he and his wife are connected to the
00:12:58.460 --> 00:13:01.360
Obamas and all this fucking leftist shit. I think
00:13:01.360 --> 00:13:03.019
I think you know what I think happened. Talk
00:13:03.019 --> 00:13:05.220
to me. I think they were looking for a mole and
00:13:05.220 --> 00:13:07.820
they found them. Oh, because I was just going
00:13:07.820 --> 00:13:10.019
to ask you, why were they using signal if they're
00:13:10.019 --> 00:13:11.899
not supposed to? You think this was a way for
00:13:11.899 --> 00:13:14.840
them to that's a good fucking. That's what it
00:13:14.840 --> 00:13:17.379
feels like now. Now that you know the assistant
00:13:17.379 --> 00:13:20.360
guy was connected to the lefties and and his
00:13:20.360 --> 00:13:23.070
wife was like. Had something to do with the obamas
00:13:23.070 --> 00:13:25.669
and it's like, okay, they found the mole Dude,
00:13:25.809 --> 00:13:28.970
they're they're going above 4d chess now man
00:13:28.970 --> 00:13:31.809
if they're you know Because I because I was thinking
00:13:31.809 --> 00:13:33.570
when it came out I'm like, why did you have to
00:13:33.570 --> 00:13:36.289
use signal if this is not fucking approved? And
00:13:36.289 --> 00:13:38.370
this is a way for them to come after you and
00:13:38.370 --> 00:13:40.870
say oh look what they did. I mean I'm not too
00:13:40.870 --> 00:13:43.870
It's still it's still you know an encrypted platform
00:13:43.870 --> 00:13:46.370
and it's way better than Hillary Clinton's private
00:13:46.370 --> 00:13:48.809
email server that everybody forgot about and
00:13:48.809 --> 00:13:51.879
nobody cared about so I don't know why this is
00:13:51.879 --> 00:13:55.299
such a fucking big to do, but apparently the
00:13:55.299 --> 00:13:57.720
CIA is about ready to release all the Benghazi
00:13:57.720 --> 00:14:00.600
files. Ooh, that should be fun for Hillary. Oh
00:14:00.600 --> 00:14:03.320
my God. Does she have immunity? I think did,
00:14:03.399 --> 00:14:06.899
uh, I don't know. Can you imagine Biden left
00:14:06.899 --> 00:14:08.840
her out the pasture and he didn't give her immunity.
00:14:08.919 --> 00:14:11.139
And I don't think he did. I don't know. I don't
00:14:11.139 --> 00:14:13.360
think he gave her a preemptive pardon signed
00:14:13.360 --> 00:14:19.139
by auto pen. That's amazing, dude. I want a preemptive
00:14:19.139 --> 00:14:22.870
pardon. Yeah, from now. It's actually from now
00:14:22.870 --> 00:14:24.990
until I die. I can do whatever I want. You can't
00:14:24.990 --> 00:14:29.590
prosecute me. Boom. Chaka. Laka. All right. Well,
00:14:29.590 --> 00:14:33.389
let's bring on our freaking awesome guest, Mr.
00:14:33.649 --> 00:14:38.409
Sean Memphis. Hennessy. Can you guys hear me?
00:14:38.929 --> 00:14:40.409
Yeah. Can you guys hear me? Okay, we're good.
00:14:40.570 --> 00:14:44.110
I can hear you. Gold in the tower. Cheers. Cheers.
00:14:45.049 --> 00:14:48.450
How are you, man? I'm good, brother. How are
00:14:48.450 --> 00:14:50.940
you? It's been a while. Yeah, man. Are you in
00:14:50.940 --> 00:14:53.460
York right now? Are you in the studio? Cool.
00:14:54.360 --> 00:14:56.320
We were just asking that. We were trying to figure
00:14:56.320 --> 00:14:58.419
this out. Have you been to the building? You
00:14:58.419 --> 00:15:01.320
came here with Candlebox, right? No, I didn't.
00:15:01.740 --> 00:15:05.779
No, I wasn't with that project. I came with Neil
00:15:05.779 --> 00:15:11.080
from Muriel Bliss. And we stayed there for one
00:15:11.080 --> 00:15:18.299
night. I think Chad CT was mixing a couple of
00:15:18.299 --> 00:15:20.690
songs. Okay, right. Yeah, I remember that now.
00:15:21.029 --> 00:15:23.470
That makes sense. Yeah. And then, yeah, I remember
00:15:23.470 --> 00:15:25.809
going on the roof talking to Chad and Neil and
00:15:25.809 --> 00:15:28.070
I mean, let's be real, Chad talked for most of
00:15:28.070 --> 00:15:34.909
the time. Yeah. Yeah. Sean, I'm sorry, I got
00:15:34.909 --> 00:15:36.750
it, John. I was like, you don't get many words
00:15:36.750 --> 00:15:39.710
in edgewise for Chad. No, I called Chad yesterday.
00:15:39.889 --> 00:15:41.029
I actually didn't talk to Chad for a while. We
00:15:41.029 --> 00:15:43.389
talked for about an hour and it was a good conversation.
00:15:43.730 --> 00:15:46.029
We had just caught up about everything. Nice.
00:15:46.850 --> 00:15:50.019
That's great. Get to hear about the sagas. Yeah,
00:15:50.100 --> 00:15:52.419
I did. I could hear a lot about that. But that
00:15:52.419 --> 00:15:54.279
also got to tell my own sagas too. So it's just
00:15:54.279 --> 00:15:56.500
kind of catching up and, you know, where we are
00:15:56.500 --> 00:15:59.320
in our lives and all this stuff and that fun
00:15:59.320 --> 00:16:02.500
stuff. So, you know, catch up offline too. I
00:16:02.500 --> 00:16:04.779
want to hear that. Yeah, absolutely. I'm going
00:16:04.779 --> 00:16:06.440
to have to catch up with you offline too then.
00:16:06.559 --> 00:16:10.799
I can't be left out here, Sean. Yeah. Royal Bliss.
00:16:11.500 --> 00:16:14.409
When I was looking them up on Wikipedia. There's
00:16:14.409 --> 00:16:17.110
says there's a Brian Hennessy in the band. Is
00:16:17.110 --> 00:16:20.370
this a relative of yours? Yeah, it's my brother.
00:16:20.610 --> 00:16:25.649
Oh, how cool Younger he looks older because he
00:16:25.649 --> 00:16:28.970
looks like shit That's what that's those are
00:16:28.970 --> 00:16:31.529
his words not my words for now. I have a lot
00:16:31.529 --> 00:16:33.950
to say that He's two years younger than he's
00:16:33.950 --> 00:16:36.350
actually turning 40 in like two three weeks,
00:16:36.370 --> 00:16:42.360
which is crazy Yeah, I left I didn't leave Candleboss.
00:16:42.500 --> 00:16:44.559
Candleboss kind of just disbanded and I was in
00:16:44.559 --> 00:16:47.340
this weird limbo. I was in a really toxic relationship.
00:16:47.740 --> 00:16:49.679
And so randomly, like a couple of weeks after
00:16:49.679 --> 00:16:53.100
that, Royal Bliss called me and they're like,
00:16:53.159 --> 00:16:56.779
Hey, we're on tour with fuel, but we need the
00:16:56.779 --> 00:16:59.179
guitar player. Taylor is just like, he has to
00:16:59.179 --> 00:17:01.879
miss some dates, but we can't like not take this
00:17:01.879 --> 00:17:04.460
tour. Can you fill in? I'm like, yeah, like I
00:17:04.460 --> 00:17:06.960
could totally fill in. So I flew out. I did a
00:17:06.960 --> 00:17:11.589
couple of rehearsals and I did the run. And then
00:17:11.589 --> 00:17:14.069
at the end of that run, they asked me if I wanted
00:17:14.069 --> 00:17:16.029
to join the band because I had nothing going
00:17:16.029 --> 00:17:19.009
on. And it was kind of an excuse at the same
00:17:19.009 --> 00:17:20.849
time to get out of Nashville, out of the relationship,
00:17:20.990 --> 00:17:24.109
just kind of like a fresh start. And then I moved
00:17:24.109 --> 00:17:27.170
out here and then kind of couch surfed, lived
00:17:27.170 --> 00:17:30.269
in a Neil's basement or the singer for a little
00:17:30.269 --> 00:17:33.369
while, found a cool place downtown. And then
00:17:33.369 --> 00:17:37.069
toured for, I don't know, maybe six months. And
00:17:37.069 --> 00:17:40.029
then my brother calls me. Or I called him, I
00:17:40.029 --> 00:17:41.289
can't remember, but we were on the road and I
00:17:41.289 --> 00:17:44.569
was just calling to say hi. Yeah, my, um, my,
00:17:44.670 --> 00:17:47.490
uh, my girl after eight years left me for another
00:17:47.490 --> 00:17:52.089
woman. Wow. And he was like, he was, he was like,
00:17:52.170 --> 00:17:53.950
and he was a bass player upright doing all the
00:17:53.950 --> 00:17:55.569
folk. He was doing, you know, graduated from
00:17:55.569 --> 00:17:57.609
Humboldt. So he's up in Arcada, like the hippie
00:17:57.609 --> 00:17:59.410
scene. He's like, I don't know what to do. And
00:17:59.410 --> 00:18:00.650
I'm like, well, do you want to come out here
00:18:00.650 --> 00:18:02.309
and just sell merch and go on the road? And like,
00:18:02.369 --> 00:18:04.890
we have a bus like just to do something. He's
00:18:04.890 --> 00:18:07.259
like, fuck it. Let's come out. do it. So he came
00:18:07.259 --> 00:18:09.420
out and then he toured for about two years. And
00:18:09.420 --> 00:18:11.960
at that point of two years, I started getting
00:18:11.960 --> 00:18:14.900
tired of the way they were touring instead of
00:18:14.900 --> 00:18:16.480
because like, you know, you tour at a certain
00:18:16.480 --> 00:18:18.940
level for so long and then you kind of go backwards
00:18:18.940 --> 00:18:21.339
and, you know, I already did this when I was
00:18:21.339 --> 00:18:23.880
like 20. I don't want to do it again. I'm still
00:18:23.880 --> 00:18:25.259
friends with the guys. I mean, there's a lot
00:18:25.259 --> 00:18:28.160
of other little things that happen, but we're
00:18:28.160 --> 00:18:29.339
all still friends. I still play with them all
00:18:29.339 --> 00:18:34.099
the time. And so Brian joined. the bass player
00:18:34.099 --> 00:18:35.940
left Brian joined as the bass player I think
00:18:35.940 --> 00:18:37.839
we played like three shows together and then
00:18:37.839 --> 00:18:40.680
I took off plus I was getting married and I was
00:18:40.680 --> 00:18:42.180
like it was a whole thing happening and I was
00:18:42.180 --> 00:18:45.640
just like yeah and then um so they're still together
00:18:45.640 --> 00:18:48.160
they're still doing stuff yeah it's it's kind
00:18:48.160 --> 00:18:51.160
of like um I don't know it's still like that
00:18:51.160 --> 00:18:53.299
you know as you know internal band drama of being
00:18:53.299 --> 00:18:57.279
together for over 25 years and uh it's basically
00:18:57.279 --> 00:19:01.859
uh I know all about that Yeah, I mean, it's a
00:19:01.859 --> 00:19:05.400
good example. It's it's you got Neil and Taylor
00:19:05.400 --> 00:19:08.259
So you got Steven Tyler and Joe Perry running
00:19:08.259 --> 00:19:10.319
at the camp and then the other guys who just
00:19:10.319 --> 00:19:12.140
kind of like just tell me when I got to be there
00:19:12.140 --> 00:19:14.000
I'm charging you more now because I'm not gonna
00:19:14.000 --> 00:19:15.680
help load it anymore that kind of stuff like
00:19:15.680 --> 00:19:19.859
there's always like new dynamics and Strangeness,
00:19:19.859 --> 00:19:22.039
but they're like, you know, I think as what Chad
00:19:22.039 --> 00:19:23.839
Taylor said once is like we're still together
00:19:23.839 --> 00:19:27.720
as for the children which are the fans That resonated
00:19:27.720 --> 00:19:30.569
to me and I was like I get it, but we're starting
00:19:30.569 --> 00:19:32.269
to do tribute stuff. We just did a Tom Petty
00:19:32.269 --> 00:19:33.509
show the other day and it was sold out. It was
00:19:33.509 --> 00:19:37.130
like 1500 people. There's other avenues to still
00:19:37.130 --> 00:19:40.769
play music and be happy together without... No
00:19:40.769 --> 00:19:43.069
one cares about original music anymore, unfortunately,
00:19:43.329 --> 00:19:45.869
unless you're like 20 and you're a celebrity.
00:19:46.829 --> 00:19:49.250
Right, it's funny because there's this guy on
00:19:49.250 --> 00:19:51.609
Facebook that I know named Sean Barry. He's originally
00:19:51.609 --> 00:19:53.690
from here in Pennsylvania, like Lebanon area.
00:19:54.079 --> 00:19:56.380
And he lives in california. He's hit me up several
00:19:56.380 --> 00:19:58.220
times to come see his tribute band. He plays
00:19:58.220 --> 00:20:00.220
in like all these tribute bands So I went the
00:20:00.220 --> 00:20:02.980
other night to uh, where was it fullerton or
00:20:02.980 --> 00:20:05.920
no garden grove There's in this cool little tiny
00:20:05.920 --> 00:20:09.279
like thousand seat amphitheater In the middle
00:20:09.279 --> 00:20:11.119
of downtown, which is wild. Yeah, but it was
00:20:11.119 --> 00:20:14.619
like social distortion uh tribute band talking
00:20:14.619 --> 00:20:17.420
has tribute band Ramon's tribute band And he
00:20:17.420 --> 00:20:19.539
was like, yeah, I do I make a shit ton of money
00:20:19.539 --> 00:20:21.160
just playing these tribute bands all over the
00:20:21.160 --> 00:20:24.410
place I was like, so there's this whole underground,
00:20:24.650 --> 00:20:25.930
I don't know, I guess it's not underground, but
00:20:25.930 --> 00:20:28.329
there's this whole other thing with all these
00:20:28.329 --> 00:20:30.309
tribute bands playing all this, all these bands
00:20:30.309 --> 00:20:32.630
music. That's, and that's what I'm doing right
00:20:32.630 --> 00:20:34.650
now. I got a Fleetwood. It's called Fleetwood
00:20:34.650 --> 00:20:38.009
Visions. And we're, we're, we're crushing it
00:20:38.009 --> 00:20:39.650
financially. I mean, we're, we're making like,
00:20:39.930 --> 00:20:42.029
like big band money. And we're playing these
00:20:42.029 --> 00:20:44.509
theaters and these amphitheaters. And it's all
00:20:44.509 --> 00:20:46.190
that the cotton tops, as I call them, you know,
00:20:46.230 --> 00:20:48.640
the older folks, they, they They have the money,
00:20:48.640 --> 00:20:51.140
but they also want to relive their youth and
00:20:51.140 --> 00:20:53.240
all my groupies now, you know, and we're not
00:20:53.240 --> 00:20:55.079
dressing up like them. We're dressing in the
00:20:55.079 --> 00:20:57.839
vein of, you know, like kind of seventies. We're
00:20:57.839 --> 00:20:59.559
not trying to put on top hat and glasses and
00:20:59.559 --> 00:21:01.539
like this and do any of that crap. Like it's
00:21:01.539 --> 00:21:03.579
more of an experience. Good. And we talk about
00:21:03.579 --> 00:21:05.380
the history of the songs and it's just a flow
00:21:05.380 --> 00:21:07.200
and there's a script. You know, we give everyone
00:21:07.200 --> 00:21:09.940
like I write the show flow and I'm like, all
00:21:09.940 --> 00:21:11.539
right, after this song, Jen, one of our singers,
00:21:11.660 --> 00:21:13.119
like just talk about these facts. You don't have
00:21:13.119 --> 00:21:15.109
to say it word for word. make it yourself and
00:21:15.109 --> 00:21:18.410
and then we go out and we have merch we go out
00:21:18.410 --> 00:21:19.789
after merch because you know we'll make a little
00:21:19.789 --> 00:21:22.150
extra But all my groupies, I'm not even kidding,
00:21:22.269 --> 00:21:25.250
man, there's probably usually five to 10, 70
00:21:25.250 --> 00:21:27.329
plus year old dudes waiting in line to talk to
00:21:27.329 --> 00:21:30.109
me. Yes. It's crazy because they want to talk
00:21:30.109 --> 00:21:31.930
about my guitar playing or I sounded like Lindsay
00:21:31.930 --> 00:21:33.890
or I sounded like Tom or I'm doing an Eagles
00:21:33.890 --> 00:21:35.430
thing. We're playing a big theater on Tuesday
00:21:35.430 --> 00:21:38.490
on a Tuesday, which is crazy. But people show
00:21:38.490 --> 00:21:40.490
up. It's just because we play early too. We're
00:21:40.490 --> 00:21:42.990
done by like 9 p .m. Thank you like good. I can
00:21:42.990 --> 00:21:44.589
go to bed and still wake up at four and walk
00:21:44.589 --> 00:21:48.170
my dog. You know, it's it's not. And these are
00:21:48.170 --> 00:21:49.890
the kind of shows I like doing now too. It's
00:21:49.890 --> 00:21:53.109
like, I don't want to go on stage 11. It sounds
00:21:53.109 --> 00:21:56.190
terrible. Yeah, that's crazy. It goes though,
00:21:56.269 --> 00:21:58.089
but people wanting to go to these shows that
00:21:58.089 --> 00:22:00.990
they're still craving this style of music and
00:22:00.990 --> 00:22:03.049
this type of music. But it seems like maybe they
00:22:03.049 --> 00:22:05.269
just don't know how to get to it when it's released
00:22:05.269 --> 00:22:09.529
online or whatever, because all the pop music
00:22:09.529 --> 00:22:11.509
and stuff, that's the stuff that's being streamed
00:22:11.509 --> 00:22:13.809
and stuff like that. There's a big market, it
00:22:13.809 --> 00:22:16.390
seems, for people craving that old style of music
00:22:16.390 --> 00:22:18.650
and that nostalgic type of rock and stuff. So,
00:22:19.130 --> 00:22:22.650
yeah. Maybe the band's not on tour anymore or
00:22:22.650 --> 00:22:26.369
whatever, but yeah. Yeah. I do. We call it dad
00:22:26.369 --> 00:22:28.410
touring where you like, we'll go to like Idaho
00:22:28.410 --> 00:22:30.970
for like four days and we'll play like three
00:22:30.970 --> 00:22:32.710
shows and then we come back and then we're home
00:22:32.710 --> 00:22:34.109
for a couple of weeks. And it's like, oh, we're
00:22:34.109 --> 00:22:35.549
going to Arizona. I'm like, all right, that's
00:22:35.549 --> 00:22:37.930
good. Like, you know, we're all in a van and
00:22:37.930 --> 00:22:40.960
I'm, I'm okay with it. And I'm okay. And people
00:22:40.960 --> 00:22:42.460
are sitting, you know, it's not like, it's not
00:22:42.460 --> 00:22:45.680
like a rock show where it's, you know, plus most
00:22:45.680 --> 00:22:47.480
of those people can't stand for two hours anymore
00:22:47.480 --> 00:22:49.339
either. I don't want to stand for two hours anymore.
00:22:49.859 --> 00:22:53.140
We even have a segment like what we did in Gracious
00:22:53.140 --> 00:22:55.420
View where the front porch sessions, which I
00:22:55.420 --> 00:22:58.039
still call. where we come out and we sit down
00:22:58.039 --> 00:23:00.119
and we play acoustic like landslide and never
00:23:00.119 --> 00:23:02.200
going back again. You know, like we make an intimate
00:23:02.200 --> 00:23:04.940
moment and songbird where the rest of the band
00:23:04.940 --> 00:23:07.000
leaves and it's just a piano player and Sarah's
00:23:07.000 --> 00:23:09.559
singing songbird, which is like everybody. It's
00:23:09.559 --> 00:23:11.539
like it's like a piss break or take a shot break.
00:23:11.799 --> 00:23:14.519
And then we come out, we finish the set and then
00:23:14.519 --> 00:23:16.559
it's, you know, it's just a fun little adventure
00:23:16.559 --> 00:23:19.480
through time. You recognize the hat. I do. I
00:23:19.480 --> 00:23:21.039
saw that when you were talking earlier. Yeah.
00:23:21.759 --> 00:23:23.440
I don't know. I think I wore mine. That's a great
00:23:23.440 --> 00:23:27.299
shoe hat. Oh, dude. Yeah. Kevin Martin designed
00:23:27.299 --> 00:23:29.359
that. It's based on the twins, the Minnesota
00:23:29.359 --> 00:23:34.619
twins. Yeah. Yeah. That is dope. Is this live,
00:23:34.759 --> 00:23:36.960
like live, live? I'm seeing things on the side.
00:23:37.180 --> 00:23:41.019
Don't swallow any pigs. Ha ha, Renee. Yeah, it's
00:23:41.019 --> 00:23:43.160
live right now. Yeah, we're live. Okay. And we
00:23:43.160 --> 00:23:44.859
recorded as well and then they can watch it later.
00:23:45.000 --> 00:23:46.920
But yeah, it's live right now. That's fine. That's
00:23:46.920 --> 00:23:50.920
fine. Yeah. I won't swallow any pigs. Yeah, sweet.
00:23:51.419 --> 00:23:53.779
Oh, uh, Renee said, don't swallow any picks.
00:23:53.900 --> 00:23:56.119
I swallowed a guitar pick on stage once and I
00:23:56.119 --> 00:24:01.799
did all this finger pick stuff and I don't play
00:24:01.799 --> 00:24:03.279
with a pick anymore. I only play with a thumb
00:24:03.279 --> 00:24:05.539
pick. So like I don't have to swallow any picks.
00:24:05.740 --> 00:24:08.700
I found these black mountain picks. They're spring
00:24:08.700 --> 00:24:11.440
loaded and I love them. But years ago, I think
00:24:11.440 --> 00:24:13.839
it was 2015 I was on stage and there was a segment
00:24:13.839 --> 00:24:15.500
where we break it down and I'm doing all this
00:24:15.500 --> 00:24:17.460
like delay stuff and I put the pick in my mouth
00:24:17.460 --> 00:24:20.440
and I just happened to inhale like at the perfect
00:24:20.440 --> 00:24:23.339
time. And it bypassed everything, like my tongue,
00:24:23.519 --> 00:24:27.660
my mouth, and it went. Oh my god. And it hit
00:24:27.660 --> 00:24:30.680
my gag reflex. And I'm live in front of like
00:24:30.680 --> 00:24:33.700
500, 600 people. And I'm like, oh, like, I'm
00:24:33.700 --> 00:24:35.460
like, what do I do? I'm choking. I can't breathe.
00:24:35.799 --> 00:24:38.579
So I run off stage into the green room. And the
00:24:38.579 --> 00:24:41.500
opening band, all their stuff's there. Right.
00:24:41.759 --> 00:24:45.660
And I'm like gagging. And all in my belly was
00:24:45.660 --> 00:24:48.200
beer, like light beer. So I was like. So like
00:24:48.200 --> 00:24:50.660
a swell of beer comes up because my gag reflex
00:24:50.660 --> 00:24:53.400
is happening. And I'm assuming my pick came up
00:24:53.400 --> 00:24:55.359
with it, but not knowing I'm panics. I'm choking.
00:24:55.940 --> 00:24:58.819
And I'm playing still. I see all the bands equipment.
00:24:59.400 --> 00:25:01.220
And instead of throwing up all over the bands
00:25:01.220 --> 00:25:04.519
equipment, I swallow it to be respectful like
00:25:04.519 --> 00:25:06.059
a dick. I'm like, I should have just kicked all
00:25:06.059 --> 00:25:07.119
over their drums. That would have been a better
00:25:07.119 --> 00:25:10.319
story. So the pick went down and got stuck in
00:25:10.319 --> 00:25:14.230
my sphincter, like just just into your. and it
00:25:14.230 --> 00:25:17.190
got like lodged like so like I was like sweet
00:25:17.190 --> 00:25:20.690
I got it and then I swallowed and like two seconds
00:25:20.690 --> 00:25:23.130
after you swallowed this is really intense tightening
00:25:23.130 --> 00:25:24.869
and then happened the rest of the night so I
00:25:24.869 --> 00:25:26.150
was like I don't know what's going on maybe I
00:25:26.150 --> 00:25:28.349
bruised it so I kept drinking beer just to kind
00:25:28.349 --> 00:25:31.490
of escape and then the next day I woke up and
00:25:31.490 --> 00:25:33.029
I was like something's wrong so I went to the
00:25:33.029 --> 00:25:35.670
ER insured shit they had to put me on down and
00:25:35.670 --> 00:25:38.130
they put this like thing in there and then they
00:25:38.130 --> 00:25:40.250
and I wake up And this guy's holding this like
00:25:40.250 --> 00:25:42.930
neon pink pic. He's like, I can't tell. And he's
00:25:42.930 --> 00:25:44.410
like, the doctor's like, I can't tell anybody
00:25:44.410 --> 00:25:46.829
about this. Because of the doctor patient. And
00:25:46.829 --> 00:25:48.589
I'm like, tell everybody. He's like, I can't.
00:25:48.630 --> 00:25:51.490
I'm like, it's awesome. But they sent me, they
00:25:51.490 --> 00:25:53.549
sent me the pictures and it looks like a pink
00:25:53.549 --> 00:25:55.829
pic just sitting on a butthole. Because it's
00:25:55.829 --> 00:25:58.130
just like, it's a specter. And I just, and I
00:25:58.130 --> 00:25:59.950
have them still somewhere. And I still have that
00:25:59.950 --> 00:26:05.750
pic in that jar. The $3 ,000 guitar pic. Troy
00:26:05.750 --> 00:26:07.589
Garmers asked if you got it back. So obviously
00:26:07.589 --> 00:26:10.269
you did. There you go, Troy. Yes, Troy. I have,
00:26:10.390 --> 00:26:13.230
I still have it. And it's sitting in a, a jar
00:26:13.230 --> 00:26:14.670
somewhere in my studio. Blame that fucking thing,
00:26:14.769 --> 00:26:17.150
man. Put it on your mantle. Definitely. You were
00:26:17.150 --> 00:26:19.069
on the verge, I guess, of having it come out
00:26:19.069 --> 00:26:21.390
the other end then if they didn't go in. Well,
00:26:21.630 --> 00:26:23.170
here's the other thing. The doctors were like,
00:26:23.269 --> 00:26:25.150
this is actually good that this happened because
00:26:25.150 --> 00:26:27.269
how big it was. And because it's plastic that
00:26:27.269 --> 00:26:28.750
like your stomach wouldn't have digested it.
00:26:29.029 --> 00:26:31.849
So this could have caused a lot of actual, like
00:26:31.849 --> 00:26:34.609
real. like serious injuries it could have it
00:26:34.609 --> 00:26:36.910
could have blocked your intestines so they're
00:26:36.910 --> 00:26:39.589
like and then there's once you like have an operation
00:26:39.589 --> 00:26:41.829
your intestines you care you're fucking us your
00:26:41.829 --> 00:26:44.349
life you're constantly gonna have issues so they're
00:26:44.349 --> 00:26:46.529
like it's a good thing you did what you did instead
00:26:46.529 --> 00:26:48.349
of like swallowing it and like getting it through
00:26:48.349 --> 00:26:49.509
into your stomach because you could have had
00:26:49.509 --> 00:26:52.509
way more health issues and the way that you try
00:26:52.509 --> 00:26:56.690
to do that yeah next time when you try it try
00:26:56.690 --> 00:26:59.880
it do it the right way yeah the next time The
00:26:59.880 --> 00:27:02.519
way that ship is, uh, the pick is shaved dude.
00:27:02.599 --> 00:27:04.859
It's like it could go down like the thin way
00:27:04.859 --> 00:27:07.359
and kind of like cut with the edges or it could
00:27:07.359 --> 00:27:10.000
turn around and like really block your airway.
00:27:10.099 --> 00:27:12.200
Yeah. Yeah. Could have been, it could have been,
00:27:12.200 --> 00:27:14.380
but so that's the way it landed. It landed flat
00:27:14.380 --> 00:27:16.640
like it instead of like that. Oh my God. And
00:27:16.640 --> 00:27:18.960
that's why I couldn't breathe. I was like, Oh,
00:27:19.099 --> 00:27:20.759
I ran on stage and that's the Gabby flex. And
00:27:20.759 --> 00:27:22.099
actually it was like trying to get it out. And
00:27:22.099 --> 00:27:28.279
then again, the swell of, but And I took a leg.
00:27:28.619 --> 00:27:32.539
And I finished the show. So the beer came up.
00:27:33.360 --> 00:27:36.180
into your mouth and you put the tip out and then
00:27:36.180 --> 00:27:38.380
you swallowed it. I'm assuming it was it. I was
00:27:38.380 --> 00:27:39.940
in such a panic because it was just like a swell.
00:27:40.220 --> 00:27:41.279
Like, you know, like kind of like you take a
00:27:41.279 --> 00:27:44.480
shot like that kind of thing. It wasn't it wasn't
00:27:44.480 --> 00:27:46.660
vomit. You know, it was just enough to remove
00:27:46.660 --> 00:27:48.980
from your air hole. Yeah. But I remember like,
00:27:49.039 --> 00:27:51.460
like looking at all the drum stuff and I was
00:27:51.460 --> 00:27:53.119
like, I can't throw up on these guys stuff. I
00:27:53.119 --> 00:27:55.119
swallowed it back down and then I went back out
00:27:55.119 --> 00:27:56.839
and playing, but I shouldn't just keep on those
00:27:56.839 --> 00:27:58.460
guys. I don't even remember the band as opening,
00:27:58.599 --> 00:28:00.180
but I should have just threw up all over the
00:28:00.180 --> 00:28:04.019
gear. Totally. They would have had a story. I
00:28:04.019 --> 00:28:05.380
would have been apologetic. We could have laughed
00:28:05.380 --> 00:28:08.599
about it. I would have cleaned it, but instead,
00:28:08.880 --> 00:28:12.559
$3 ,000 later. I have not heard that story. That's
00:28:12.559 --> 00:28:14.759
fucking wild, man. And I don't blame you now
00:28:14.759 --> 00:28:17.319
for using a thumb pick never again. Yeah. Well,
00:28:17.359 --> 00:28:19.099
the thumb pick was an accident. I went down to
00:28:19.099 --> 00:28:20.799
Phoenix a couple of years ago to do an Eagles
00:28:20.799 --> 00:28:24.059
tribute and we stopped at this music store called
00:28:24.059 --> 00:28:27.920
Milano's and they had these These black mountain
00:28:27.920 --> 00:28:30.220
picks and I'm always a jazz three guy like really
00:28:30.220 --> 00:28:32.299
tiny picks because I'm always like a hybrid picker
00:28:32.299 --> 00:28:35.079
and I they had a jazz three style like a really
00:28:35.079 --> 00:28:37.839
sharp and I put it on and I went to play one
00:28:37.839 --> 00:28:40.039
show and I've literally never changed since I
00:28:40.039 --> 00:28:42.440
even play acoustic like I just found the rhythm
00:28:42.440 --> 00:28:45.720
of my hand and I love it like so holding a guitar
00:28:45.720 --> 00:28:48.839
pick now is foreign to me 30 years. I'm like
00:28:48.839 --> 00:28:51.519
this doesn't feel right So that's kind of crazy
00:28:51.519 --> 00:28:53.759
after 30 years of playing guitar that you found
00:28:53.759 --> 00:28:56.339
like a way that feels more natural to you like
00:28:56.559 --> 00:28:59.700
And you picked it up maybe 15 years ago. And
00:28:59.700 --> 00:29:01.559
who knows what the hell. Yeah. I mean, I picked
00:29:01.559 --> 00:29:03.799
it up two years ago, like the thumb pick because
00:29:03.799 --> 00:29:05.519
the normal thumb picks are stiff and they like
00:29:05.519 --> 00:29:07.880
cut the circulation up in your thumb. And you
00:29:07.880 --> 00:29:10.259
just got to be like, you got to know how to do
00:29:10.259 --> 00:29:12.359
it or grow into it or like just learn how to
00:29:12.359 --> 00:29:14.339
do when you're a kid. I've never gotten into
00:29:14.339 --> 00:29:15.960
it in this particular one because it's spring
00:29:15.960 --> 00:29:19.000
loaded. It moves like an actual pick on your.
00:29:19.359 --> 00:29:22.160
Oh, wow. So it's just kind of, but they're expensive.
00:29:22.279 --> 00:29:25.240
They're like six bucks a pop. And I lose things
00:29:25.240 --> 00:29:28.880
all the time. I've actually been better as I've
00:29:28.880 --> 00:29:30.519
gotten older, you know, trying to like, like,
00:29:30.680 --> 00:29:32.319
where's my wallet? Like I'm putting in the same
00:29:32.319 --> 00:29:35.940
spot. But yeah, I do go through the picks because
00:29:35.940 --> 00:29:38.160
they grind when I play and they just lose their,
00:29:38.420 --> 00:29:40.019
they just become nubs. I'm like, all right, I
00:29:40.019 --> 00:29:43.099
got to order another $60 for five picks or whatever
00:29:43.099 --> 00:29:45.500
it is. Oh, so you wear them down. I was thinking
00:29:45.500 --> 00:29:47.619
like the spring action and it kind of got fucked
00:29:47.619 --> 00:29:49.339
up before that, but you actually wearing them
00:29:49.339 --> 00:29:52.000
down. No, because I still, I still. pick and
00:29:52.000 --> 00:29:53.640
then I still when I have to do like really integral
00:29:53.640 --> 00:29:55.779
stuff, I can hold it like a guitar pick and play
00:29:55.779 --> 00:29:59.200
it. I still do pick scrapes and you know, Chad
00:29:59.200 --> 00:30:02.160
knows me. I'm a reckless sloppy guitar player.
00:30:02.940 --> 00:30:05.940
Yeah. I wouldn't say sloppy, but okay. Well,
00:30:06.299 --> 00:30:09.160
it's sloppy in a cool way. I think it's funny
00:30:09.160 --> 00:30:11.220
because I'm about I'm doing a you know, I'm having
00:30:11.220 --> 00:30:13.099
a YouTube channel been doing a bunch of videos,
00:30:13.640 --> 00:30:15.900
live songs, and I'm about to do appetite. I'm
00:30:15.900 --> 00:30:18.480
going to do appetite. So oh, fun. I was every
00:30:18.480 --> 00:30:20.460
time that every time that every time the bridge
00:30:20.460 --> 00:30:34.430
comes, Yeah, that that whole riff that whole
00:30:34.430 --> 00:30:36.369
little integral riff was originally appetite,
00:30:36.470 --> 00:30:38.230
but like in bar chords That's how we were playing
00:30:38.230 --> 00:30:41.049
it and then okay, and then we're like then but
00:30:41.049 --> 00:30:42.970
like let's slow it down and then that's when
00:30:42.970 --> 00:30:46.750
Kara put that loop on that right the intro and
00:30:46.750 --> 00:30:50.750
then Chad started coming over that and then Jerry
00:30:50.750 --> 00:30:52.690
and I sat at the piano and he started playing
00:30:52.690 --> 00:30:54.490
the riff, like trying to figure it out. And he
00:30:54.490 --> 00:30:57.869
just started like playing that, clearly talking
00:30:57.869 --> 00:31:00.109
about the notes. And I was like, that's cool.
00:31:00.250 --> 00:31:02.630
Like what if we put that over this part? And
00:31:02.630 --> 00:31:06.009
then so I took the Eric Clapton slash aspect
00:31:06.009 --> 00:31:08.329
is where I rolled the tone off all the way to
00:31:08.329 --> 00:31:11.569
zero on my neck pickup. So it was really buttery.
00:31:11.990 --> 00:31:13.990
And then I played it like that. So it had like
00:31:13.990 --> 00:31:16.450
a different, really cool contrast tone to everything
00:31:16.450 --> 00:31:19.410
else. And then seeing that, I practiced that
00:31:19.410 --> 00:31:22.589
in the, um, in the apartment. We just roll it
00:31:22.589 --> 00:31:26.769
down and we all need somebody just playing it
00:31:26.769 --> 00:31:29.670
over and over. And then, you know, dude, that's
00:31:29.670 --> 00:31:32.329
just how you just got, how you just got deep
00:31:32.329 --> 00:31:34.089
into that, where you're talking about rolling
00:31:34.089 --> 00:31:37.869
off the tones and stuff. And how you, we appreciate
00:31:37.869 --> 00:31:39.750
that. I think the audience, uh, get a kick out
00:31:39.750 --> 00:31:41.609
of that was really cool. I've actually thought
00:31:41.609 --> 00:31:44.289
about doing my own little videos about, I remember
00:31:44.289 --> 00:31:46.529
almost every song, like pretty integral, like.
00:31:46.920 --> 00:31:52.839
like people, people's moods, uh, uh, where I'm
00:31:52.839 --> 00:31:54.519
really good at remembering stuff like that. Like,
00:31:54.759 --> 00:31:58.500
like, huh? What do you chalk that up to? Are
00:31:58.500 --> 00:32:00.599
you just so in the moment that it's in great,
00:32:00.640 --> 00:32:03.480
like in your brain or is it just. Yeah. And plus,
00:32:03.579 --> 00:32:05.480
especially with that record, the gracious few
00:32:05.480 --> 00:32:07.339
record, I was the youngest one. So like, there
00:32:07.339 --> 00:32:09.420
was an intimidation happening for multiple reasons,
00:32:09.420 --> 00:32:11.960
but also like I was expected to like bring my
00:32:11.960 --> 00:32:17.019
own output. And there was different. emotional
00:32:17.019 --> 00:32:19.039
squashings by other friends of mine. So there
00:32:19.039 --> 00:32:20.900
was, I was in a weird headspace, but trying to
00:32:20.900 --> 00:32:23.059
like learn to grow, but I was also with guys
00:32:23.059 --> 00:32:24.799
that are like 10 years older than me that were
00:32:24.799 --> 00:32:26.619
like people that I had their records growing
00:32:26.619 --> 00:32:28.200
up to. So I was like, this is cool, but also
00:32:28.200 --> 00:32:31.980
it's intimidating. And, um, so I, I took everything
00:32:31.980 --> 00:32:34.519
in, I observed everything. I was like, I was
00:32:34.519 --> 00:32:36.180
a lot of times are quite so quiet. So I'm like,
00:32:36.220 --> 00:32:38.920
cause I'm taking everything in and like filing
00:32:38.920 --> 00:32:42.700
it. So in, in, you know, in 15 years when I'm
00:32:42.700 --> 00:32:44.599
on the gracious two podcasts, I could talk about
00:32:44.599 --> 00:32:46.950
it. Hell yeah, there you go exactly. Yeah, I
00:32:46.950 --> 00:32:48.569
remember yeah, I remember making that record
00:32:48.569 --> 00:32:50.410
There's a point where everyone had to sit me
00:32:50.410 --> 00:32:53.829
down and because because of my attitude and I'm
00:32:53.829 --> 00:32:57.250
like My dad just died and I just had a fucking
00:32:57.250 --> 00:32:59.950
baby. What do you want me to do? Who was there?
00:33:00.269 --> 00:33:04.809
Yeah, so you're with me like Yeah, I get it.
00:33:04.869 --> 00:33:06.390
Yeah. And you, and you just lie. I think you
00:33:06.390 --> 00:33:07.910
just lost your company. You had a, you had like
00:33:07.910 --> 00:33:10.309
an off -road, uh, Oh yeah. Well, I shut that
00:33:10.309 --> 00:33:12.849
down a couple. Yeah. Okay. I know there was a
00:33:12.849 --> 00:33:14.609
lot, there was a lot of happening in your head.
00:33:15.069 --> 00:33:16.910
And I remember the snooty fox pissed you off.
00:33:17.329 --> 00:33:20.349
Kevin snooty fox. He was on the snooty fox and
00:33:20.349 --> 00:33:23.289
he's always talking like that. Oh yeah. Maybe
00:33:23.289 --> 00:33:24.869
I yelled at one point. I was like, you were,
00:33:24.890 --> 00:33:26.130
you were on the drums one day and you're like,
00:33:26.170 --> 00:33:27.849
you just shut the fuck up and stop with that
00:33:27.849 --> 00:33:33.789
stupid exit. Plus when I'm in the studio, I,
00:33:33.789 --> 00:33:35.710
it's stressful for me because I want to get the
00:33:35.710 --> 00:33:37.730
fuck, I want to get the part exactly right. And
00:33:37.730 --> 00:33:39.630
we're all playing together. Like playing live
00:33:39.630 --> 00:33:41.710
is stressful from like recording live, I should
00:33:41.710 --> 00:33:44.069
say. It's stressful for me. So I want to play
00:33:44.069 --> 00:33:47.049
the part all the way through perfectly. I'm trying
00:33:47.049 --> 00:33:49.849
to get it done. Then if I start fucking up, then
00:33:49.849 --> 00:33:51.569
it fucks with my head and I get pissed off at
00:33:51.569 --> 00:33:54.289
myself. I'm like, God damn it. Yeah, yeah. No,
00:33:54.349 --> 00:33:56.589
I get it. That was my first time like tracking
00:33:56.589 --> 00:33:58.289
live live like that was going to be a record
00:33:58.289 --> 00:34:00.269
that people are going to hear and I actually
00:34:00.269 --> 00:34:01.990
liked it. That was but it was also making you
00:34:01.990 --> 00:34:04.369
like I have to fucking be on point. Yeah. And
00:34:04.369 --> 00:34:06.210
that's how we did all the all the first four
00:34:06.210 --> 00:34:08.409
live records. That's how we made them. Yeah,
00:34:08.570 --> 00:34:10.530
that's how that's how it used to be. You know,
00:34:10.630 --> 00:34:12.469
now it's I remember a couple and I remember a
00:34:12.469 --> 00:34:15.250
couple of times Chad with Chad Grace or Taylor
00:34:15.250 --> 00:34:16.849
is always like, I want to make a rock and roll
00:34:16.849 --> 00:34:21.210
record. And then after one of our takes. I said
00:34:21.210 --> 00:34:22.809
something after the end and he got all mad at
00:34:22.809 --> 00:34:24.949
me and I'm like, Chad, that's fucking rock and
00:34:24.949 --> 00:34:27.110
roll, man. Like you can hear a door opening in
00:34:27.110 --> 00:34:28.909
an Aerosmith record. Like you could hear all
00:34:28.909 --> 00:34:30.949
these people talking. It's like, that was real.
00:34:31.110 --> 00:34:32.929
Like if I farted after the take and you got mad,
00:34:33.150 --> 00:34:34.650
we should just left it in there. Cause that was
00:34:34.650 --> 00:34:36.630
cool. Like that's what happened in the moment.
00:34:36.789 --> 00:34:38.769
But he wanted to complete silence. And I'm like,
00:34:38.809 --> 00:34:41.269
all right, whatever. Do like, have you been,
00:34:41.409 --> 00:34:42.909
have you talked to Kevin lately? I haven't talked
00:34:42.909 --> 00:34:46.329
to Kevin in a couple of years. Uh, well, no man.
00:34:46.489 --> 00:34:48.670
I said, I saw him this past summer. Adam called
00:34:48.670 --> 00:34:52.119
me, uh, Curry and. He had some, cause you know,
00:34:52.460 --> 00:34:57.760
Kevin retired in 20, 24. And then the Bush, the
00:34:57.760 --> 00:35:00.480
Bush Cantrell tour comes up and he's obviously
00:35:00.480 --> 00:35:04.639
getting paid a shitload of money. And Adam, even
00:35:04.639 --> 00:35:07.260
Quinn. So Peter Klett came out to do a couple
00:35:07.260 --> 00:35:08.739
of shows cause Quinn's was like, I'm already
00:35:08.739 --> 00:35:11.360
booked man. Like we were done. Same with Adam.
00:35:11.519 --> 00:35:13.119
So Adam called me and he's just like, I'm going
00:35:13.119 --> 00:35:15.139
to pickle. Can you play bass for like five shows?
00:35:16.059 --> 00:35:19.179
I was like, I was like, uh, okay. Like, well,
00:35:19.199 --> 00:35:21.480
so I had to go negotiate payment with Kevin and,
00:35:21.739 --> 00:35:25.619
uh, it was, you know, it's funny. Like, you think
00:35:25.619 --> 00:35:27.099
going out on the road, playing in front of like
00:35:27.099 --> 00:35:29.340
20 ,000 people every night, like would be fun,
00:35:29.440 --> 00:35:34.000
but it wasn't as fun as I wanted to be because
00:35:34.000 --> 00:35:37.500
I think I, first of all, I came into the tour
00:35:37.500 --> 00:35:39.860
halfway, just where everyone's starting to get
00:35:39.860 --> 00:35:42.780
a little tired. Like the crew, everyone, everyone
00:35:42.780 --> 00:35:45.059
just kind of. Yeah. So like the first week, everybody's
00:35:45.059 --> 00:35:47.159
just like, like, Memphis is here. Like this guy's
00:35:47.159 --> 00:35:49.300
cool. He's a fresh energy. And then a week after
00:35:49.300 --> 00:35:51.480
that, I was just like, fuck you, fuck you, fuck
00:35:51.480 --> 00:35:53.179
this guy. This guy does the push cases right.
00:35:53.679 --> 00:35:56.960
And I'm just like, oh, and I'm just like channeling
00:35:56.960 --> 00:35:59.960
a new energy to like be a better person as a
00:35:59.960 --> 00:36:03.000
human and like meditating. The live nation rep
00:36:03.000 --> 00:36:04.739
came up to me and she's like, you're always at
00:36:04.739 --> 00:36:07.079
island time. Like if something's stressful, you're
00:36:07.079 --> 00:36:09.079
always just like, it's cool, man. And I'm like,
00:36:09.159 --> 00:36:11.340
yeah, because I can't be like this anymore because
00:36:11.340 --> 00:36:13.929
it stresses me. And I have a kid. I can't. be
00:36:13.929 --> 00:36:17.090
tense. So do you internalize the stress and then
00:36:17.090 --> 00:36:19.210
people on the outside don't see it or are you
00:36:19.210 --> 00:36:21.449
just figuring a way to like live in that zen
00:36:21.449 --> 00:36:23.769
area? Well, now I'm a medication, so I don't
00:36:23.769 --> 00:36:26.309
know how I feel anymore. Perfect. That works.
00:36:26.909 --> 00:36:29.670
Perfect. No, I used to be a projector of stress,
00:36:30.030 --> 00:36:32.670
but I've been meditating a lot and trying to
00:36:32.670 --> 00:36:35.130
rechannel, you know, and it's a lot to do with
00:36:35.130 --> 00:36:38.630
family life. Marriage, you know getting older
00:36:38.630 --> 00:36:41.030
like finances everything, you know, you want
00:36:41.030 --> 00:36:43.170
to continue to be a musician It's a hustle, you
00:36:43.170 --> 00:36:45.590
know taxes taxes right now. I'm like a 1099er
00:36:45.590 --> 00:36:48.710
I'm like And then my wife's up, you know, my
00:36:48.710 --> 00:36:51.329
wife's a flattener for Delta said always counteract
00:36:51.329 --> 00:36:52.809
each other like we're gonna get money back I'm
00:36:52.809 --> 00:36:54.590
like no we're not we owe money. It's just like
00:36:54.590 --> 00:36:57.730
this. Yeah consistent battle, but anyways going
00:36:57.730 --> 00:37:01.690
back to Kevin He just he was just a little different
00:37:02.119 --> 00:37:03.800
You know, he was in his own world. So like it
00:37:03.800 --> 00:37:05.820
was like, I hung out with the band, you know,
00:37:05.880 --> 00:37:07.820
and then, and I ended up staying for three weeks
00:37:07.820 --> 00:37:10.300
because they only had one tech and there's a
00:37:10.300 --> 00:37:12.199
lot of throne goes. So I talked to Carlos. I'm
00:37:12.199 --> 00:37:14.800
like, let me just like hang out and I'll help,
00:37:15.019 --> 00:37:17.260
you know, James like set up, I'll set up stage,
00:37:17.320 --> 00:37:19.659
right? Set up stage left. And that way it just
00:37:19.659 --> 00:37:21.179
helps everybody else. And then I would come out
00:37:21.179 --> 00:37:23.019
every day and I'd play it like a cover me on
00:37:23.019 --> 00:37:26.519
acoustic just to like help Kevin like just be
00:37:26.519 --> 00:37:28.159
a front man. I'll just take care of the guitar
00:37:28.159 --> 00:37:32.539
part. Yeah. Yeah. So, um, But yeah, he was just
00:37:32.539 --> 00:37:34.539
kind of in his own world and everyone was also
00:37:34.539 --> 00:37:37.099
in their own world. So I don't know if I don't
00:37:37.099 --> 00:37:38.619
know, but I haven't like talked. I've been meaning
00:37:38.619 --> 00:37:41.320
to call him, but I just haven't because yeah,
00:37:41.460 --> 00:37:45.199
I wish him a happy birthday a few years ago via
00:37:45.199 --> 00:37:46.880
text and he never wrote back. So I was like,
00:37:46.900 --> 00:37:48.719
oh, yeah. But don't, yeah, don't take it personally.
00:37:48.940 --> 00:37:50.420
He's, he does that to a lot of people and people
00:37:50.420 --> 00:37:51.960
write me to look, hey, just give me a number.
00:37:52.079 --> 00:37:59.739
And I'm like, no, he just hates you. As an outsider,
00:37:59.940 --> 00:38:02.260
you think like, you know, as you were doing this
00:38:02.260 --> 00:38:03.719
tour with Kevin right there, you're like, Oh,
00:38:03.760 --> 00:38:05.900
they must be not just playing music on stage
00:38:05.900 --> 00:38:07.739
or hanging out afterwards or talking, but it
00:38:07.739 --> 00:38:10.420
seems like it was like a lot of kind of work.
00:38:10.460 --> 00:38:12.480
And then when it was done, maybe there wasn't
00:38:12.480 --> 00:38:15.519
much personal combos going on. But as, as fans
00:38:15.519 --> 00:38:17.860
of bands, we always think like, you guys are
00:38:17.860 --> 00:38:19.739
hanging out all the time. It's like you're on
00:38:19.739 --> 00:38:22.099
stage, you get off stage, it's party time, it's
00:38:22.099 --> 00:38:24.179
fun, blah, blah, blah, blah, but it seems like
00:38:24.179 --> 00:38:26.460
people have individual lives and kind of go their
00:38:26.460 --> 00:38:29.679
separate ways. And yeah, Does that take the fun
00:38:29.679 --> 00:38:33.420
out of like the tour or do you kind of like that?
00:38:33.719 --> 00:38:36.900
You just have to learn how to regroup yourself
00:38:36.900 --> 00:38:40.300
because there's a there's definitely a Perpetual
00:38:40.300 --> 00:38:43.199
adolescence when it comes to touring when people
00:38:43.199 --> 00:38:47.099
become famous or rich or a rock star at a certain
00:38:47.099 --> 00:38:51.019
age and And they always kind of revert back to
00:38:51.019 --> 00:38:55.369
this childlike individual I want to say childlike
00:38:55.369 --> 00:38:57.329
I mean they just like go back to like 20 years
00:38:57.329 --> 00:38:59.030
old even if they're 50 years old there's like
00:38:59.030 --> 00:39:01.230
attitudes that can come out because there's there's
00:39:01.230 --> 00:39:04.489
never been a growth period of like being on the
00:39:04.489 --> 00:39:06.929
norm you know like a nine to five we go home
00:39:06.929 --> 00:39:08.989
every day like that's what people know and then
00:39:08.989 --> 00:39:10.929
our lives are like we're on a bus we're in a
00:39:10.929 --> 00:39:13.670
plane we're in a van like we're going to each
00:39:13.670 --> 00:39:16.929
different city and playing and a lot of the partying
00:39:16.929 --> 00:39:19.679
is fun at first then it becomes Numbing agent
00:39:19.679 --> 00:39:21.340
after a while to a lot of people. That's why
00:39:21.340 --> 00:39:23.599
a lot of musicians or alcoholics or druggies
00:39:23.599 --> 00:39:26.699
because it's it's exhausting to like but then
00:39:26.699 --> 00:39:29.480
also it's It's your own fault for parting all
00:39:29.480 --> 00:39:31.019
night and then having to do radio the next day
00:39:31.019 --> 00:39:32.320
And then you feel like shit and then you're like
00:39:32.320 --> 00:39:34.360
mad at yourself There's that self guilt and then
00:39:34.360 --> 00:39:36.079
and then you sleep and then you're like I have
00:39:36.079 --> 00:39:37.400
soundcheck and then what do you do? You have
00:39:37.400 --> 00:39:39.079
a beer to like kind of make yourself feel better
00:39:39.079 --> 00:39:40.760
next thing You know, it's three in the morning
00:39:40.760 --> 00:39:42.360
again. You're on the tour and you're like what
00:39:42.360 --> 00:39:45.619
the fuck am I doing? Yeah, and it's the same
00:39:45.619 --> 00:39:47.099
thing, you know, like I don't smoke cigarettes,
00:39:47.300 --> 00:39:49.800
but I went on tour and I got, I got a couple
00:39:49.800 --> 00:39:51.780
of nights. I got pretty saucy. I had some edibles,
00:39:51.860 --> 00:39:54.480
eight mushrooms, but also I'm saying this because
00:39:54.480 --> 00:39:57.940
I was, I was, I didn't have to be a dad when
00:39:57.940 --> 00:39:59.699
I was gone. I was like, Oh, I get to actually
00:39:59.699 --> 00:40:01.760
follow my boys again. But then there was a couple
00:40:01.760 --> 00:40:03.519
of nights where I was just like, Oh, cigarette.
00:40:04.539 --> 00:40:06.820
And then I smoke in the next day. I'm like, why
00:40:06.820 --> 00:40:08.800
did I do that? Like, why did I smoke a cigarette?
00:40:08.960 --> 00:40:11.099
I feel like I just feel crummy. I feel sweaty.
00:40:11.460 --> 00:40:14.239
Like, um, so you have to find a balance of that.
00:40:14.340 --> 00:40:17.170
And that's why I was meditating more. Um, Brian
00:40:17.170 --> 00:40:19.550
Quinn. At the time, Sean, when you were having
00:40:19.550 --> 00:40:22.269
that cigarette, it was oh, so good that even
00:40:22.269 --> 00:40:25.510
though it was glorious. Just at that moment.
00:40:26.250 --> 00:40:28.250
But even Brian Quinn, when we went on this last
00:40:28.250 --> 00:40:31.070
run, he the other guitar player for one of the
00:40:31.070 --> 00:40:34.030
guitar players for candle blocks, he wouldn't.
00:40:34.110 --> 00:40:36.170
He used to drink like like he probably come out
00:40:36.170 --> 00:40:38.210
on stage like a vodka double. And I occasionally
00:40:38.210 --> 00:40:40.070
would fill it when I would check for him. But
00:40:40.070 --> 00:40:43.010
for this run, he was sober until after the show,
00:40:43.150 --> 00:40:45.070
like he wouldn't drink. And he was like, I want
00:40:45.070 --> 00:40:47.050
to be like clear headed. Plus, you know, Jerry
00:40:47.050 --> 00:40:48.769
control is a big fan. Like he's a big fan of
00:40:48.769 --> 00:40:51.050
him. So he wanted to be like, he wanted to be
00:40:51.050 --> 00:40:53.190
on point all the time. And then afterwards then,
00:40:53.329 --> 00:40:55.269
then that couple of nights and he'd come on the
00:40:55.269 --> 00:40:59.570
bar because it was after hours. But again, that
00:40:59.570 --> 00:41:01.949
tour was a lot of the sheds that we would play.
00:41:02.289 --> 00:41:03.949
You weren't around anything. It wasn't like he
00:41:03.949 --> 00:41:05.650
played a club and you can walk outside. There's
00:41:05.650 --> 00:41:07.570
bars everywhere. It was like, we're in the middle
00:41:07.570 --> 00:41:09.250
of nowhere. So you just ended back in the bus
00:41:09.250 --> 00:41:11.250
and we'd watch a movie together and go to bed
00:41:11.250 --> 00:41:14.150
and then wake up and repeat. Yeah. Shed tour
00:41:14.150 --> 00:41:17.840
for sure. Yeah, never around anything. Yeah,
00:41:18.079 --> 00:41:20.940
plus it was that's it. Okay. Yeah. And plus when
00:41:20.940 --> 00:41:22.480
candle box would go on, we were just like, it
00:41:22.480 --> 00:41:26.579
was us, um, Kentrell and then Bush. And so like,
00:41:26.699 --> 00:41:28.340
whenever we'd go on, it was just right when the
00:41:28.340 --> 00:41:31.340
sun was just just punching you in the face middle
00:41:31.340 --> 00:41:33.320
of summer. You're just like, trying to look cool
00:41:33.320 --> 00:41:35.920
in pants. And like, I'm like, oh, I'm playing
00:41:35.920 --> 00:41:38.000
bass, which is just way bigger than me. And I
00:41:38.000 --> 00:41:39.960
play Adam's bass and I'm just like, oh, this
00:41:39.960 --> 00:41:42.760
is so uncomfortable. Like I'm too hot. Like,
00:41:42.760 --> 00:41:44.739
I don't know. They seem to always build those
00:41:44.739 --> 00:41:47.619
sheds facing into the sun, the stage facing into
00:41:47.619 --> 00:41:50.340
the sun. Yeah. And that makes sense because obviously
00:41:50.340 --> 00:41:52.780
you want the crowd to see the band. You know,
00:41:52.860 --> 00:41:54.820
you don't want the crowd to be like, I can't
00:41:54.820 --> 00:41:56.960
see anybody. We're like, ha ha, suckers. Like
00:41:56.960 --> 00:41:59.619
we have to be punished so that the entertainment
00:41:59.619 --> 00:42:02.260
can be enjoyed by them so they can see us. Yeah.
00:42:02.400 --> 00:42:04.440
But conversely, all those sheds have big fucking
00:42:04.440 --> 00:42:06.639
roofs over them. It's like, you could. Yeah.
00:42:06.900 --> 00:42:09.599
You could. Have the audience face the sun and
00:42:09.599 --> 00:42:11.219
they're covered by a roof. It's like what yeah,
00:42:11.219 --> 00:42:13.280
but all the shit that we played it was just like
00:42:13.280 --> 00:42:15.519
shade shade and then here comes the Sun's just
00:42:15.519 --> 00:42:17.679
like this for candlebox We're just shouting at
00:42:17.679 --> 00:42:19.639
you and then country well, and then it's like
00:42:19.639 --> 00:42:22.039
glorious for Bush. It was like every night I
00:42:22.039 --> 00:42:25.539
was just like When you guys are saying sheds
00:42:25.539 --> 00:42:28.260
is this like like an amphitheater or something
00:42:28.260 --> 00:42:31.639
like what do you mean by shit? Okay, yeah Outdoor
00:42:31.639 --> 00:42:33.880
amphitheaters kind of things they call him sheds.
00:42:34.639 --> 00:42:38.570
It's like shed tour and Which I like. Yeah. Yeah.
00:42:39.030 --> 00:42:41.449
I'm getting the music lingo here. I don't, you
00:42:41.449 --> 00:42:43.250
know, I don't have it all down yet. I'm slowly
00:42:43.250 --> 00:42:46.150
getting it. Chad uses acronyms and stuff. Sometimes
00:42:46.150 --> 00:42:48.889
like what? Yeah. My wife and I talked yesterday.
00:42:49.170 --> 00:42:51.150
She's like, I have a habit of leaving shit in
00:42:51.150 --> 00:42:52.949
the car and she's like, I need you to like be
00:42:52.949 --> 00:42:57.510
like, after you park, do a dummy sweep. Yeah.
00:42:57.610 --> 00:42:59.050
It's called, right? It's called a dummy sweep.
00:42:59.230 --> 00:43:01.110
I'm like, what do we call it a dummy check? And
00:43:01.110 --> 00:43:03.530
then so idiot check. Yeah. Oh yeah. Yeah. An
00:43:03.530 --> 00:43:05.510
idiot check. We used to call it a Mercado check.
00:43:05.929 --> 00:43:08.409
No offense, Scott, if you see this, Scott Mercado,
00:43:08.550 --> 00:43:10.469
the drummer from Candlebox, the original Jim,
00:43:10.550 --> 00:43:13.030
he was, he was like, he's a spacey dude. He just
00:43:13.030 --> 00:43:14.750
always was in his own world. So you'd always
00:43:14.750 --> 00:43:16.530
leave shit. And so over time we just thought,
00:43:17.010 --> 00:43:18.969
did you do a Mercado check? Cause like, you have
00:43:18.969 --> 00:43:21.210
to go back and like make sure like nothing was
00:43:21.210 --> 00:43:23.869
left. But yeah, my wife's just like, make sure
00:43:23.869 --> 00:43:25.590
you do a dummy sweep. And I'm like, I actually
00:43:25.590 --> 00:43:26.949
kind of like dummy sweep. It's called a dummy
00:43:26.949 --> 00:43:28.989
check. That's how I'm used to it. And then yesterday
00:43:28.989 --> 00:43:30.889
I'm like, did you do a dummy check? She's like,
00:43:30.929 --> 00:43:33.469
no, it's called a dummy sweep. Right? I'm like,
00:43:33.530 --> 00:43:36.289
whatever it works. Like I will do it. I'm talking
00:43:36.289 --> 00:43:38.090
about, right? Yeah. You know, I'm talking about
00:43:38.090 --> 00:43:41.750
so necessary as you get older. I mean, I feel
00:43:41.750 --> 00:43:43.670
like back in the day, I didn't need to do these
00:43:43.670 --> 00:43:45.630
dummy checks, but now I got to do like three
00:43:45.630 --> 00:43:48.409
of them before I get everything and get it out.
00:43:48.949 --> 00:43:52.050
We have a kid or kids. Yeah. You got to do every
00:43:52.050 --> 00:43:56.440
day, man. I've left so many. Sippy cups or my
00:43:56.440 --> 00:43:59.159
coffee on the roof of my car. I'm putting him
00:43:59.159 --> 00:44:01.699
into his car seat and then I'm driving and I'm
00:44:01.699 --> 00:44:02.940
like, what was that noise? And there's like my
00:44:02.940 --> 00:44:04.659
brand new coffee just everywhere the street.
00:44:04.880 --> 00:44:10.760
I'm like Yeah, it's that or my kid like Yeah,
00:44:10.760 --> 00:44:18.760
my girls are 11 now and my son I know well, have
00:44:18.760 --> 00:44:21.179
you seen pictures of phoenix? He's like six almost
00:44:21.179 --> 00:44:25.150
six threes 15 like six three. Yeah Close to six
00:44:25.150 --> 00:44:27.869
three. He's Baron Trump doing a height. But,
00:44:27.909 --> 00:44:30.429
uh, yeah. Now, now when I get out of the car,
00:44:30.510 --> 00:44:35.829
it's just about picking up trash. Yeah. How do
00:44:35.829 --> 00:44:39.210
you get this much trash in frigging a day? Yeah.
00:44:39.489 --> 00:44:41.570
I've had to let go of things because like, especially
00:44:41.570 --> 00:44:43.849
in the kitchen, like I'm, my mom was a cleaning
00:44:43.849 --> 00:44:46.090
Nazi growing up and I used to hate him, but I
00:44:46.090 --> 00:44:48.269
am now a cleaning Nazi because it's like, I like,
00:44:48.309 --> 00:44:51.090
I scour the sink at like with comment after every
00:44:51.090 --> 00:44:53.139
time. So it's like white. And then my wife comes
00:44:53.139 --> 00:44:55.019
in and she's like, here's some coffee. See you
00:44:55.019 --> 00:44:58.039
later. And then, but also my kid and he's just
00:44:58.039 --> 00:45:00.460
like, you know, he's a mess. He's four. He's
00:45:00.460 --> 00:45:02.159
almost four. And he's just, and I'm like, I've
00:45:02.159 --> 00:45:04.420
just accepted. I'm like, this is what I have
00:45:04.420 --> 00:45:07.940
to live with for a while or forever. Like, like
00:45:07.940 --> 00:45:10.579
you clean, you just clean it up. And then you
00:45:10.579 --> 00:45:12.219
turn around and it's just like, there's that
00:45:12.219 --> 00:45:13.880
scene in the Simpsons where it's like a clean,
00:45:14.239 --> 00:45:16.679
like Marge opens the door to the kitchen. It's
00:45:16.679 --> 00:45:19.320
beautiful. And then it swings open once. And
00:45:19.320 --> 00:45:21.139
then it's just a disaster because the kids are
00:45:21.139 --> 00:45:23.900
in there. Yeah. My kids I have the kids every
00:45:23.900 --> 00:45:26.760
other week. So I just let it all go for the week.
00:45:26.920 --> 00:45:28.619
They're there and then they leave and I clean
00:45:28.619 --> 00:45:30.340
it up and it's nice and pristine for a week.
00:45:30.800 --> 00:45:34.019
Yeah. Yeah. Otherwise you're just walking with
00:45:34.019 --> 00:45:35.940
your head the whole time like God damn it. They're
00:45:35.940 --> 00:45:37.760
not cleaning up after themselves here. They left.
00:45:37.960 --> 00:45:40.059
I mean I had to get divorced to have that. But
00:45:40.059 --> 00:45:46.699
you know whatever. The benefits of divorce. Yeah.
00:45:46.940 --> 00:45:49.599
The benefits are some benefits. Yeah, I'm telling
00:45:49.599 --> 00:45:51.699
you, uh, you know at first I was like it sucks
00:45:51.699 --> 00:45:53.380
to break up the family But I'll tell you what
00:45:53.380 --> 00:45:56.119
having a week off in a week on it's friggin awesome
00:45:56.119 --> 00:45:59.179
and she was a tiny enjoys it too So it's good
00:45:59.179 --> 00:46:01.099
works out. Of course you need breathing room.
00:46:01.219 --> 00:46:03.739
That's why it's like my wife Brooke. She's a
00:46:03.739 --> 00:46:05.780
flight attendant So she's leaving today. That's
00:46:05.780 --> 00:46:07.719
why I'm actually I'm in my parents basement right
00:46:07.719 --> 00:46:09.920
now because my dad's watching my kid because
00:46:09.920 --> 00:46:12.019
my mom's also a flight attendant They're both
00:46:12.019 --> 00:46:14.900
right. They're both on a same They're on the
00:46:14.900 --> 00:46:17.320
same trip together, but she goes away for like
00:46:17.320 --> 00:46:19.300
three to four days at a time a week and home
00:46:19.300 --> 00:46:22.340
for a couple of days. So it's like she gets,
00:46:22.519 --> 00:46:24.639
she's been to Hawaii like four times in the past
00:46:24.639 --> 00:46:26.179
like month and a half and she's going back to
00:46:26.179 --> 00:46:28.059
Hawaii in a couple of weeks. And I'll call her
00:46:28.059 --> 00:46:31.800
and she's just like, Oh, I'm at the beach. And
00:46:31.800 --> 00:46:36.400
I'm just like, like, so when she comes home,
00:46:36.480 --> 00:46:40.489
I'm like. I need some me time, go, dog, take
00:46:40.489 --> 00:46:42.769
care of Hopper. I'm gonna go do as much as I
00:46:42.769 --> 00:46:44.610
possibly can by myself for one day, leave me
00:46:44.610 --> 00:46:47.170
alone, please. And then, but she gets it too.
00:46:47.250 --> 00:46:48.969
She's like, yeah, she's like, oh yeah, I've been
00:46:48.969 --> 00:46:52.010
on, I've been gone for a few days and I don't
00:46:52.010 --> 00:46:54.329
know, just silly, silly how like you, you gotta,
00:46:54.469 --> 00:46:56.570
you need the breaks or you go mental. Like I
00:46:56.570 --> 00:46:59.289
don't, living out here in Utah now, I don't get,
00:46:59.969 --> 00:47:02.269
well, I get it. Like, you know, I'm not Mormon.
00:47:02.550 --> 00:47:04.389
I married into a Mormon family. My wife's not
00:47:04.389 --> 00:47:07.730
Mormon, but Hopper's number 16. of the grandchildren.
00:47:08.190 --> 00:47:11.409
Wow. I have a brother. I have a brother and like
00:47:11.409 --> 00:47:13.750
two cousins, my whole family. And then I now
00:47:13.750 --> 00:47:15.869
it's like my whole family is like 40 people and
00:47:15.869 --> 00:47:18.510
I'm like, oh my God. But I don't see I don't
00:47:18.510 --> 00:47:21.869
understand how these it's crazy Christmas too.
00:47:22.050 --> 00:47:25.150
It's crazy. Oh, yeah. You need like chaos to
00:47:25.150 --> 00:47:28.389
have it at your house or that does one of our
00:47:28.389 --> 00:47:30.269
houses is big enough to handle all those people.
00:47:30.389 --> 00:47:32.289
We go to like the, you know, we go to the elders
00:47:32.289 --> 00:47:35.239
that have way bigger houses. But like I see these
00:47:35.239 --> 00:47:37.820
people, they drive the 15 passenger, you know,
00:47:37.860 --> 00:47:41.179
we call them the plague rigs out here. And they
00:47:41.179 --> 00:47:43.639
have like eight, nine kids. And I'm like, how,
00:47:44.159 --> 00:47:47.320
how, how do you even like stay like with a smile?
00:47:47.519 --> 00:47:49.179
And then it's also, there's medications out here.
00:47:49.219 --> 00:47:51.139
It's called Happy Valley. So everyone's on like,
00:47:51.300 --> 00:47:53.159
just like, I'm happy because I have all these
00:47:53.159 --> 00:47:56.280
kids. And I'm just like, it's a bizarre culture
00:47:56.280 --> 00:47:59.969
out here, but. I can eat kids schedules like
00:47:59.969 --> 00:48:02.389
bringing them to cheerleading practice football
00:48:02.389 --> 00:48:04.650
practice like whatever is going on. That's eight
00:48:04.650 --> 00:48:07.369
different people. You go. You got to manage and
00:48:07.369 --> 00:48:10.130
then they have kids and I like my my in -laws
00:48:10.130 --> 00:48:12.369
Scott and Vicky. They're troopers, man. They're
00:48:12.369 --> 00:48:14.369
like every I'll call them on Saturday. I'm like,
00:48:14.369 --> 00:48:16.130
Hey, can you watch hoppers like, no, we got a
00:48:16.130 --> 00:48:17.889
basketball game from eight to 10. Then we got
00:48:17.889 --> 00:48:19.230
to go to a soccer game that we got to a hockey
00:48:19.230 --> 00:48:22.530
game that we got to this. And I'm like, and Scott
00:48:22.530 --> 00:48:25.659
remarried. to a woman who's also got another
00:48:25.659 --> 00:48:28.639
30 people. So if you put the whole blended family,
00:48:28.800 --> 00:48:30.880
there's almost like 70 people in my family now,
00:48:31.159 --> 00:48:33.639
like, and that's just her side. And then there's
00:48:33.639 --> 00:48:36.519
like starting a militia. Oh, my God. And then
00:48:36.519 --> 00:48:38.239
there's my mom and dad, my brother and I, it's
00:48:38.239 --> 00:48:39.599
like the four of us. And they were like, Hey,
00:48:39.699 --> 00:48:42.840
we're from Cali. We're we're the oddballs out
00:48:42.840 --> 00:48:46.039
here and walking in. But I don't know. I don't
00:48:46.039 --> 00:48:48.820
have one kid. And I'm like, I don't, I don't
00:48:48.820 --> 00:48:51.179
know how you're like at your wit's and you're
00:48:51.179 --> 00:48:53.480
like, they got eight. And then kids on top of
00:48:53.480 --> 00:48:57.360
that. Yeah. Maybe sometimes it gets like after
00:48:57.360 --> 00:48:59.860
you have like three and then they start like
00:48:59.860 --> 00:49:02.300
aging properly, then like the fourth ones help
00:49:02.300 --> 00:49:04.360
and raise the first one. And it starts to help
00:49:04.360 --> 00:49:06.860
out rather than become a hinderance. Who knows?
00:49:07.260 --> 00:49:09.199
Oh yeah. I've talked to a couple. There was one
00:49:09.199 --> 00:49:11.559
Mormon guy I talked to. He's just like, after
00:49:11.559 --> 00:49:13.619
a while, they're just utility kids. So it's like,
00:49:14.139 --> 00:49:15.980
You know, if you lose one, you still like eight
00:49:15.980 --> 00:49:18.639
more left. I'm just like, what are you talking
00:49:18.639 --> 00:49:20.519
about? But yeah, they all help each other. You
00:49:20.519 --> 00:49:21.800
know, after a while, it's like they get to a
00:49:21.800 --> 00:49:23.320
point like hoppers at the age where I'm like,
00:49:23.840 --> 00:49:25.739
hey, will you go do this? He's like, yep. I'm
00:49:25.739 --> 00:49:27.559
like, awesome. Like, I don't ever want to do
00:49:27.559 --> 00:49:28.599
that again. But then he's going to get to the
00:49:28.599 --> 00:49:30.079
age who's going to be like, you dad, I'm not
00:49:30.079 --> 00:49:32.320
going to do that. All right. All right. So I'm
00:49:32.320 --> 00:49:33.780
going to take advantage as much as he wants to
00:49:33.780 --> 00:49:36.139
like help me right now. Or you dad, I'll go do
00:49:36.139 --> 00:49:38.579
that. But what's in it for me? Yeah, exactly.
00:49:39.079 --> 00:49:43.000
Do I get a lollipop? Yeah. Oh, yeah. Looking
00:49:43.000 --> 00:49:47.860
for the fund school. Uh, Sean, does, uh, does
00:49:47.860 --> 00:49:49.760
your son get into anything musical or anything?
00:49:49.920 --> 00:49:52.800
Is he staying at a dad's footsteps or is he following
00:49:52.800 --> 00:49:55.139
at all? Well, mom's musical too. We're both,
00:49:55.219 --> 00:49:57.480
she does, she used to do, uh, cover bands in
00:49:57.480 --> 00:49:59.519
Dallas, like, you know, every Thursday, Friday.
00:49:59.619 --> 00:50:02.760
That was her living. Um, she still does, but
00:50:02.760 --> 00:50:05.460
not as much as I do. And we have a, I have a
00:50:05.460 --> 00:50:09.039
studio on my house and he plays drums, plays
00:50:09.039 --> 00:50:11.079
piano. I mean, I know when I say he plays this
00:50:11.079 --> 00:50:13.179
stuff, he's just hitting things, making noise.
00:50:13.679 --> 00:50:18.280
But yeah, and he's got pitch. He can hear something.
00:50:18.539 --> 00:50:19.980
He'll know when a song's in a different key.
00:50:20.159 --> 00:50:22.059
He's like, dad, this song's higher. This song's
00:50:22.059 --> 00:50:24.820
lower. And it's the same song. And on Tuesdays,
00:50:24.820 --> 00:50:27.039
we have music class. It's 30 minutes. It's like
00:50:27.039 --> 00:50:30.360
two to four -year -olds. And you play xylophones
00:50:30.360 --> 00:50:32.639
and maracas. And he's singing songs and learning
00:50:32.639 --> 00:50:35.019
Spanish. But he's definitely one of the top.
00:50:35.159 --> 00:50:37.360
Even the teachers are like, he's He's like above
00:50:37.360 --> 00:50:39.099
everyone and I'm like, well, we're both musicians.
00:50:39.300 --> 00:50:41.800
So he's just involved with it all the time. Right.
00:50:42.940 --> 00:50:45.199
Yeah. It's cute though. He, he, uh, he's really
00:50:45.199 --> 00:50:47.880
into this band called OMFG, which I told him
00:50:47.880 --> 00:50:52.719
it's only, only milk for giraffes. I like that.
00:50:53.019 --> 00:50:55.559
But it's like child techno. It's like the same
00:50:55.559 --> 00:50:59.099
four chords with like, we're like just techno,
00:50:59.320 --> 00:51:02.460
like, and then it's like the next song. It's
00:51:02.460 --> 00:51:07.699
the same song, but just different sounds. Like
00:51:07.699 --> 00:51:11.280
I could make this in like my home in like three
00:51:11.280 --> 00:51:13.219
minutes and put it out there and get all these
00:51:13.219 --> 00:51:15.440
people hooked on this type of music. Absolutely.
00:51:15.780 --> 00:51:19.420
Absolutely. Um, we, uh, actually my, my, my songwriting
00:51:19.420 --> 00:51:21.619
partner, Brian Hague and I, we started a little
00:51:21.619 --> 00:51:24.900
company called rocker by daddies. And we joined
00:51:24.900 --> 00:51:28.380
up with a, a, a production team at a Nashville
00:51:28.380 --> 00:51:31.039
friend of mine and they sent us a Nickelodeon
00:51:31.039 --> 00:51:34.079
pitch and we got it. like our first pitch, we
00:51:34.079 --> 00:51:36.199
got a theme song called super duper bunny leagues.
00:51:36.260 --> 00:51:38.739
It just came out in April. And so we're like,
00:51:38.800 --> 00:51:40.239
so now like Brian, I were like, we can start
00:51:40.239 --> 00:51:41.960
saying we're Nickelodeon theme song composers,
00:51:42.119 --> 00:51:45.179
man. And then my kid loves it. And I'm like,
00:51:45.239 --> 00:51:46.679
great. Cause he sings. He's like, dad, play super
00:51:46.679 --> 00:51:50.500
duper bunny league. And then, uh, um, Bobby,
00:51:50.579 --> 00:51:52.659
we had him pull it up for you. So I believe he
00:51:52.659 --> 00:51:54.820
has the intro song that you guys did. So we'll
00:51:54.820 --> 00:51:57.239
see if he gets this right. We actually had this
00:51:57.239 --> 00:51:58.739
planned out. Sean, I don't know if you catch
00:51:58.739 --> 00:52:02.869
the show, but our young Bobby producer. Sometimes
00:52:02.869 --> 00:52:05.429
has technical difficulties, but we'll see. Okay.
00:52:06.769 --> 00:52:44.400
Sweet. Here we go. Nice. Yeah, baby. Who's singing?
00:52:45.260 --> 00:52:47.880
So check this out. So this was, we had never
00:52:47.880 --> 00:52:49.480
done anything like this before. We're just like,
00:52:49.519 --> 00:52:51.599
well, let's just, let's just write something
00:52:51.599 --> 00:52:53.440
hooky and fun. They kind of gave us like, we
00:52:53.440 --> 00:52:56.300
want like some kind of seventies, like disco
00:52:56.300 --> 00:52:58.619
balance meets, whatever. So we came up with this
00:52:58.619 --> 00:53:01.260
stuff. We hired, we didn't even hire. We just
00:53:01.260 --> 00:53:04.590
told our buddy. David K. Martin, he's actually
00:53:04.590 --> 00:53:06.050
in the Eagles treaty with us because he's got
00:53:06.050 --> 00:53:10.190
a glorious voice. He's saying super duper bonnie
00:53:10.190 --> 00:53:12.750
Lee and sometimes they're in space. And they
00:53:12.750 --> 00:53:14.829
kept it. Nickelodeon liked his voice. So they
00:53:14.829 --> 00:53:20.849
kept it. And he got he got $6 ,000. Nickelodeon
00:53:20.849 --> 00:53:23.710
paid him six grand for that. And then Brian Hagan
00:53:23.710 --> 00:53:26.289
had to split four grand for writing the song
00:53:26.289 --> 00:53:28.309
as just like the upfront. We obviously get the
00:53:28.309 --> 00:53:31.650
songwriting in the future, but we're like, we're
00:53:31.650 --> 00:53:33.610
like motherfucker you got six grand we had a
00:53:33.610 --> 00:53:36.590
split four grand and we wrote the song and so
00:53:36.590 --> 00:53:38.650
we still haven't it just aired so like you know
00:53:38.650 --> 00:53:41.030
hopefully like you know in five years something
00:53:41.030 --> 00:53:42.489
all this money comes and we're like oh sweet
00:53:42.489 --> 00:53:44.329
I forgot about we wrote the song called super
00:53:44.329 --> 00:53:46.690
duper money and I can't say Brian I just wrote
00:53:46.690 --> 00:53:50.329
it we wrote the initial song Nickelodeon took
00:53:50.329 --> 00:53:53.230
it in and then Tish and her husband Matt Mahaffey
00:53:53.230 --> 00:53:55.590
they wrote back and they're like hey we're in
00:53:55.590 --> 00:53:57.349
the top three and I'm like is that good like
00:53:57.349 --> 00:53:58.710
I just got to the point in the entertainment
00:53:58.710 --> 00:54:01.599
industry where I just expect Terribleness at
00:54:01.599 --> 00:54:03.400
all times. So if something does good happen,
00:54:03.420 --> 00:54:05.320
then I'm actually excited about it. And then
00:54:05.320 --> 00:54:08.659
we got top two and then Tisha called me and she's
00:54:08.659 --> 00:54:10.219
like, Hey, they decided to go down a different
00:54:10.219 --> 00:54:11.719
route. They're going to look for some more songwriters.
00:54:11.960 --> 00:54:13.579
Do you want to take another stab at it? I said,
00:54:13.619 --> 00:54:15.320
no, they're going to come back to it. And I was,
00:54:15.320 --> 00:54:17.900
I was cocky about it. And then Matt, her husband's
00:54:17.900 --> 00:54:19.519
like, I like this guy. He still had never met
00:54:19.519 --> 00:54:21.500
me. And I said, this, this used to happen to
00:54:21.500 --> 00:54:23.820
my dad. My dad was an imagineer for Disney, you
00:54:23.820 --> 00:54:25.800
know, like did all sorts of awesome shit for
00:54:25.800 --> 00:54:28.739
Disney. And my dad used to write like thousand
00:54:28.739 --> 00:54:31.590
page scripts for. Um, he was a concept writer.
00:54:31.710 --> 00:54:34.409
So he would, he would write what you would see.
00:54:34.650 --> 00:54:36.449
And then, then people would build it instead
00:54:36.449 --> 00:54:38.750
of like an artist. He would just like write it.
00:54:38.809 --> 00:54:40.449
And then he'd give it. And then all the suits
00:54:40.449 --> 00:54:41.909
would have to make their notes on it. So like,
00:54:42.030 --> 00:54:43.610
I have a part of this. And then my dad would
00:54:43.610 --> 00:54:45.469
make the changes, make the changes, make the
00:54:45.469 --> 00:54:47.250
changes. And my dad used to go fuck this. And
00:54:47.250 --> 00:54:49.550
then he resend the same, the first script and
00:54:49.550 --> 00:54:51.670
they always approved it. Yeah. They like, they
00:54:51.670 --> 00:54:53.250
had no clue. They just were like, Oh, I had a
00:54:53.250 --> 00:54:54.750
part of this. And my dad's like, no, I wrote
00:54:54.750 --> 00:54:56.980
everything. You guys are idiots. So that's. That
00:54:56.980 --> 00:54:59.199
was the concept I took. And I told Tish and Matt
00:54:59.199 --> 00:55:02.019
that I said, they just want to have their hand
00:55:02.019 --> 00:55:04.579
in it. And then I said, they'll come back to
00:55:04.579 --> 00:55:06.300
it. And then I was at a Beach Boys concert in
00:55:06.300 --> 00:55:08.880
Logan about 90 minutes north and Tish texted
00:55:08.880 --> 00:55:11.539
me. She's like, we got it. I'm like, hmm. So
00:55:11.539 --> 00:55:14.000
Nickelodeon, because they have a relationship
00:55:14.000 --> 00:55:17.679
with Tish and Matt, and Matt wrote Expedia .com,
00:55:17.860 --> 00:55:20.460
like that's him. They wanted him to exclusively
00:55:20.460 --> 00:55:23.730
produce it. So from there, Tish and Matt. added
00:55:23.730 --> 00:55:25.489
their own flavor and I sent them all the stems
00:55:25.489 --> 00:55:27.170
and then it was so it was a co -written of the
00:55:27.170 --> 00:55:29.250
four of us but Brian and I gave up gave them
00:55:29.250 --> 00:55:33.369
the the hooks and even the climb the do -do -do
00:55:33.369 --> 00:55:35.469
-do -do -do -do -do sometimes they're in space.
00:55:35.869 --> 00:55:39.829
I ripped that off from Mark Ronson in Uptown
00:55:39.829 --> 00:55:48.579
Funk. And then my song, did you think we'd get
00:55:48.579 --> 00:55:50.440
sued? I'm like, no, it's like, it's nothing like
00:55:50.440 --> 00:55:52.519
it. Like we're being inspired by that part. And
00:55:52.519 --> 00:55:55.079
it's familiar to people's ears and they're going
00:55:55.079 --> 00:55:57.639
to like it. And sure. Shit. They, they took the,
00:55:57.639 --> 00:56:00.840
the bite for it. And then they sent us another
00:56:00.840 --> 00:56:03.320
Nickelodeon theme song a few months back for
00:56:03.320 --> 00:56:06.739
a Spongebob record. And we got that too. So yeah,
00:56:07.559 --> 00:56:09.400
that's not released yet. So we can't play it
00:56:09.400 --> 00:56:10.920
yet. I can't, I can't say anything, but it's
00:56:10.920 --> 00:56:13.400
called happy sappy summer song. I think that's
00:56:13.400 --> 00:56:17.690
what we called it. And just wrote it like I wrote
00:56:17.690 --> 00:56:19.389
the music a long time ago and Brian had this
00:56:19.389 --> 00:56:22.190
idea and we got together and it just came out
00:56:22.190 --> 00:56:23.809
and there's actually on my Instagram there's
00:56:23.809 --> 00:56:26.969
a video of me playing lap steel at one point
00:56:26.969 --> 00:56:29.050
like writing a new song or something and that
00:56:29.050 --> 00:56:31.269
particular take which was my second take because
00:56:31.269 --> 00:56:33.530
I wanted to film it is what is on the record.
00:56:34.190 --> 00:56:36.389
I was just like sweet this is what came out but
00:56:36.389 --> 00:56:38.789
it's cool that we have a SpongeBob song now which
00:56:38.789 --> 00:56:43.219
is kind of cool. Before the show, I was telling
00:56:43.219 --> 00:56:45.760
John how incredibly talented you are. I've always
00:56:45.760 --> 00:56:50.699
admired that about you. But your dad is an amazing
00:56:50.699 --> 00:56:54.079
artist. And then obviously, your brother's a
00:56:54.079 --> 00:56:57.599
musician too, and a great musician. Are there
00:56:57.599 --> 00:57:00.699
things at the park that your dad designed that
00:57:00.699 --> 00:57:04.840
you can point to and go, like he was dad? Let
00:57:04.840 --> 00:57:07.659
me go back. Let me go back here. So my great
00:57:07.659 --> 00:57:11.849
-grandfather was one of the handful of artists
00:57:11.849 --> 00:57:14.889
with Walt Disney. So like, weird as recently
00:57:14.889 --> 00:57:19.610
watching, what movie was it? It was like Pinocchio
00:57:19.610 --> 00:57:21.590
was one of those, it was one of the more obscure
00:57:21.590 --> 00:57:23.710
ones, but if you go back and watch Peter Pan,
00:57:24.170 --> 00:57:27.190
Cinderella, Sleeping Beauty, Pinocchio, Snow
00:57:27.190 --> 00:57:29.369
White, all of those, you will see either it's
00:57:29.369 --> 00:57:31.369
like a layout artist, which will be Hugh Hennessey,
00:57:31.389 --> 00:57:33.369
which was my great grandfather. So he was one,
00:57:33.510 --> 00:57:35.710
he was many of the artists of Fantasia, all of
00:57:35.710 --> 00:57:38.590
those cartoons. And that's my son, Hopper Hugh.
00:57:39.000 --> 00:57:42.539
is named after him. But we spelled Hugh. Hugh
00:57:42.539 --> 00:57:44.739
hated his name. And my uncle Michael is Michael
00:57:44.739 --> 00:57:48.820
Hugh. But we changed Hugh to HUE for the color
00:57:48.820 --> 00:57:51.559
spectrum to give it like an artist nod of like,
00:57:51.780 --> 00:57:53.179
there's the Hugh Hennessey, but we spelled the
00:57:53.179 --> 00:57:55.440
different to just mix it up and make our son
00:57:55.440 --> 00:57:59.719
unique as a human in his name. Oh, my. I'm not
00:57:59.719 --> 00:58:04.119
like. Yeah. So we did. He did all of that. And
00:58:04.119 --> 00:58:06.360
then my grandfather came and Dale Hennessey.
00:58:06.670 --> 00:58:08.809
And he worked for Disney for a while. And he
00:58:08.809 --> 00:58:10.769
came up with the first concept of Main Street
00:58:10.769 --> 00:58:14.449
and Tomorrowland. And there's paintings of it
00:58:14.449 --> 00:58:17.809
that you can buy at Disneyland of this cool 60s
00:58:17.809 --> 00:58:21.489
-looking, futuristic style of the rocket ship
00:58:21.489 --> 00:58:24.570
when you first walk in. And so he did those concepts.
00:58:24.750 --> 00:58:25.789
So it's like, when you walk into Main Street,
00:58:26.050 --> 00:58:28.550
you can see my grandpa was the first concept.
00:58:28.769 --> 00:58:31.190
He drew these. He was Main Street. And then my
00:58:31.190 --> 00:58:35.730
grandpa left and worked for him. Like did a side
00:58:35.730 --> 00:58:38.289
gig like a 20th century Fox or one of those theaters
00:58:38.289 --> 00:58:41.329
back in like the 50s or 60s and Walt found out
00:58:41.329 --> 00:58:44.650
about it and Walt was like Mafia like if you're
00:58:44.650 --> 00:58:46.789
my family you're in my family and so apparently
00:58:46.789 --> 00:58:49.289
my grandpa and Walt Disney got in this big fight
00:58:49.289 --> 00:58:52.050
and My grandpa's just like fuck you. I'm leaving.
00:58:52.210 --> 00:58:53.849
I'm gonna go work in the movie industry. Well,
00:58:53.889 --> 00:58:56.269
it's like, yeah, go have fun with that So my
00:58:56.269 --> 00:58:58.590
grandpa ended up leaving he won an Academy Award
00:58:58.590 --> 00:59:01.070
for fantastic voyage for art directing he did
00:59:01.820 --> 00:59:03.900
He was the art director for young Frankenstein,
00:59:04.280 --> 00:59:07.380
Annie, Logan's run. He did a bunch of dirty Harry's.
00:59:07.539 --> 00:59:11.300
He did a bunch of shit. The King and I, I'm sure
00:59:11.300 --> 00:59:14.179
there's more. But during all of that, while he
00:59:14.179 --> 00:59:19.079
was on my dad got a job at Disney building models
00:59:19.079 --> 00:59:24.699
when he was like 17 or 18, like Naomi, like Naomi,
00:59:24.900 --> 00:59:28.289
the supermodel or like other months. Oh, yeah,
00:59:28.510 --> 00:59:30.510
yeah, buildings, buildings, Naomi's and yeah,
00:59:30.710 --> 00:59:32.750
building analog, you know, stuff that computers
00:59:32.750 --> 00:59:35.409
do these days that so like all these huge, like
00:59:35.409 --> 00:59:36.949
little parks, my dad's like, there's pictures.
00:59:37.110 --> 00:59:39.670
There's actually, if you go on Disney plus, there's
00:59:39.670 --> 00:59:42.469
like the imaginary story or something. And episode
00:59:42.469 --> 00:59:46.369
three, my dad is the thumbnail. It's like, and
00:59:46.369 --> 00:59:48.530
he has hair. So it took me a minute. That's my
00:59:48.530 --> 00:59:50.889
dad. And so he's like, he's like sitting in front
00:59:50.889 --> 00:59:52.570
of a model like you kind of see half his face.
00:59:53.019 --> 00:59:55.360
And he's like doing something. And that's like,
00:59:55.579 --> 00:59:57.260
that's my dad, my dad, my watch together. He's
00:59:57.260 --> 00:59:59.260
like, holy shit, that's me. Like had no clue.
01:00:00.539 --> 01:00:02.679
So he started doing that. He ended up getting
01:00:02.679 --> 01:00:05.659
an award for the most injuries. Cause he used
01:00:05.659 --> 01:00:07.800
to like juggle scalpels and be an idiot. Cause
01:00:07.800 --> 01:00:09.260
he's like 18, like, guys, look at me. And then
01:00:09.260 --> 01:00:12.699
like a scalpel just falls into his leg. So then
01:00:12.699 --> 01:00:14.980
he ended up enlisting cause that's when the draft
01:00:14.980 --> 01:00:16.380
of Vietnam is going to happen. And he says, I
01:00:16.380 --> 01:00:18.539
got better enlist. So they didn't get sent to
01:00:18.539 --> 01:00:22.599
war, but he ended up in four. Worth Texas, I
01:00:22.599 --> 01:00:25.340
think for two years and ended up in the photography
01:00:25.340 --> 01:00:27.599
department. He hated it. Obviously it wasn't
01:00:27.599 --> 01:00:31.340
and then when he came back He had a VW bus and
01:00:31.340 --> 01:00:32.940
he said it took him like three days to drive
01:00:32.940 --> 01:00:35.059
back to California because he was against the
01:00:35.059 --> 01:00:38.400
win the whole time like a VW like pedal and that
01:00:38.400 --> 01:00:42.139
is going like 30 and he gets back and then His
01:00:42.139 --> 01:00:44.139
dad was working on young Frankenstein and so
01:00:44.139 --> 01:00:46.340
he goes on set and he meets Mel Brooks for the
01:00:46.340 --> 01:00:48.420
first time and wow he's like my introduction
01:00:48.420 --> 01:00:50.710
to Mel Brooks was He's like, hey, nice to meet
01:00:50.710 --> 01:00:52.030
you. He's like, what do you do? He's like, well,
01:00:52.090 --> 01:00:53.949
nothing, sir. I just got out of the army and
01:00:53.949 --> 01:00:58.110
Mel Brooks says, get a job, you bum. And so after
01:00:58.110 --> 01:01:00.130
that, my grandpa basically was like, hey, do
01:01:00.130 --> 01:01:02.170
you want to be a PA? Just like, get your feet
01:01:02.170 --> 01:01:04.150
back. So yeah, so he became a PA and he was just
01:01:04.150 --> 01:01:06.010
kind of working on all these movies. He worked
01:01:06.010 --> 01:01:08.909
on Logan's Run. And he has a funny story where
01:01:08.909 --> 01:01:11.030
there's a scene where they're all escaping and
01:01:11.030 --> 01:01:13.110
they're all climbing up this mountain. And obviously
01:01:13.110 --> 01:01:16.030
it's fake because it's dolls. But he was hired
01:01:16.030 --> 01:01:19.260
to go like, go find like the 12 inch gi jo dolls
01:01:19.260 --> 01:01:21.719
that you know but they were all sold out so he
01:01:21.719 --> 01:01:24.400
went to we ho west hollywood and back in the
01:01:24.400 --> 01:01:26.920
60s they had these things called gay bob dolls
01:01:26.920 --> 01:01:31.980
and they were they were like tall just gay man
01:01:31.980 --> 01:01:33.940
and and they came in a closet that was their
01:01:33.940 --> 01:01:36.579
box and you open it up and you can dress them
01:01:36.579 --> 01:01:39.460
up so my dad bought like a plethora of gay bob
01:01:39.460 --> 01:01:41.219
dolls and they dressed him up like the logan's
01:01:41.219 --> 01:01:43.019
run so they so if you watch the movie and you
01:01:43.019 --> 01:01:45.530
see these guys climbing up that this mountain,
01:01:45.670 --> 01:01:49.289
they're all these gay Bob dolls. I love that
01:01:49.289 --> 01:01:51.710
kind of stuff. That's right. Who even knew they
01:01:51.710 --> 01:01:54.010
were making gay dolls back in the end? I know.
01:01:54.349 --> 01:01:58.730
Right? West Hollywood. Yeah, in a closet. So
01:01:58.730 --> 01:02:02.309
then my dad wanted to be a writer. So he wrote
01:02:02.309 --> 01:02:04.849
a show secretly outside of Disney for almost
01:02:04.849 --> 01:02:07.969
like a kind of a Chuck E. Cheese somewhere in
01:02:07.969 --> 01:02:10.769
Burbank where it was animatronics. And he wrote
01:02:10.769 --> 01:02:12.829
the show to that. And then I guess some Disney
01:02:12.829 --> 01:02:15.889
executives came. to eat lunch and they saw the
01:02:15.889 --> 01:02:18.409
show and they were like, hey, like who wrote
01:02:18.409 --> 01:02:19.670
your show? And they're like, oh, this guy Scott
01:02:19.670 --> 01:02:21.889
Hennessy. And they were like, huh, Scott Hennessy
01:02:21.889 --> 01:02:24.250
works for Disney. So then they call him, like
01:02:24.250 --> 01:02:26.210
the executives call my dad in and my dad's like,
01:02:26.289 --> 01:02:28.190
oh, fuck, I'm getting fired. And they walk in
01:02:28.190 --> 01:02:30.369
and they're like, hey, you want a writing position?
01:02:30.809 --> 01:02:32.449
And my dad's like, hell yeah, they're like, just
01:02:32.449 --> 01:02:34.409
don't do that again. So then he started becoming
01:02:34.409 --> 01:02:37.329
a writer from that. And then he became one of
01:02:37.329 --> 01:02:39.449
the head writers for Epcot. This was in like
01:02:39.449 --> 01:02:41.750
late 70s, early 80s when they were building Epcot.
01:02:42.509 --> 01:02:45.090
And that's when I was conceived. So there's 30
01:02:45.090 --> 01:02:47.550
of us or 31 of us. There's like a, we're called
01:02:47.550 --> 01:02:49.550
Eptots because we were all the kids that were
01:02:49.550 --> 01:02:51.630
born. There was like a newspaper article somewhere.
01:02:51.730 --> 01:02:54.130
If I find it, I'll send it to you guys. Um, it
01:02:54.130 --> 01:02:56.570
lives in Florida this time. No, but he was just
01:02:56.570 --> 01:02:58.550
commuting. He was, we were in Burbank with one
01:02:58.550 --> 01:03:00.050
of the heads. So he was always in Florida. And
01:03:00.050 --> 01:03:02.010
again, I'm, I'm like, I'm a sperm at the time.
01:03:02.090 --> 01:03:05.550
I don't know. And, and then I'm an Eptots. I
01:03:05.550 --> 01:03:07.190
guess I'm not a sperm. I'm, I'm a little guy.
01:03:07.389 --> 01:03:10.550
And then my dad wrote a show called the kitchen
01:03:10.550 --> 01:03:13.920
cabaret. Um, with two other guys that were the
01:03:13.920 --> 01:03:15.820
artists that created the visuals. My dad wrote
01:03:15.820 --> 01:03:18.280
all the songs or all the scripts. And then that
01:03:18.280 --> 01:03:20.739
was kind of like a country bears thing where
01:03:20.739 --> 01:03:23.579
it was, it was fruits and vegetables pun central
01:03:23.579 --> 01:03:25.239
where you can go sit down and watch all these,
01:03:25.300 --> 01:03:27.579
you know, veggie, veggie fruit, fruit, veggie,
01:03:27.679 --> 01:03:29.780
fruit, fruit. They wrote all those types of songs.
01:03:30.400 --> 01:03:33.139
Dude, ahead of its time, like I have my nephew,
01:03:33.300 --> 01:03:35.400
like he's watching all these veggie fruit, fruit
01:03:35.400 --> 01:03:37.480
things on YouTube with music in the background.
01:03:37.500 --> 01:03:39.900
Like, so that was ahead of its time back then
01:03:39.900 --> 01:03:42.760
for them doing that stuff. Yeah my dad recently
01:03:42.760 --> 01:03:44.480
a couple years ago started getting royalties
01:03:44.480 --> 01:03:45.639
again he's like i don't know why i'm getting
01:03:45.639 --> 01:03:48.940
royalties and then we went to Epcot to see some
01:03:48.940 --> 01:03:52.119
family and for the big firework show veggie fruit
01:03:52.119 --> 01:03:54.380
fruit started playing in the montage and i looked
01:03:54.380 --> 01:03:56.380
at my that's where you're getting royalties songs
01:03:56.380 --> 01:03:59.099
being played every single night um so he did
01:03:59.099 --> 01:04:01.920
that and then in the late 80s he started working
01:04:01.920 --> 01:04:05.139
with the japanese for tokyo disney sea and he
01:04:05.139 --> 01:04:08.900
was a head writer. and uh he my brother my mom
01:04:08.900 --> 01:04:11.619
and uh my dad just went to japan last week for
01:04:11.619 --> 01:04:14.699
the the dodgers game they flew out there but
01:04:14.699 --> 01:04:19.579
my dad said that basically uh well my brother
01:04:19.579 --> 01:04:21.500
was just like dad was like on a parade float
01:04:21.500 --> 01:04:22.920
the whole time because he's like kind of a celebrity
01:04:22.920 --> 01:04:24.840
out there with a lot of the japanese because
01:04:24.840 --> 01:04:27.440
he was there for 20 years back and forth and
01:04:27.440 --> 01:04:30.159
uh so they went to tokyo dis me see in my brother
01:04:30.159 --> 01:04:32.099
sends me a picture and there's one of the rides
01:04:32.099 --> 01:04:33.639
where they're riding. And there's all these submarine
01:04:33.639 --> 01:04:35.599
captains and my dad's one of them. Like he's
01:04:35.599 --> 01:04:37.699
up there like, and I was like, that's cool, man.
01:04:37.780 --> 01:04:41.440
You're like a mortalized that TDS. But yeah.
01:04:41.539 --> 01:04:43.579
So he was just a writer for that long doing all
01:04:43.579 --> 01:04:46.039
that stuff. I can't say he did anything at the
01:04:46.039 --> 01:04:51.260
mayor in Anaheim. I know he wrote the Buzz Lightyear,
01:04:51.460 --> 01:04:54.360
the Buzz Astro Blasters or whatever. like when
01:04:54.360 --> 01:04:55.860
you're waiting in line and there's like Buzz
01:04:55.860 --> 01:04:58.079
talking to you like he wrote a lot of that script
01:04:58.079 --> 01:05:00.059
but I think he did it for the Japanese and not
01:05:00.059 --> 01:05:03.699
for Anaheim but a lot a lot of script dialogue
01:05:03.699 --> 01:05:06.880
stuff and uh when I went to Japan with him when
01:05:06.880 --> 01:05:10.159
I was 15 we used to go in the studio which at
01:05:10.159 --> 01:05:12.059
the time was so boring to me because they're
01:05:12.059 --> 01:05:13.780
just a different culture and they were doing
01:05:13.780 --> 01:05:16.260
all the voiceovers for the animatronics and I
01:05:16.260 --> 01:05:18.219
was just sitting there like oh god this is so
01:05:18.219 --> 01:05:19.780
boring and I couldn't understand anything and
01:05:19.780 --> 01:05:21.599
they would like have them stop and redo the same
01:05:21.599 --> 01:05:25.079
parts I didn't know and Sean, that's Japan that
01:05:25.079 --> 01:05:26.659
you're talking about right there. Yeah. Yeah.
01:05:27.159 --> 01:05:30.099
I just heard, um, Bill Murray was just on, I
01:05:30.099 --> 01:05:32.159
believe Howard Stern, but he was talking about,
01:05:32.480 --> 01:05:35.119
like he likes to go into Japan because their
01:05:35.119 --> 01:05:38.139
society is like so serious. I guess for like,
01:05:38.239 --> 01:05:40.420
they're almost like pennants from World War two.
01:05:40.619 --> 01:05:42.719
Like they're still just like very like serious
01:05:42.719 --> 01:05:45.599
society, but they love when tourists come over
01:05:45.599 --> 01:05:47.579
and have fun. So like they, like when tourists
01:05:47.579 --> 01:05:49.460
come, like they, they actually encourage them
01:05:49.460 --> 01:05:52.619
to like act out and be wacky and just like, Really
01:05:52.619 --> 01:05:55.320
enjoy themselves even though like they kind of
01:05:55.320 --> 01:05:57.760
don't yeah, it's probably why my dad's so popular
01:05:57.760 --> 01:05:59.500
out there because he's he's a big wacky dude
01:05:59.500 --> 01:06:02.820
in Yeah, they're very proper. They're very clean
01:06:02.820 --> 01:06:06.460
But what's crazy is they party they like they
01:06:06.460 --> 01:06:09.019
drink beer like like it's no tomorrow because
01:06:09.019 --> 01:06:11.820
my dad would do a Fasting like a month before
01:06:11.820 --> 01:06:13.719
going there because he said every night after
01:06:13.719 --> 01:06:17.469
their meetings require drinking beer And so I
01:06:17.469 --> 01:06:18.829
went to a few of those meetings. This is when
01:06:18.829 --> 01:06:20.949
I didn't drink, but everyone's just getting sloshed
01:06:20.949 --> 01:06:23.349
and pitchers, pitchers, pitchers for hours. And
01:06:23.349 --> 01:06:25.949
then you go outside and there's Japanese dudes
01:06:25.949 --> 01:06:28.909
in suits just puking in the street. Like, and
01:06:28.909 --> 01:06:30.269
my dad's like, oh, it's normal. And then they
01:06:30.269 --> 01:06:31.690
go to bed and they wake up and then they're like
01:06:31.690 --> 01:06:33.670
back to like business time. And then nighttime,
01:06:33.809 --> 01:06:36.489
they're like, party. And then they repeat. I'm
01:06:36.489 --> 01:06:39.909
just like, wow, like different culture. Yeah.
01:06:40.889 --> 01:06:43.719
That's kind of a good culture. Yeah, but I hopefully
01:06:43.719 --> 01:06:45.940
the answer to question like my dad did that my
01:06:45.940 --> 01:06:48.619
yeah, I'm just trying to give a Backstory of
01:06:48.619 --> 01:06:50.059
what everything is I'm sure there's a lot more
01:06:50.059 --> 01:06:52.699
to it is well That's it's an amazing backstory.
01:06:52.699 --> 01:06:54.519
I mean that's you know, it's what is that four
01:06:54.519 --> 01:06:58.380
generations three? And then my brother like screw
01:06:58.380 --> 01:07:00.119
Disney. We're gonna be musicians and make money
01:07:00.639 --> 01:07:02.460
We're not doing it now. We're like, like, what
01:07:02.460 --> 01:07:04.519
do we do? What do we do? Now you were Nickelodeon.
01:07:04.760 --> 01:07:06.920
So, you know, you went Disney to Nickelodeon.
01:07:07.179 --> 01:07:09.239
So yeah, we did do a Disney pitch, but we didn't
01:07:09.239 --> 01:07:11.179
get it. But I was just like, if I can get a Disney
01:07:11.179 --> 01:07:13.019
pitch, then that'll be four generations. We're
01:07:13.019 --> 01:07:15.760
going to be like, boom. There's a fourth. No,
01:07:15.800 --> 01:07:17.260
they don't care anymore about that. It's all
01:07:17.260 --> 01:07:19.300
this corporate, you know, they're so massive.
01:07:19.460 --> 01:07:20.880
They're just like, who wrote this? All right,
01:07:20.880 --> 01:07:24.000
whatever. Well, that's way different than it
01:07:24.000 --> 01:07:26.280
was, for sure. I mean, just look at that new
01:07:26.280 --> 01:07:30.840
snow white debacle. That was fun. Sean you said
01:07:30.840 --> 01:07:33.760
You said the name of the company was rock -a
01:07:33.760 --> 01:07:35.920
-bye daddy that you got. Yeah, we don't we don't
01:07:35.920 --> 01:07:37.980
really have anything out it was like we started
01:07:37.980 --> 01:07:40.840
it and like Rock -a -bye daddies and then like
01:07:40.840 --> 01:07:43.199
we got this pitch and then we're like We should
01:07:43.199 --> 01:07:45.059
do something with this We just haven't done it
01:07:45.059 --> 01:07:47.199
because Brian's also in all these tributes with
01:07:47.199 --> 01:07:49.019
me So we're constantly like building tributes
01:07:49.019 --> 01:07:51.400
and like getting stuff together and going so
01:07:51.400 --> 01:07:54.360
it's a kind he's got four kids So like young
01:07:54.360 --> 01:07:58.760
kids like talking one to seven and then his wife
01:07:58.760 --> 01:08:00.920
works. So when she's gone, he's just there, like
01:08:00.920 --> 01:08:03.579
Mr. Mom, like I don't, I can't do anything right
01:08:03.579 --> 01:08:06.659
now. So a lot of times if we go to write, I take
01:08:06.659 --> 01:08:09.139
Hopper over there and just put the kids in the
01:08:09.139 --> 01:08:10.699
playroom. All right. Let's try to get something
01:08:10.699 --> 01:08:12.019
down. Like what do you want to come up with?
01:08:12.300 --> 01:08:15.380
And then it's a, we got 10 minutes for watching
01:08:15.380 --> 01:08:18.680
something. Yeah, exactly. Go, go, go. Right.
01:08:20.220 --> 01:08:23.239
Um, so it seems like maybe rock -a -bye daddy
01:08:23.239 --> 01:08:26.060
was started for something else But then once
01:08:26.060 --> 01:08:28.539
you started to like flesh out these song ideas,
01:08:28.659 --> 01:08:30.960
it's like seems to be going into like this sort
01:08:30.960 --> 01:08:33.640
of direction Yeah, I mean like the obvious the
01:08:33.640 --> 01:08:35.899
goal for a lot of like composers is you want
01:08:35.899 --> 01:08:39.680
to get contracts where Like if we got the rock
01:08:39.680 --> 01:08:42.739
of my daddy's scoring card, that's what we wanted
01:08:42.739 --> 01:08:44.840
like we're like you get X amount of dollars and
01:08:44.840 --> 01:08:46.699
then you're getting paid to sit in your own studio
01:08:46.699 --> 01:08:48.640
They send you episodes and like all right. We
01:08:48.640 --> 01:08:50.199
need this kind of vibe at this part So we just
01:08:50.199 --> 01:08:52.180
writing all day to the season we send it back
01:08:52.180 --> 01:08:54.319
and they're like make these tweaks and that's
01:08:54.319 --> 01:08:57.380
our ultimate goal We just so many time and like
01:08:57.380 --> 01:09:00.199
tish the queen of the whole thing. She's like
01:09:00.199 --> 01:09:03.810
just send me write a couple scores to Something
01:09:03.810 --> 01:09:05.630
already done. So like we've talked about like
01:09:05.630 --> 01:09:08.029
let's find something put it on mute and compose
01:09:08.029 --> 01:09:09.770
her own thing to it and what we would have done
01:09:09.770 --> 01:09:12.090
and send it back to her She's I can get you I
01:09:12.090 --> 01:09:14.170
can get you jobs because all her employees they
01:09:14.170 --> 01:09:16.810
just have gigs scoring like children's shows
01:09:16.810 --> 01:09:19.850
and everything else But again, it's just like
01:09:19.850 --> 01:09:22.409
having little kids. It's like there's no time
01:09:22.409 --> 01:09:24.789
for us to like Figure this out right now. And
01:09:24.789 --> 01:09:26.770
it's just yeah, how do you how do you figure
01:09:26.770 --> 01:09:30.449
it out? I mean all different shows. Like if you
01:09:30.449 --> 01:09:32.689
were able to just focus on the one show and kind
01:09:32.689 --> 01:09:34.789
of play it all the time and do that. But when
01:09:34.789 --> 01:09:37.710
you're throwing 900 different things at you,
01:09:37.729 --> 01:09:39.869
it's like, you know, you got to focus on just
01:09:39.869 --> 01:09:42.310
one that one. And the hardest part is a lot of
01:09:42.310 --> 01:09:43.789
times when you do these pitches, you don't get
01:09:43.789 --> 01:09:45.550
paid. You know, it's just like you're hoping
01:09:45.550 --> 01:09:48.569
to get it. And so that's why we made a mark very
01:09:48.569 --> 01:09:50.409
quick. We were two for two, like right out of
01:09:50.409 --> 01:09:51.810
the gate. They're like, so they're like, Oh,
01:09:51.829 --> 01:09:53.710
these guys are everyone else is a Nashville,
01:09:53.810 --> 01:09:56.029
but we're in Utah. So it's like, you know, like,
01:09:56.069 --> 01:09:57.590
Hey, we know what we're doing. We have a studio.
01:09:57.789 --> 01:10:00.649
We're both Artists, you know we create so just
01:10:00.649 --> 01:10:02.970
this more stuff, but she's like that's why we
01:10:02.970 --> 01:10:04.550
want to get a contract So we don't have to like
01:10:04.550 --> 01:10:06.550
be up till three in the morning like all right
01:10:06.550 --> 01:10:08.289
We hope we get this and if you don't get you're
01:10:08.289 --> 01:10:11.470
like like that was a long night of nothing this
01:10:11.470 --> 01:10:14.949
but other than a resume How cool for them to
01:10:14.949 --> 01:10:16.930
have somebody like you that's been in awesome
01:10:16.930 --> 01:10:19.109
rock bands like scoring their stuff It's like
01:10:19.109 --> 01:10:22.029
a notch up for them, you know as far as promotion
01:10:22.029 --> 01:10:25.920
and marketing goes in my eyes like I don't think
01:10:25.920 --> 01:10:27.619
anybody knows that's what I used to do because
01:10:27.619 --> 01:10:30.199
I don't really talk about it. So I think I'd
01:10:30.199 --> 01:10:31.680
rather have them find out about it. And they
01:10:31.680 --> 01:10:33.079
come up to call you to this. And I'm like, yeah,
01:10:33.180 --> 01:10:34.979
that's good. You know, I'm not a guy to talk
01:10:34.979 --> 01:10:37.319
about it. I guess it's true. Seems kind of like
01:10:37.319 --> 01:10:39.720
egotistical in a way in my own opinion. But yeah,
01:10:39.760 --> 01:10:42.500
if it's brought up, I'll talk about it. I figured
01:10:42.500 --> 01:10:44.420
they would just have to know. I mean, the gracious
01:10:44.420 --> 01:10:47.739
few, some candle box stuff. This is what I do
01:10:47.739 --> 01:10:52.939
on the dating apps. Yeah. Um, no, you know, the
01:10:52.939 --> 01:10:55.960
gracious few we were, we were. We were fucking
01:10:55.960 --> 01:10:59.260
tight then like we were tight like we we were
01:10:59.260 --> 01:11:02.300
on Point most of the time I remember I remember
01:11:02.300 --> 01:11:04.859
the show we did in San Francisco when Jerry came
01:11:04.859 --> 01:11:06.439
out and he remember he taped all his lyrics on
01:11:06.439 --> 01:11:08.539
the mic stand there was like all this paper everywhere
01:11:08.539 --> 01:11:11.520
and Carl Carl Durfler and Jerry Harrison came
01:11:11.520 --> 01:11:15.399
out and I had no that was towards the end of
01:11:15.399 --> 01:11:19.380
the end of the show so I was or end of the tour
01:11:19.380 --> 01:11:22.260
so I was like primed and ready. Like I was, I
01:11:22.260 --> 01:11:24.199
was on point with my tone. I knew everything.
01:11:24.380 --> 01:11:26.640
I knew how to, I knew where to go. And I remember
01:11:26.640 --> 01:11:28.539
Chad didn't have a very good, not Chad Grace,
01:11:28.680 --> 01:11:29.899
but Chad Taylor didn't have a very good show.
01:11:30.260 --> 01:11:33.140
And I remember like Jerry and Carl coming up
01:11:33.140 --> 01:11:35.199
to me after the show. And they were like, as,
01:11:35.260 --> 01:11:38.140
as Carl said, you were phenomenal. Yeah. He was
01:11:38.140 --> 01:11:42.220
like, do that voodoo that you do, man. Um, but
01:11:42.220 --> 01:11:43.979
cause, cause I was just on point that night and
01:11:43.979 --> 01:11:46.979
they were very encouraged and excited that because
01:11:46.979 --> 01:11:49.119
they saw some weak sides of me in the studio
01:11:49.119 --> 01:11:50.899
and they, and they got to see it another side
01:11:50.899 --> 01:11:53.239
of me which was that was very encouraging and
01:11:53.239 --> 01:11:55.680
helpful nice to have that feeling and it's still
01:11:55.680 --> 01:11:58.300
stuck with me so at that show did we did we did
01:11:58.300 --> 01:12:01.619
we do something what what songs do we do with
01:12:01.619 --> 01:12:04.199
jerry i think we did a modern lover song i can't
01:12:04.199 --> 01:12:06.359
remember we did two we did two songs with him
01:12:06.359 --> 01:12:09.380
i think one was a modern lovers and maybe one
01:12:09.380 --> 01:12:11.300
was just like a cover i don't remember i just
01:12:11.300 --> 01:12:15.050
remember jerry like taping like sheets of paper
01:12:15.050 --> 01:12:17.229
on the mic stand. It was hilarious. And it was
01:12:17.229 --> 01:12:18.829
just like paper going all the way down at the
01:12:18.829 --> 01:12:24.130
stage. Sean, you also, I don't know if it was
01:12:24.130 --> 01:12:27.130
just a show or a couple, I think you played in
01:12:27.130 --> 01:12:30.529
live when Christian was singing as well. Yeah,
01:12:30.569 --> 01:12:33.649
I did two shows and that was, that was a very
01:12:33.649 --> 01:12:37.109
exciting moment of my life. And I remember Chad
01:12:37.109 --> 01:12:38.890
Taylor was trying to show me the guitar parts
01:12:38.890 --> 01:12:40.770
and well, I already knew the guitar parts as
01:12:40.770 --> 01:12:43.680
much as I knew. And Chad said, out of all the
01:12:43.680 --> 01:12:45.800
guitar players that have played in live, you're
01:12:45.800 --> 01:12:48.699
the only guy that's known the right colorings,
01:12:48.819 --> 01:12:50.619
like how I played them. He's like, people are
01:12:50.619 --> 01:12:51.859
playing them in different positions. Like I just,
01:12:51.880 --> 01:12:53.420
I could hear it. I'm like, this is what he was
01:12:53.420 --> 01:12:55.899
doing. I'm actually in a band called Sludge Judy,
01:12:56.159 --> 01:12:59.140
which is just kind of like a hard rock therapy
01:12:59.140 --> 01:13:00.979
band with all these other really top musicians,
01:13:01.180 --> 01:13:02.960
a couple of guys from Oblis, some friends of
01:13:02.960 --> 01:13:06.680
ours. And we cover I Alone, which is funny because
01:13:06.680 --> 01:13:08.920
I was just like, I was like, I've actually played
01:13:08.920 --> 01:13:11.279
this song with the guys before and live. Hi,
01:13:11.340 --> 01:13:18.779
buddy. Hey, here's my son John and Chad. Hello.
01:13:19.279 --> 01:13:21.739
They're saying hi. You can't hear him. Can you
01:13:21.739 --> 01:13:25.079
see what's up, dudes? I can make faces. Oh, let
01:13:25.079 --> 01:13:30.659
me hear. Hello, Hopper. How are you? Hi. Good
01:13:30.659 --> 01:13:32.880
to see you. Good to see you. It's right. Go get
01:13:32.880 --> 01:13:37.520
grandpa. I'm almost done. OK. Dude, you're going
01:13:37.520 --> 01:13:39.079
to be in trouble. He's going to be a ladies man.
01:13:40.119 --> 01:13:42.579
Yeah. He's already a performer. He's just like
01:13:42.579 --> 01:13:44.619
dad and a director. He's like, just do this.
01:13:45.100 --> 01:13:47.340
Sorry, what were we talking about? I was going
01:13:47.340 --> 01:13:49.659
somewhere with that. Oh, you're playing I Alone
01:13:49.659 --> 01:13:52.159
in the band and the one. Or the playing with
01:13:52.159 --> 01:13:54.939
live, playing with live. Yeah. Yeah, we did two
01:13:54.939 --> 01:13:58.500
shows. We did the one in York, the home show
01:13:58.500 --> 01:14:01.560
with Chris when we all covered our Cheddar with
01:14:01.560 --> 01:14:04.840
baby powder in the backstage wearing black. And
01:14:04.840 --> 01:14:07.479
then we played South by Southwest, which is a
01:14:07.479 --> 01:14:11.140
really fun. moment for me there was these two
01:14:11.140 --> 01:14:14.119
there was these two girls younger like early
01:14:14.119 --> 01:14:16.479
20s that had played South by Southwest and it
01:14:16.479 --> 01:14:20.779
was the gracious few candlebox and live Wow And
01:14:20.779 --> 01:14:23.260
so and I was on the same side for all three shows
01:14:23.260 --> 01:14:25.699
so we played gracious few we'd like a 45 minute
01:14:25.699 --> 01:14:27.279
set then was like, you know a 30 minute break
01:14:27.279 --> 01:14:29.479
and the candlebox came out and I came back out
01:14:29.479 --> 01:14:31.439
and these girls are like you're this bad too
01:14:31.439 --> 01:14:35.199
You're the only one that did all three all three
01:14:35.199 --> 01:14:38.119
sets, right? Yeah, did I freeze by the way? I'm
01:14:38.119 --> 01:14:40.640
frozen Oh, you're good. All right. You're working.
01:14:41.020 --> 01:14:44.479
And then we go out, we leave the stage and we
01:14:44.479 --> 01:14:46.979
come back out for live. And the two girls in
01:14:46.979 --> 01:14:49.060
front of me were like, how many fucking bands
01:14:49.060 --> 01:14:52.100
are you in, man? That was a really funny moment
01:14:52.100 --> 01:14:56.359
for me to have. But yeah, that had to feel frozen.
01:14:57.159 --> 01:14:59.659
Yeah, that era of time was probably my prime
01:14:59.659 --> 01:15:03.439
as a guitar player for tone. And just I was just
01:15:03.439 --> 01:15:07.699
playing so much all the time that I was i was
01:15:07.699 --> 01:15:09.340
so much better i'm not as good as i was because
01:15:09.340 --> 01:15:11.699
i don't play like that i don't tour so if you
01:15:11.699 --> 01:15:15.579
play every day that's three bands of music in
01:15:15.579 --> 01:15:17.920
your brain that you have to perform in one night
01:15:17.920 --> 01:15:21.159
like that oh yeah i love it i i've always had
01:15:21.159 --> 01:15:25.239
i've always had a capacity to memorize songs
01:15:25.239 --> 01:15:27.220
i could probably play 500 songs right now by
01:15:27.220 --> 01:15:29.359
memory just like if you just name them out i
01:15:29.359 --> 01:15:31.260
could play them just because it just sits there
01:15:31.600 --> 01:15:34.500
Is it so safe for a night like that? Are you
01:15:34.500 --> 01:15:37.140
kind of going through and like you're like playing
01:15:37.140 --> 01:15:39.680
the song from start to finish kind of how you
01:15:39.680 --> 01:15:42.260
learned it? Or is it like at times during it,
01:15:42.319 --> 01:15:46.460
you maybe have to go off script or off like the
01:15:46.460 --> 01:15:48.800
music or something to because you forgot something
01:15:48.800 --> 01:15:50.680
and you need to kind of fill in or whatever.
01:15:51.560 --> 01:15:54.220
At that point, I just knew it. I knew where to
01:15:54.220 --> 01:15:56.420
go. I knew when I wanted to throw in a riff here
01:15:56.420 --> 01:15:57.760
and there, because I'm like, ah, like, there's
01:15:57.760 --> 01:15:59.760
a space here. There's no vocals. There's a spot
01:15:59.760 --> 01:16:01.659
where I can go, wham, wham, and just throw it
01:16:01.659 --> 01:16:05.140
out, throw it away. But a good trick is if you
01:16:05.140 --> 01:16:07.359
flub something or you get lost as, like, a pick
01:16:07.359 --> 01:16:09.779
scrape, you know, it's like a, brrrraaow. Or
01:16:09.779 --> 01:16:11.000
like, you're like, all right, where am I? Where
01:16:11.000 --> 01:16:13.460
am I? Like, I mean, just actions are like, you
01:16:13.460 --> 01:16:15.460
know, kind of jack off on the guitar. I do like
01:16:15.460 --> 01:16:16.960
the noodling. I'm like, wham, wham, wham, wham.
01:16:17.100 --> 01:16:20.359
I'm going to an A chord. Here we go. or there
01:16:20.359 --> 01:16:22.260
was times a trick that I used to do with Candlebox
01:16:22.260 --> 01:16:24.779
that if I couldn't suddenly, cause there would
01:16:24.779 --> 01:16:26.119
be brain farts. Something used to be like, I
01:16:26.119 --> 01:16:27.720
don't remember what chord I'm going to do. I
01:16:27.720 --> 01:16:30.460
would either drop down and like play with my
01:16:30.460 --> 01:16:32.020
pedal board. Like something was wrong. So the
01:16:32.020 --> 01:16:33.140
band looked over there like, Oh, something's
01:16:33.140 --> 01:16:34.840
wrong with his pedal board. Or I'd go back to
01:16:34.840 --> 01:16:37.060
my amp and like mess with it, which would freak
01:16:37.060 --> 01:16:38.420
out the text. They'd run out there because everything's
01:16:38.420 --> 01:16:39.479
okay. I'm like, everything's fine. I'm just,
01:16:39.779 --> 01:16:41.279
I'm trying to figure out what the hell I'm at
01:16:41.279 --> 01:16:44.399
right now. And then, but that way it's a performance.
01:16:44.600 --> 01:16:45.819
So it's not like, you know, cause you see guys
01:16:45.819 --> 01:16:48.170
on stage. I remember seeing Weezer. the Brian,
01:16:48.310 --> 01:16:50.689
the lead guitar player, he threw a hissy thing
01:16:50.689 --> 01:16:52.050
on stage because something was wrong. I was like,
01:16:52.090 --> 01:16:54.569
don't ever do that. Like, no, just, just like,
01:16:54.810 --> 01:16:56.470
just pull it out. There was times where I would
01:16:56.470 --> 01:16:58.390
just hold my hands up in the air and look at
01:16:58.390 --> 01:17:00.810
the crowd, like, something's wrong. Like, I just
01:17:00.810 --> 01:17:03.210
found my control at this moment and no one cares.
01:17:03.430 --> 01:17:05.770
They rather see you having fun that if something
01:17:05.770 --> 01:17:07.270
goes wrong, instead of being an asshole. And
01:17:07.270 --> 01:17:10.590
I learned that very early on because I played
01:17:10.590 --> 01:17:14.829
with. rock stars from like 19 and on. So I got
01:17:14.829 --> 01:17:16.869
to see like, don't do that, do that, don't do
01:17:16.869 --> 01:17:18.789
that, don't do that. And it's kind of molded
01:17:18.789 --> 01:17:21.390
me to be kind of a, I mean, I like to say humble,
01:17:21.569 --> 01:17:23.789
but like just a good person to like work with
01:17:23.789 --> 01:17:25.609
and hang out with because I don't want to be
01:17:25.609 --> 01:17:28.369
an asshole. Yeah, well -rounded. So most of the
01:17:28.369 --> 01:17:30.050
time with that stuff, the audience either doesn't
01:17:30.050 --> 01:17:32.409
notice or they kind of like seeing that. They're
01:17:32.409 --> 01:17:35.710
like, oh, shit. So they're not robots. They mess
01:17:35.710 --> 01:17:38.250
up some time. And I like. when there's errors
01:17:38.250 --> 01:17:40.770
on stage. I like when I can hear a flub because
01:17:40.770 --> 01:17:44.329
I'm like, you are human. I've seen the Kings
01:17:44.329 --> 01:17:46.409
of Leon a couple of times and it's so boring.
01:17:46.569 --> 01:17:48.250
I love the Kings of Leon. I saw them before they
01:17:48.250 --> 01:17:51.630
became who they were and they didn't move a lot.
01:17:51.770 --> 01:17:54.090
But like before they became who they are, they
01:17:54.090 --> 01:17:56.229
were more like hillbilly rock and roll. They
01:17:56.229 --> 01:17:59.050
were sloppy and things were like, but then as
01:17:59.050 --> 01:18:00.810
they got polished and they got all their reverb
01:18:00.810 --> 01:18:02.470
and their sound that became the Kings of Leon.
01:18:02.970 --> 01:18:05.010
I would go see them and I would just sit down.
01:18:05.289 --> 01:18:06.689
And even if everybody was standing, I was like,
01:18:06.770 --> 01:18:13.869
they're just Oh, we lost them. It literally,
01:18:13.869 --> 01:18:16.670
it literally cut. He's not even in the green
01:18:16.670 --> 01:18:20.890
room. I'm guessing either whatever he was on
01:18:20.890 --> 01:18:26.930
died. Oh, he's back. Sweet. Hold on there, folks.
01:18:28.130 --> 01:18:31.050
There we go. Okay. Sorry. I don't know what happened
01:18:31.050 --> 01:18:33.829
there. Me either. We are like you're on a device
01:18:33.829 --> 01:18:36.109
that died. We're like, Oh, no. No, I'm plugged
01:18:36.109 --> 01:18:39.569
in directly into my Wi -Fi. I'm not on Wi -Fi
01:18:39.569 --> 01:18:41.470
just in case. So I don't know what happened.
01:18:42.090 --> 01:18:45.409
You didn't pull any plugs. Did you, buddy? It's
01:18:45.409 --> 01:18:48.489
like, he's like, dad, we need you. He's like,
01:18:48.569 --> 01:18:52.489
yeah, dad. Yeah. Well, so the way we do the good,
01:18:52.670 --> 01:18:54.329
good. Yeah. Yeah. That's all. That's all. I don't
01:18:54.329 --> 01:18:56.270
know what I was talking about because I got distracted.
01:18:56.569 --> 01:18:58.689
Well, I wanted to say, uh, the way we always
01:18:58.689 --> 01:19:01.109
do this is we introduce the audience to the guests
01:19:01.109 --> 01:19:03.289
and we leave them wanting more. And for sure,
01:19:03.430 --> 01:19:05.829
we just literally scratch the surface with, uh,
01:19:05.949 --> 01:19:07.909
with all the stuff you got going on. So we'd
01:19:07.909 --> 01:19:10.369
love to have you back on in the future. Uh, for
01:19:10.369 --> 01:19:12.890
sure. Rock on. Would you like to tell the audience
01:19:12.890 --> 01:19:14.750
where they could find some of your stuff on social
01:19:14.750 --> 01:19:18.069
media? And, uh, I think super duper bunny league
01:19:18.069 --> 01:19:21.220
is coming out April 19th. I'm not sure. But I
01:19:21.220 --> 01:19:23.060
think yeah super duper buddy league is coming
01:19:23.060 --> 01:19:25.239
out of paramount plus. I believe april 19 It's
01:19:25.239 --> 01:19:27.380
on youtube right now, but go click on it because
01:19:27.380 --> 01:19:29.159
that gives me like a half a cent to split with
01:19:29.159 --> 01:19:32.220
my songwriting partner But yeah, super duper
01:19:32.220 --> 01:19:34.239
buddy league is on Nickelodeon paramount plus
01:19:34.239 --> 01:19:37.500
keep an eye out for the spongebob Record I think
01:19:37.500 --> 01:19:39.659
it's coming out this summer for their 25th anniversary
01:19:39.659 --> 01:19:43.979
or something And then Social media is it's all
01:19:43.979 --> 01:19:46.520
Memphis Hennessy. That's where you can find him.
01:19:46.579 --> 01:19:49.359
My real name's Sean. You guys know that but in
01:19:49.359 --> 01:19:51.220
the rock world I've just gone with Memphis because
01:19:51.220 --> 01:19:53.800
people can remember me but I make stupid videos
01:19:53.800 --> 01:19:57.000
and I like that fun and I play music and I'm
01:19:57.000 --> 01:20:00.859
just a big goofball. We call him the kid when
01:20:00.859 --> 01:20:03.939
he was in the gracious field. In fact, you're
01:20:03.939 --> 01:20:06.399
still on my phone as the kid so I'll take it.
01:20:06.649 --> 01:20:08.970
I'll take it. Hey, thanks for having me on now.
01:20:09.010 --> 01:20:10.189
This was fun. I think this was my first, like,
01:20:10.229 --> 01:20:11.890
real podcast where I was, like, excited to get
01:20:11.890 --> 01:20:13.770
on. Like, oh, this is fun because, like, I know
01:20:13.770 --> 01:20:16.069
people and we can just chit -chat. Yeah. Well,
01:20:16.069 --> 01:20:17.550
thank you for coming on. I really appreciate
01:20:17.550 --> 01:20:19.149
it. We appreciate it. Yeah, of course. Great,
01:20:19.329 --> 01:20:20.810
dude. Awesome. And then is there a way, like,
01:20:20.949 --> 01:20:23.829
after this, can I go back and see these? I see
01:20:23.829 --> 01:20:25.890
some of these quotes happening, but I haven't
01:20:25.890 --> 01:20:28.090
seen them all. Can I go back and, like, answer
01:20:28.090 --> 01:20:31.630
them or...? Yeah, so the way it goes, the...
01:20:31.630 --> 01:20:33.869
We have a super chat that we can see on our end
01:20:33.869 --> 01:20:36.729
that goes from like rumble to Instagram, to Facebook
01:20:36.729 --> 01:20:38.329
and stuff. But most of the comments you're seeing
01:20:38.329 --> 01:20:40.729
are probably from Facebook. So if you go to the
01:20:40.729 --> 01:20:43.090
gracious to Facebook or Chad's Facebook, all
01:20:43.090 --> 01:20:45.210
the comments should be there. Okay. Awesome.
01:20:45.750 --> 01:20:49.890
Hey, you. Hey, we're giving it back. Yeah. Do
01:20:49.890 --> 01:20:52.970
you want to say bye everyone? Bye Hopper. Thank
01:20:52.970 --> 01:20:57.550
you for your dad for a little bit. Rock and roll.
01:20:57.970 --> 01:21:11.309
Thank you so much. Yeah. Thank you so much. The
01:21:11.309 --> 01:21:14.390
one and only Sean Memphis with his awesome kid
01:21:14.390 --> 01:21:17.510
hopper right there. That was cool. Yeah, very
01:21:17.510 --> 01:21:20.609
cool. Well, I love the way he when he was getting
01:21:20.609 --> 01:21:23.229
into the you guys recording the gracious few
01:21:23.229 --> 01:21:26.409
album how he like was like he almost brought
01:21:26.409 --> 01:21:29.909
us right into that moment. Yeah, which was very
01:21:29.909 --> 01:21:32.789
cool. Um, so that was dope, uh, that he's got
01:21:32.789 --> 01:21:35.489
a memory like that. You were probably like, Hey
01:21:35.489 --> 01:21:38.649
now, probably brought you right back. Well, it's
01:21:38.649 --> 01:21:40.430
cool. He's just talking about stuff that I didn't
01:21:40.430 --> 01:21:43.329
even see because I would, I cut, you know, the
01:21:43.329 --> 01:21:46.289
way we cut that record is I come in, we all come
01:21:46.289 --> 01:21:49.409
in, we play live together. I just mainly kind
01:21:49.409 --> 01:21:51.210
of get the drums, but try to get as much as we
01:21:51.210 --> 01:21:54.569
could in that, in that take. And then I would,
01:21:54.750 --> 01:21:59.010
you know, like I said, I had my Phoenix was we
01:21:59.010 --> 01:22:02.130
had Phoenix. And 10 days later, we were in the
01:22:02.130 --> 01:22:04.630
studio making the gracious few record. Oh, wow.
01:22:04.930 --> 01:22:08.329
And credit to my, uh, my ex for doing that because
01:22:08.329 --> 01:22:12.310
it was tough. And so it was literally 10 days
01:22:12.310 --> 01:22:14.550
old when we got to the studio. And no excuse
01:22:14.550 --> 01:22:16.470
for you to be a little bit stressed there, maybe
01:22:16.470 --> 01:22:18.310
a little bit short. Huh? They wouldn't. Yeah.
01:22:18.329 --> 01:22:20.350
It was kind of funny. It was kind of funny. Like
01:22:20.350 --> 01:22:22.350
they all sat me down. They wanted to talk to
01:22:22.350 --> 01:22:24.430
me. I'm like, are we serious right now? Like
01:22:24.430 --> 01:22:27.970
my father just passed. My kid is 10 days old.
01:22:28.310 --> 01:22:31.569
Like, right. And I'm dealing with my ex who had
01:22:31.569 --> 01:22:33.569
post, no, a little bit of post -partum depression.
01:22:33.890 --> 01:22:36.590
I'm like, like, give me a little slack here,
01:22:36.630 --> 01:22:39.550
man. Yeah, please. Don't, and especially like
01:22:39.550 --> 01:22:41.489
that's adding to it. Cause then now I'm like,
01:22:41.569 --> 01:22:43.350
that would piss me off. Like, dude, I'm going
01:22:43.350 --> 01:22:45.170
through this and okay, maybe I'm a little, my
01:22:45.170 --> 01:22:47.229
attitude is not the best, but now this fuck off.
01:22:47.310 --> 01:22:48.789
Yeah. You got to have a sit down with me. I'm
01:22:48.789 --> 01:22:51.590
like, yeah. Fucking price. Okay. Like whatever.
01:22:51.890 --> 01:22:53.750
I don't even know what our rush was. So even
01:22:53.750 --> 01:22:58.000
one, you know, talking. Back back way back when
01:22:58.000 --> 01:22:59.819
talking to chat about it's like why the fuck
01:22:59.819 --> 01:23:02.739
did we Like what were we doing? Why do we like
01:23:02.739 --> 01:23:04.600
have to get in the studio and make that record
01:23:04.600 --> 01:23:06.680
10 days after Phoenix was born like what the
01:23:06.680 --> 01:23:10.039
fuck? Yeah, then anyway Well, maybe I mean because
01:23:10.039 --> 01:23:12.380
that album really was fucking killer like I don't
01:23:12.380 --> 01:23:14.840
know if it was just ideas you guys had that needed
01:23:14.840 --> 01:23:18.079
to get out or something But I wonder oh no that
01:23:18.079 --> 01:23:20.439
that that whole record was pent up fucking energy
01:23:20.439 --> 01:23:24.000
from Playing just ed songs for the yeah, you
01:23:24.000 --> 01:23:25.960
know, what is their four records or five records?
01:23:26.100 --> 01:23:27.819
You're like we want to rock again like yeah,
01:23:27.819 --> 01:23:30.000
you know, I don't want to sit here and have to
01:23:30.000 --> 01:23:32.979
play Oh, here's the song. This is the arrangement
01:23:32.979 --> 01:23:35.319
and just sit down and play your drums to it like
01:23:35.319 --> 01:23:40.880
Yeah, it's getting a room in rock again like
01:23:40.880 --> 01:23:43.239
come on that was that's what Chad Patrick and
01:23:43.239 --> 01:23:45.300
I wanted to do you know brought in Kevin and
01:23:45.300 --> 01:23:47.560
Sean But like I said the stuff that he was talking
01:23:47.560 --> 01:23:49.340
about stuff that I really didn't get the witness
01:23:49.340 --> 01:23:52.859
because I wasn't in the room. Yeah. So anyway,
01:23:53.020 --> 01:23:55.380
it was, yeah, it was fun. That was great. We
01:23:55.380 --> 01:23:56.859
have to have him again to tell more stories.
01:23:57.119 --> 01:24:00.039
For sure. He, uh, loved the way he spoke about
01:24:00.039 --> 01:24:03.260
things and just the, the, um, all the stuff with
01:24:03.260 --> 01:24:05.319
his grandfather and father, like that's a lot.
01:24:05.560 --> 01:24:07.399
Like, could you imagine just going on like Disney
01:24:07.399 --> 01:24:10.079
plus and then like one of the thumbnails, like
01:24:10.079 --> 01:24:11.979
for episode three, your father's there and it's
01:24:11.979 --> 01:24:16.619
like, Oh, that's cool. Um, yeah. And then if
01:24:16.619 --> 01:24:18.180
I was him, I would just tell people, you know,
01:24:18.359 --> 01:24:20.319
Hennessy, the whiskey or cognac, whatever it
01:24:20.319 --> 01:24:22.920
is, I'm from that family. So you probably want
01:24:22.920 --> 01:24:27.140
my music and SpongeBob. Uh, but any who let's,
01:24:27.180 --> 01:24:28.960
uh, let Bobby say goodbye to the audience real
01:24:28.960 --> 01:24:31.359
quick. And then we shall bid them adieu. And
01:24:31.359 --> 01:24:34.460
I think be back Sunday. Yes. We're coming back
01:24:34.460 --> 01:24:37.079
Sunday. Uh, we have the, what are they called?
01:24:37.199 --> 01:24:41.800
So, so, so Cal spirit. Seekers, so Cal spirits,
01:24:42.079 --> 01:24:44.140
seekers, I believe we call our ghost hunter.
01:24:44.539 --> 01:24:47.199
a pair of ghost hunting women from uh, orange
01:24:47.199 --> 01:24:50.039
county that I found on uh, on instagram and so
01:24:50.039 --> 01:24:52.159
I was like, hey, come on the podcast and then
01:24:52.159 --> 01:24:55.619
I think they want to take me on a uh, on a, what
01:24:55.619 --> 01:24:57.020
do they, whatever they call it, where they go
01:24:57.020 --> 01:24:58.760
and try to hunt, find ghosts. I'm like, okay,
01:24:58.819 --> 01:25:01.100
I'll go. Yeah. Like a spirit walker, something
01:25:01.100 --> 01:25:03.979
you're way braver than I am. Um, an investigation.
01:25:04.439 --> 01:25:06.479
That's what they call an investigation. Paranormal
01:25:06.479 --> 01:25:10.539
investigation with mr. Gracie. Make sure you
01:25:10.539 --> 01:25:13.539
bring your, uh, your proton. Yes. Who are you
01:25:13.539 --> 01:25:17.340
going to call? All right, Bobby, let the audience
01:25:17.340 --> 01:25:19.760
know that you love them and you shall see them
01:25:19.760 --> 01:25:26.720
some other day. Yes. The one and only Bobby folks.
01:25:26.979 --> 01:25:31.500
Yes. Yes. Yes. What a great show, dude. Not that
01:25:31.500 --> 01:25:33.199
we don't love all our guests, but guests, you
01:25:33.199 --> 01:25:35.140
know, that just keeps getting cool and cool and
01:25:35.140 --> 01:25:38.699
cool. So fun, fun, fun. And we shall see you
01:25:38.699 --> 01:25:42.619
Sunday for this ghost hunter thing. But yeah,
01:25:42.779 --> 01:25:44.359
I'm going to be a little spooked out. I might
01:25:44.359 --> 01:25:47.039
be in the dark, really get into the setting here
01:25:47.039 --> 01:25:51.779
and be lit in candle lights. Probably not. But
01:25:51.779 --> 01:25:54.640
we'll see. Thank you gracious audience. Please
01:25:54.640 --> 01:25:58.220
like, share, subscribe, follow all that jazz.
01:25:58.739 --> 01:26:01.479
Sharing is the most important. Sharing is caring,
01:26:01.699 --> 01:26:07.670
folks. I'm going to go black screen, Chad. All
01:26:07.670 --> 01:26:08.489
right, cool. Later.